[{"data":1,"prerenderedAt":139},["ShallowReactive",2],{"person-f46a4097-d84b-40da-9c49-864054e57e5a":3},{"success":4,"person":5,"request":135},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Dias","","Bergson",{},"f46a4097-d84b-40da-9c49-864054e57e5a","bergsond@gmail.com","2025-12-17T08:22:00-03:00","Centro Universitário 7 de Setembro",[15,16],"bergson-dias","dias-bergson",[18],{"parent":19,"metaData":20,"updateDate":12,"data":22,"langs":31,"_id":34,"contributors":35,"contributorsIds":42,"type":43,"typeData":44,"status":131,"download":132,"slugs":133,"slug":134},"308f2508-39ad-43fe-a49b-3483ee224f04",{"updateDate":7,"createDate":21,"deleteDate":7},1765970520,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Creative thinking, Creativity, Creative intuition\u003C/p>","Taking a closer look at the history of graphic design, we can see that since the Bauhaus, intuition has been part of the teaching method and creative process of several designers. As a conceptual basis for understanding intuition, we look mainly at Henri Bergson and C. G. Jung who, in line with other contemporary authors, served as a tool for field analysis. Our sample is formed by professionals and interns from a design office in Fortaleza who participated in semi-structured individual interviews. We were able to verify the importance of intuition for the creative process, especially in the moments of generating ideas.","Intuition in Creative Process: A Case Study in a Graphic Design Studio",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Pensamento criativo, Criatividade, Intuição criadora\u003C/p>","Tendo um olhar mais atento à história do design gráfico, podemos perceber que desde Bauhaus, a intuição fez parte do método de ensino e processo criativo de vários designers. Como base conceitual para entender a intuição, olhamos principalmente para Henri Bergson e C. G. Jung que, em consonância a outros autores contemporâneos, serviu de ferramenta para a análise em campo. Nossa amostragem é formada por profissionais e estagiários de um escritório de design de fortaleza que participaram de entrevistas individuais semiestruturada. Pudemos verificar a importância da intuição para o processo criativo, em especial nos momentos de geração de ideias.","Intuição no Processo Criativo: Estudo de Caso Num Estúdio de Design Gráfico",[32,33],"primary","secondary","8c259862-ba8a-4473-b1d1-297f0d11c65c",[36],{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":37,"role":7,"_id":10,"createDate":38,"filiation":13,"slugs":39,"url":7,"path":40,"lastmodified":41,"objectID":10},{},"2025-12-17T11:22:00.821Z",[15,16],"people/f46a4097-d84b-40da-9c49-864054e57e5a",1765970520821,[10],"article",{"startPage":45,"file":46,"references":49,"endPage":128,"track":129,"doi":130},6832,{"fullpath":47,"name":48},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-intuio-no-processo-criativo-estudo-de-caso-num-estdio-de-design-grfico-38278.pdf","download-pdf-intuio-no-processo-criativo-estudo-de-caso-num-estdio-de-design-grfico-38278.pdf",[50,53,56,59,62,65,68,71,74,77,80,83,86,89,92,95,98,101,104,107,110,113,116,119,122,125],{"id":51,"label":52},"421042bb-56d2-4423-911d-af75d3ae4a62","\u003Cp>\u003Cstrong>ABSTRACT: The Art of Design\u003C/strong> (Temporada1, Ep.6). Direção de Richard Press. Produção de RadicalMedia e Tremolo Productions. California: Netflix, 2017. Disponível em: \u003Chttps://www.netflix.com/title/80057883?s=a&trkid=13747225&t=cp>. Acesso em: 30, julho de 2021.\u003C/p>",{"id":54,"label":55},"aa835759-99ae-4603-b976-77bdb5fe6875","\u003Cp>BADKE-SCHAUB, Petra; ERIS, Ozgur. A Theoretical Approach to Intuition in Design: Does Design Methodology Need to Account for Unconscious Processes?. In: \u003Cstrong>An Anthology of Theories and Models of Design\u003C/strong>. CHAKRABARTI, Amaresh; BLESSING, Lucienne T. M. (Eds.). 1. ed. Londres: Springer, Fev. 2014. cap. 17, p. 353-370.\u003C/p>",{"id":57,"label":58},"4f727d85-f75b-4155-a079-26b2a087b02e","\u003Cp>ÇIZGEN, Gültekin; URAZ, Türkan Ulusu. The Unknown Position of Intuition in Design Activity. \u003Cstrong>The Design Journal\u003C/strong>, 2019, v. 22, n. 33, p. 257-276, Abril. 2019.\u003C/p>",{"id":60,"label":61},"5695cdc4-e53e-413d-813c-76b2f169b397","\u003Cp>CLAXTON, Guy. The anatomy of intuition. In: \u003Cstrong>The intuitive practitioner: On the value of not always knowing what one is doing\u003C/strong>. ATKINSON, Terry; CLAXTON, Guy. (Eds.). Buckingham: Open University Press, 2000. pp. 32-52.\u003C/p>",{"id":63,"label":64},"d860c3f9-826c-4790-b630-3852aa977eeb","\u003Cp>DÖRFLER, Viktor; ACKERMANN, Fran. Understanding intuition: The case for two forms of intuition. \u003Cstrong>Management Learning\u003C/strong>, Glasglow, v. 43, n. 5, p. 545-564, Out. 2012.\u003C/p>",{"id":66,"label":67},"d3e0d429-2f8d-4785-8d32-56811c2a4bc6","\u003Cp>DURLING, David. Intuition in Design. \u003Cstrong>Bulletin of 4th Asian Design Conference International Symposium on Design Science 1999\u003C/strong>, Nagaoka, Outubro 1999. Disponível em: http://durling.org/papers_files/4ADC%20v6.pdf. Acesso em: 21 out. 2021.\u003C/p>",{"id":69,"label":70},"137d8a52-8cf8-4371-b307-be4ca08bc476","\u003Cp>EPSTEIN, Seymour. 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Disponível em: \u003Chttps://www.goethe.de/ins/br/pt/m/kul/fok/bau/21394277.html>. Acesso em: 30, julho de 2021.\u003C/p>",{"id":81,"label":82},"b44a8a50-3d85-4149-a24c-034285c35922","\u003Cp>HARDMAN, Theresa. Understanding creative intuition. \u003Cstrong>De Arte\u003C/strong>, Africa do Sul, v. 46, n. 83, p. 22-32, 2011.\u003C/p>",{"id":84,"label":85},"049141a5-f8d5-4930-80c7-0c6ffa52857e","\u003Cp>HOLLIS, Richard. \u003Cstrong>Design gráfico: uma história concisa\u003C/strong>. Tradução de Carlos Daudt. 1º. ed. São Paulo: Martins Fontes., 2000.\u003C/p>",{"id":87,"label":88},"01c8c5cb-9f1a-41f4-bdde-1ed5d32bcc6a","\u003Cp>JACOBI, Jolande. \u003Cstrong>A psicologia de C.G. Jung: uma introdução às obras completas\u003C/strong>. Tradução de Enio Paulo Giachini. – Petrópolis, RJ: Vozes, 2013.\u003C/p>",{"id":90,"label":91},"462e41c1-8413-4be8-86ec-23ad9a7883f7","\u003Cp>JOHANSON, Izilda. \u003Cstrong>Arte e intuição: a questão estética em Bergson\u003C/strong>. 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In: \u003Cstrong>Pesquisa Social: Teorio, Método e Criatividade\u003C/strong>. MINAYO, Maria Cecília de Souza et al. 21. ed. Petrópolis: Editora Vozes, 2002. cap. 3, p. 51-66. ISBN 85.326.1453-1.\u003C/p>",{"id":108,"label":109},"7db4f5e4-8b29-4f0e-8adb-fec5d1cd4a68","\u003Cp>PÉTERVÁRI, Judit; OSMAN, Magda; BHATTACHARYA, Joydeep. The Role of Intuition in the Generation and Evaluation Stages of Creativity. \u003Cstrong>Frontiers in Psychology\u003C/strong>, Lausanne, v. 7, n. 1420, Set. 2016. Disponível em: https://www.frontiersin.org/articles/10.3389/fpsyg.2016.01420/full. Acesso em: 5 set. 2021\u003C/p>",{"id":111,"label":112},"ec8d3c57-2d24-4b21-8d7c-409d719964ed","\u003Cp>PILARD, Nathalie. C. G. Jung and intuition: from the mindscapeof the paranormal to the heart of psychology. \u003Cstrong>Journal of Analytical Psychology\u003C/strong>, Oxford, v. 63, n. 1, p. 65-84, fev. 2018.\u003C/p>",{"id":114,"label":115},"fdec3cf0-ad32-41a8-84c8-de22d1d0c961","\u003Cp>POLICASTRO, Emma. 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In: \u003Cstrong>Interpreting Bergson: Critical Essays\u003C/strong>. Lefebvre, Alexandre; Schott, Nils F. (Eds.). Cambridge: Cambridge University Press, 2019. pp. 87-103.\u003C/p>",{"id":126,"label":127},"0d571a55-4f82-470f-96a0-3e01e60fcbde","\u003Cp>LEITE, João de Souza. O discurso do design gráfico como polifonia. \u003Cstrong>Revista Estudos em Design\u003C/strong>, Rio de Janeiro, v. 4, n. 1, 1996. Disponível em: João de Souza Leite. Acesso em: 21 out. 2021.\u003C/p>",6845,"8q3xystji","10.5151/ped2022-9892893","enabled",2,[134],"intuition-in-creative-process-a-case-study-in-a-graphic-design-studio",{"target":136,"query":137},"people/get",{"id":10,"articles":138},"true",1780316194591]