[{"data":1,"prerenderedAt":294},["ShallowReactive",2],{"person-f6eaa2fb-ea31-4119-ba70-2bb1ade91492":3},{"success":4,"person":5,"request":290},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Bitelo","","Chaiane",{},"f6eaa2fb-ea31-4119-ba70-2bb1ade91492","chaianebitelo@gmail.com","2025-12-17T20:58:19-03:00","Universidade do Vale do Rio dos Sinos - UNISINOS",[15,16],"chaiane-bitelo","bitelo-chaiane",[18,161],{"parent":19,"metaData":20,"data":22,"langs":31,"_id":34,"type":35,"typeData":36,"status":122,"updateDate":123,"contributors":124,"contributorsIds":157,"download":158,"slugs":159,"slug":160},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":7,"createDate":21,"deleteDate":7},1766015899,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Design, emotion, music, media\u003C/p>","This article discusses the relationship between emotion and design, focusing on a specific type of experience design: musical consumption. An aspect of musical experience – media type (or consumption context) – is the object of analysis. This was carried out by means of an experimental study with students, seeking to identify differences in their perception of emotions after having been exposed to a song via different media: a sound recording (audio only), a music video and the live concert experience. The results point to the existence of differences, suggesting the importance of socially relevant factors in the individual perception of emotions.","Design and Music Consumption: The Media Formats Impact on Consumer Emotion",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Design, emoção, música, mídia\u003C/p>","Este artigo discute a relação entre emoção e design, concentrando-se especificamente no design de experiências. O objeto de análise é um aspecto da experiência musical, o tipo de mídia (ou situação de consumo). Para tanto, um estudo experimental com estudantes foi realizado, visando identificar diferenças na percepção de emoções após exposição a uma música através de mídias diferentes: fonograma (áudio), clipe musical (vídeo) e experiência ao vivo (show). Os resultados apontaram diferenças, sugerindo a importância de fatores de ordem social na percepção individual das emoções.","Design e Consumo Musical: Impacto dos Novos Formatos da Mídia nas Emoções do Consumidor",[32,33],"primary","secondary","16b16359-0430-4eb0-b609-91bf307f6c4b","article",{"startPage":37,"file":38,"references":41,"endPage":120,"track":121,"doi":7},2948,{"fullpath":39,"name":40},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69574.pdf","69574.pdf",[42,45,48,51,54,57,60,63,66,69,72,75,78,81,84,87,90,93,96,99,102,105,108,111,114,117],{"id":43,"label":44},"6cf895dd-1be2-48e7-b267-3b8c227c250c","\u003Cp>AYROSA, E., SAUERBRONN, J.F., BARROS, D. (2007). Bases sociais das emoções do consumidor – uma abordagem complementar sobre emoções e consumo, Encontro Nacional da ANPAD. In: \u003Cstrong>ENCONTRO NACIONAL DA ANPAD\u003C/strong>. Rio de Janeiro: ANPAD.\u003C/p>",{"id":46,"label":47},"a601983c-0143-4567-9f63-6b8b425fd08d","\u003Cp>BARBOSA, M.L. (2006). Bem-vindo a uma experiência extraordinária: proposições para uma interpretação sobre consumo de serviços, Encontro de Marketing da ANPAD. Rio de Janeiro: ANPAD.\u003C/p>",{"id":49,"label":50},"fef23300-91f9-440a-9d2a-b4e79706e2c4","\u003Cp>BLACKWELL, R.; MINIARD, P., ENGEL, J. (2005) \u003Cstrong>Comportamento do consumidor\u003C/strong>. São Paulo: Pioneira Thomson Learning.\u003C/p>",{"id":52,"label":53},"2d899b20-08fb-49b6-bbe0-0bf28879b353","\u003Cp>CHITTURI, R., RAGHUNATHAN, R., & MAHAJAN, V. (2008). Delight by Design: The Role of Hedonic Versus Utilitarian Benefits. \u003Cstrong>Journal of Marketing\u003C/strong>, 72.\u003C/p>",{"id":55,"label":56},"6e1ce1cc-f410-458c-ab49-2684e99ace1d","\u003Cp>DAVID, P., HORTON, B., GERMAN, T. (2008). Dynamics of Entertainment and Affect in a Super Bowl Audience: A Multilevel Approach. \u003Cstrong>Communication Research\u003C/strong>, London, 35 (3), 398-420.\u003C/p>",{"id":58,"label":59},"4f34d3b7-98cd-4734-8bb1-a7c2f8401560","\u003Cp>FIRAT, A. F, DHOLAKIA, N. (1998). \u003Cstrong>Consuming People: From Political Economy to Theaters of Consumption\u003C/strong>. London: Sage.\u003C/p>",{"id":61,"label":62},"1166ac4a-5766-4dff-ba15-94e2bc253bdf","\u003Cp>FRANNINOVIC, K., HUG, D., VISELL, Y. (2007) Sound embodied: explorations of sonic interaction design for everyday objects in a workshop setting. \u003Cstrong>Proceedings of the 13th International Conference on Auditory Display\u003C/strong>. Montreal: ICAD, 334-341.\u003C/p>",{"id":64,"label":65},"d0cb9e3e-0dd8-45dd-a963-70463fecd247","\u003Cp>FRANNINOVIC, K., VISELL, Y. (2008). Strategies For Sonic Interaction Design: From Context To Basic Design. \u003Cstrong>14th International Conference on Auditory Display\u003C/strong>. Paris: International Conference on Auditory Display, 1-8.\u003C/p>",{"id":67,"label":68},"159c55b9-23b1-41f1-a4e5-fc1d92055f3f","\u003Cp>HAWKINS D., MOTHERSBAUGH, D. L., BEST, R. (2007). \u003Cstrong>Comportamento do Consumidor: Construindo a Estratégia de Marketing\u003C/strong>. Rio de Janeiro: Elsevier.\u003C/p>",{"id":70,"label":71},"cce3fc27-1a20-4217-8e16-30a1465b2301","\u003Cp>HOIUX, O. et al. (2009). Sonic interactions, naturalness, usability and emotions. Premises for a computing model. \u003Cstrong>Closing the Loop of Sound Evaluation and Design (CLOSED)\u003C/strong>. Paris: Closing the Loop of Sound Evaluation and Design (CLOSED), 1-35.\u003C/p>",{"id":73,"label":74},"994b4784-6705-4713-8a6b-d4733e0a8e81","\u003Cp>HOLBROOK, M. B.; HIRSCHMAN, E.C. (1982). The Experiential Aspects of Consumption: Consumer Fantasy, Feelings and Fun, \u003Cstrong>Journal of Consumer Research\u003C/strong>, 9(2): 132-140.\u003C/p>",{"id":76,"label":77},"176c2a94-a706-4e98-8d43-d8627088eedd","\u003Cp>INTERNATIONAL Federation of the Phonographic Industry. (2009). \u003Cstrong>The recording industry in numbers 2009\u003C/strong>. London: IFPI.\u003C/p>",{"id":79,"label":80},"238b5a9c-9bba-49f9-a887-5abfd82044b9","\u003Cp>KUSEK, D.; GERD, L. (2005). \u003Cstrong>The Future of Music\u003C/strong>. Boston: Berklee Press.\u003C/p>",{"id":82,"label":83},"03505afe-37d1-40f2-beca-b3d8194699c1","\u003Cp>LEVITIN, D. J. (2006). \u003Cstrong>This is your brain on music: the science of a human obsession\u003C/strong>. New York: Penguin Group.\u003C/p>",{"id":85,"label":86},"7dad5463-3f55-48f5-ba21-e0d8efedb04d","\u003Cp>LINDSTROM, M. (2008). \u003Cstrong>Buyology: Truth and Lies About Why We Buy\u003C/strong>. Random House Business Books, 2008.\u003C/p>",{"id":88,"label":89},"7e953dbf-7ea3-4723-bc65-bdf5fd0f9f7c","\u003Cp>LIPOVETSKY, G. (2004). \u003Cstrong>Os tempos hipermodernos\u003C/strong>. São Paulo: Editora Barcarolla.\u003C/p>",{"id":91,"label":92},"6a78c181-0d07-4757-8721-93f6f3405a08","\u003Cp>MAFFESOLI, M. (2002). \u003Cstrong>O tempo das tribos\u003C/strong>. 3ª ed. Rio de Janeiro: Forense Universitária.\u003C/p>",{"id":94,"label":95},"b7a3f6f5-d305-48ea-8711-11c99417393e","\u003Cp>McCRACKEN, G. (2003). \u003Cstrong>Cultura e consumo: novas abordagens ao caráter simbólico dos bens e das atividades de consumo\u003C/strong>. Rio de Janeiro: Mauad.\u003C/p>",{"id":97,"label":98},"68c678c1-c3fd-4d0c-8477-c70dbb26e004","\u003Cp>McLUHAN, M. (1992). \u003Cstrong>Understanding Media\u003C/strong>. Cambridge: MIT Press.\u003C/p>",{"id":100,"label":101},"f3752ac7-6d6a-4694-943e-3a2ef784713b","\u003Cp>NORMAN, D. A. (2008). \u003Cstrong>Design emocional: por que adoramos (ou detestamos) os objetos do dia-a-dia\u003C/strong>. Rio de Janeiro: Rocco.\u003C/p>",{"id":103,"label":104},"87ccd710-b8c7-4ba5-865a-43840a055dc1","\u003Cp>OLIVER, R. L. (1993). Cognitive, affective, and attribute bases of the satisfaction response. \u003Cstrong>Journal of Consumer Research\u003C/strong>, 20, p. 418-430.\u003C/p>",{"id":106,"label":107},"a6e39df5-d937-4582-831f-01f1b11aba83","\u003Cp>OLIVER, R. L. (1997) \u003Cstrong>Satisfaction: a behavioral perspective on the consumer\u003C/strong>. The McGraw Hill.\u003C/p>",{"id":109,"label":110},"14496192-6d73-431a-9481-09fe7ba62f61","\u003Cp>SCHERER, K.R. (2001). Appraisals considered as a process of multilevel sequential checking, In K. Scherer, A. Schorr & T. Johnstone (Eds.), \u003Cstrong>Appraisal processes in emotion: Theory\u003C/strong>, 92-120.\u003C/p>",{"id":112,"label":113},"15678918-5081-4000-b7f7-f6d22958cc58","\u003Cp>SCHERER, K.R. (2005). What are emotions? And how can they measured, \u003Cstrong>Social Science Information\u003C/strong>, vol. 4, 695-729.\u003C/p>",{"id":115,"label":116},"36901787-76ff-4b81-b04c-9f7c71c273cd","\u003Cp>UNIVERSITY OF HERTFORDSHIRE. (2008). \u003Cstrong>Music Experience and Behaviour in Young People\u003C/strong>. Main Findings and Conclusions. [S.l.]: British Music Rights, 1-41.\u003C/p>",{"id":118,"label":119},"573c231d-add0-4190-8aaf-404636e7c177","\u003Cp>WATSON, D., CLARK, A., TELLEGEN, A. (1988). Development and validation of brief measures of positive and negative affect: The PANAS Scales. \u003Cstrong>Journal of Personality and Social Psychology\u003C/strong>, 54, 1063-1070.\u003C/p>",2959,"uwzsjq","enabled","2025-12-28T19:08:05-03:00",[125,131,137,147],{"lastmodified":126,"lastName":6,"url":7,"_id":10,"description":127,"designation":7,"email":11,"objectID":10,"id":7,"path":128,"createDate":129,"slugs":130,"filiation":13,"name":8,"role":7},1766015899899,{},"people/f6eaa2fb-ea31-4119-ba70-2bb1ade91492","2025-12-17T23:58:19.899Z",[15,16],{"designation":7,"url":7,"filiation":132,"name":133,"role":7,"email":134,"_id":135,"lastName":136},"UNISINOS","Filipe Campelo Xavier da","fcampelo@unisinos.br","afa46fdf-e429-46cd-ae85-b09569ec222c","Costa",{"_id":138,"role":7,"name":139,"objectID":138,"url":7,"email":140,"lastmodified":126,"slugs":141,"createDate":129,"designation":7,"id":7,"lastName":144,"filiation":13,"description":145,"path":146},"c1abde1d-4428-47ab-85fa-b7b7f3128adb","Charles","cdipinto@gmail.com",[142,143],"charles-di-pinto","di-pinto-charles","Di Pinto",{},"people/c1abde1d-4428-47ab-85fa-b7b7f3128adb",{"path":148,"url":7,"id":7,"lastmodified":126,"description":149,"email":150,"createDate":129,"filiation":13,"role":7,"_id":151,"name":152,"slugs":153,"objectID":151,"lastName":156,"designation":7},"people/018c8eaa-d1c2-4455-a4e2-afddea5e6825",{},"marinafinestrali@gmail.com","018c8eaa-d1c2-4455-a4e2-afddea5e6825","Marina",[154,155],"marina-finestrali","finestrali-marina","Finestrali",[10,135,138,151],1,[160],"design-and-music-consumption-the-media-formats-impact-on-consumer-emotion",{"parent":19,"metaData":162,"updateDate":164,"data":165,"langs":174,"_id":175,"contributors":176,"contributorsIds":223,"type":35,"typeData":224,"status":122,"download":158,"slugs":288,"slug":289},{"updateDate":7,"createDate":163,"deleteDate":7},1766018898,"2025-12-17T21:48:19-03:00",{"secondary":166,"primary":170},{"keywords":167,"excerpt":168,"title":169},"\u003Cp>design, strategic design, tramontina\u003C/p>","This article aims to identify aspects that highlight the Strategic Design in traditional companies. From Tramontina's object of study, we attempted to observe how the concepts of Strategic Design are employed in the actions undertaken by the company. By collecting data from secondary sources, formed a basis for contextualizing and relating how certain actions taken by the organization are closely linked to the concepts of Strategic Design tackled nowadays. The results indicate the expansion of the role of design within the industry, where factors such as competitiveness changed the logic of consumption, transforming the meaning of products.","From Product Design to Strategic Design: A Tramontina's View",{"keywords":171,"excerpt":172,"title":173},"\u003Cp>design, design estratégico, tramontina\u003C/p>","Este artigo propõe-se a identificar aspectos que evidenciam o Design Estratégico em empresas tradicionais. A partir da Tramontina como objeto de estudo, buscou-se observar de que forma os conceitos de Design Estratégico são empregados nas ações realizadas pela empresa. Com coleta de dados em fontes secundárias, formou-se uma base para contextualizar e relacionar como determinadas ações adotadas pela organização estão fortemente ligadas aos conceitos de Design Estratégico abordados na contemporaneidade. Os resultados apontam a ampliação do papel do design dentro da indústria, onde fatores como a competitividade alteraram as lógicas de consumo, transformando o significado dos produtos.","Do Design de Produto ao Design Estratégico: Um Olhar a Partir da Tramontina",[32,33],"56a2fa38-bf7a-41ea-9c0e-fac601ca4578",[177,190,193,203,213],{"id":7,"name":178,"lastName":179,"email":180,"designation":7,"description":181,"role":7,"_id":182,"createDate":183,"filiation":184,"slugs":185,"url":7,"path":188,"lastmodified":189,"objectID":182},"Ana Carolina","Vilela","anacarolinavilela@gmail.com",{},"413e12eb-0890-4f2d-85a0-3a0dc52c9163","2025-12-18T00:48:18.642Z","Universidade do Vale do Rio dos Sinos",[186,187],"ana-carolina-vilela","vilela-ana-carolina","people/413e12eb-0890-4f2d-85a0-3a0dc52c9163",1766018898642,{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":191,"role":7,"_id":10,"createDate":183,"filiation":184,"slugs":192,"url":7,"path":128,"lastmodified":189,"objectID":10},{},[15,16],{"id":7,"name":194,"lastName":195,"email":196,"designation":7,"description":197,"role":7,"_id":198,"createDate":183,"filiation":184,"slugs":199,"url":7,"path":202,"lastmodified":189,"objectID":198},"Fernando Stéfano","De Oliveira","fernandinhofox@gmail.com",{},"f834a001-735d-4a1d-9de4-ad774264a122",[200,201],"fernando-stefano-de-oliveira","de-oliveira-fernando-stefano","people/f834a001-735d-4a1d-9de4-ad774264a122",{"id":7,"name":204,"lastName":205,"email":206,"designation":7,"description":207,"role":7,"_id":208,"createDate":183,"filiation":184,"slugs":209,"url":7,"path":212,"lastmodified":189,"objectID":208},"Jane","Toss","janedboni@hotmail.com",{},"df7761f7-d182-4bf6-9da6-f6599f27a836",[210,211],"jane-toss","toss-jane","people/df7761f7-d182-4bf6-9da6-f6599f27a836",{"id":7,"name":214,"lastName":215,"email":216,"designation":7,"description":217,"role":7,"_id":218,"createDate":183,"filiation":184,"slugs":219,"url":7,"path":222,"lastmodified":189,"objectID":218},"Roberto","Thomé","rthome.rs@gmail.com",{},"d8a501c1-e205-409a-87f7-420c491e9d8f",[220,221],"roberto-thome","thome-roberto","people/d8a501c1-e205-409a-87f7-420c491e9d8f",[182,10,198,208,218],{"startPage":225,"file":226,"references":229,"endPage":287,"track":121,"doi":7},4849,{"fullpath":227,"name":228},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F70108.pdf","70108.pdf",[230,233,236,239,242,245,248,251,254,257,260,263,266,269,272,275,278,281,284],{"id":231,"label":232},"17684d91-37db-40ad-ab36-50ca6f3cba08","\u003Cp>BEST, K. \u003Cstrong>Design management\u003C/strong>. Lausanne: AVA Academua, 2006.\u003C/p>",{"id":234,"label":235},"93e4d828-077d-41d9-80c0-149237e7f410","\u003Cp>BÜRDEK, Bernhard. \u003Cstrong>História, teoria e prática do design de produtos\u003C/strong>. São Paulo: Edgar Blücher, 2006.\u003C/p>",{"id":237,"label":238},"0d3fc834-cd83-4951-a8df-a887b8a09e1d","\u003Cp>CELASCHI, F. 2006. Dentro al Progetto: appunti di merceologia contemporanea. In: F. CELASCHI; A. DESERTI, \u003Cstrong>Design e Innovazione. Strumenti e pratiche per la ricerca applicata\u003C/strong>. Roma, Carocci, p. 12-40.\u003C/p>",{"id":240,"label":241},"14f09661-9644-4667-bdcb-1746832a4543","\u003Cp>CONFEDERAÇÃO NACIONAL DAS INDÚSTRIAS. \u003Cstrong>Design para a competitividade: recomendações para a política industrial no Brasil. Relatório Síntese\u003C/strong>. Rio de Janeiro: CNI, 1996.\u003C/p>",{"id":243,"label":244},"09ff9258-79b9-4676-b282-f1c46c93b210","\u003Cp>COSTA, Ana Clara. Tramontina contra a China. \u003Cstrong>Revista Isto É\u003C/strong>, São Paulo, 15 ago 2007. Edição 512 Disponível em: http://www.terra.com.br/istoedinheiro/edicoes/516/artigo58344-1.htm?o=r> Acessado em: 20 jul 2009.\u003C/p>",{"id":246,"label":247},"f57e4329-5945-49d6-864f-5d6064141922","\u003Cp>DESERTI, A. 2006. Intorno al progetto: concretizzare l'innovazione. In: F. CELASCHI; A. DESERTI, \u003Cstrong>Design e Innovazione. Strumenti e pratiche per la ricerca applicata\u003C/strong>. Roma, Carocci, p. 41-80.\u003C/p>",{"id":249,"label":250},"8ce8f9d2-ae23-4c6b-b946-0e9151bd59d6","\u003Cp>DE SOUZA, P. L., \u003Cstrong>Notas para uma história do design\u003C/strong>. Rio de Janeiro: Editora 2AB, 2000.\u003C/p>",{"id":252,"label":253},"ff1c68f4-f6ad-4584-b59f-c57fdc39972b","\u003Cp>ESTRATÉGIA – Empresa Gaúcha Tramontina muda para enfrentar chineses. \u003Cstrong>REDE CICEX - Centro de Informações de Comércio Exterior\u003C/strong>, Porto Alegre/RS: 2007. Sessão Notícias. Disponível em \u003Chttp://cicex.desenvolvimento.gov.br/sitio/noticias/?UF=RS> Acesso em: 22 jul 2009.\u003C/p>",{"id":255,"label":256},"9ab5e224-1657-475a-a114-567997aa8993","\u003Cp>FERN, J. E.; LIBERSON, W.; McGOURTY, K. B.; POSTMA, W. S.; WOLFE, N. S. \u003Cstrong>Customização em Massa: seis passos para conquistar o cliente\u003C/strong>. São Paulo: Editora Alaúde, 2007.\u003C/p>",{"id":258,"label":259},"cab74ebc-a808-4e82-a0d1-5955ffbb9535","\u003Cp>GRUPO PÃO DE AÇÚCAR. Cozinhar com arte é a mensagem do Extra para o mês de abril. Sessão Imprensa: 2009. Disponível em \u003C http://www.grupopaodeacucar.com.br/imprensa/default_area.asp?idNoticia=7335&cod_area=3> . Acessado em 20 jul 2009.\u003C/p>",{"id":261,"label":262},"a2cc1c5f-a122-4241-8043-39959dca259b","\u003Cp>IBOPE. \u003Cstrong>Consumidor\u003C/strong>. 2009. Disponível em \u003Cwww.ibope.com/consumidor> Acessado em 24 jul 2009.\u003C/p>",{"id":264,"label":265},"42891e35-2123-456f-a1ce-ec61f89fac96","\u003Cp>LIPOVETSKY, G. \u003Cstrong>A felicidade paradoxal\u003C/strong>. São Paulo: Editora Companhia das Letras, 2007.\u003C/p>",{"id":267,"label":268},"132ecc3b-0e32-446d-bdf1-e09b87542407","\u003Cp>MORITA, Alessandra. Podium das Campeãs. 05 jul 2009. Disponível em: \u003Chttp://www.sm.com.br/publique/cgi/cgilua.exe/sys/start.htm?infoid=4779&sid=3&index=5> Acessado em: 20 jul 2009.\u003C/p>",{"id":270,"label":271},"86760f70-02c8-4cc9-919d-54617b24c7cd","\u003Cp>MOZOTA, Brigitte Borja de. \u003Cstrong>Design Management: using design to build brand value and corporate innovation\u003C/strong>. Paperback: 2004.\u003C/p>",{"id":273,"label":274},"8381ffd8-3120-459b-a734-e74bf3b64580","\u003Cp>NAIDITCH, Suzana. O dólar fraco mudou tudo. \u003Cstrong>Revista Exame\u003C/strong>, São Paulo, 24 abr 2006. Edição 852 Disponível em: \u003Chttp://portalexame.abril.com.br/degustacao/secure/degustacao.do?COD_SITE=35&COD_RECURSO=211&URL_RETORNO=http://portalexame.abril.ig.com.br/revista/exame/edicoes/0866/negocios/m0081648.html> Acessado em: 20 jul 2009.\u003C/p>",{"id":276,"label":277},"3a75ed2f-656d-47de-98ff-066acc91b593","\u003Cp>PACHECO, Paula. Estratégia Afiada. \u003Cstrong>Revista Carta Capital\u003C/strong>. Ano VIII, nº 180, 13 mar 2002. Disponível em: \u003Chttp://www.terra.com.br/cartacapital/180/index.htm> Acessado em: 20 jul 2009.\u003C/p>",{"id":279,"label":280},"84cc16d3-654f-4171-9aa5-d5cb4e8f89ac","\u003Cp>REVISTA DIGITAL - Pólo RS - Agência de Desenvolvimento. Quem compra, vende. \u003Cstrong>Porto Alegre\u003C/strong>: 2007. Sessão Tendências. Disponível em \u003C http://www.revistadigital.com.br/tendencias.asp?NumEdicao=407&CodMateria=3601 > Acessado em 22 jul 2009.\u003C/p>",{"id":282,"label":283},"b7b44610-c350-41a4-bdc6-2e70496e10f4","\u003Cp>TAYLOR, F. W. \u003Cstrong>The principles of scientific management\u003C/strong>. Nova York: Harper Bross, 1911.\u003C/p>",{"id":285,"label":286},"9abf9e8e-bd10-4354-8ce3-16781618f599","\u003Cp>WRIGHT, Peter L.; KROLL, Mark J.; PARNELL, John. \u003Cstrong>Administração estratégica: conceitos\u003C/strong>. São Paulo: Atlas, 2000.\u003C/p>",4858,[289],"from-product-design-to-strategic-design-a-tramontinas-view",{"target":291,"query":292},"people/get",{"id":10,"articles":293},"true",1780316196306]