[{"data":1,"prerenderedAt":284},["ShallowReactive",2],{"person-dea49d00-acb3-428b-b824-c668758b6569":3},{"success":4,"person":5,"request":280},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Meirelles","","Junia C. J. Parreira",{},"dea49d00-acb3-428b-b824-c668758b6569","josenetodesigner@yahoo.com.br","2025-12-17T21:12:57-03:00","Universidade Anhembi Morumbi",[15,16],"junia-c-j-parreira-meirelles","meirelles-junia-c-j-parreira",[18,142],{"parent":19,"metaData":20,"updateDate":12,"data":22,"langs":31,"_id":34,"contributors":35,"contributorsIds":71,"type":72,"typeData":73,"status":138,"download":139,"slugs":140,"slug":141},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":7,"createDate":21,"deleteDate":7},1766016777,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Pop Art, Op Art, Psychedelic, Ant-Design, Design radical\u003C/p>","\"Design and art during the 60s and 80s\" offers an analysis and a reflection about art production and design during the 60s and 80s, highlighting the pop art, op, psychedelic and radical design and anti-design. The main goal is to understand the evolution and the relations between art and design. The theoretical, qualitative, deductive design study analyzes the art and its influences on contemporary society through the comparison of the principles and aesthetic forms that lasted until now. Highlights and opposes the groups of anti-design and radical design Alchimia, Archizoom, Gruppo Strum and Super Studio.","Design and Art During the 60's and 80's: Pop, Op, Psychedelic, Anti-design and Radical Design.",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Pop-art, Op-art, Psicodelismo, Anti-Design, Design radical\u003C/p>","\"Design e arte durante os anos 60 e 80\" propõe uma análise e uma reflexão sobre a produção de arte e design durante os anos 60 a 80, destacando a arte pop, o op, o psicodélico, o design radical e o anti-design. O objetivo principal é compreender a evolução e as relações entre arte e design. O estudo teórico, qualitativo, dedutivo analisa o design, a arte e suas influências na sociedade contemporânea pela comparação de princípios e formas estéticas que perduravam até o momento presente. Destaca e contrapõe os grupos de anti-design e radical design Alchimia, Archizoom, Gruppo Strum e Super Studio.","Design e Arte Durante os Anos 60 e 80: Pop, Op, Psicodelismo, Anti-design e Radical Design.",[32,33],"primary","secondary","00c1a692-11cb-40a2-8a3f-b1a9ea070a94",[36,48,57,61],{"id":7,"name":37,"lastName":38,"email":39,"designation":7,"description":40,"role":7,"_id":41,"createDate":42,"filiation":13,"slugs":43,"url":7,"path":46,"lastmodified":47,"objectID":41},"Laura Villas Boas","Figueiredo","sailor_laura@hotmail.com",{},"8c948604-4efa-4500-9ddd-67da26327a63","2025-12-18T00:12:57.137Z",[44,45],"laura-villas-boas-figueiredo","figueiredo-laura-villas-boas","people/8c948604-4efa-4500-9ddd-67da26327a63",1766016777137,{"id":7,"name":49,"lastName":50,"email":11,"designation":7,"description":51,"role":7,"_id":52,"createDate":42,"filiation":13,"slugs":53,"url":7,"path":56,"lastmodified":47,"objectID":52},"José","Neto de Faria",{},"febff338-b3c6-4730-a235-56d3d04c3391",[54,55],"jose-neto-de-faria","neto-de-faria-jose","people/febff338-b3c6-4730-a235-56d3d04c3391",{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":58,"role":7,"_id":10,"createDate":42,"filiation":13,"slugs":59,"url":7,"path":60,"lastmodified":47,"objectID":10},{},[15,16],"people/dea49d00-acb3-428b-b824-c668758b6569",{"id":7,"name":62,"lastName":63,"email":64,"designation":7,"description":65,"role":7,"_id":66,"createDate":42,"filiation":13,"slugs":67,"url":7,"path":70,"lastmodified":47,"objectID":66},"Eloize","Navalon","navalon@uol.com.br",{},"869a2774-269c-4c03-9268-3e01aa905a20",[68,69],"eloize-navalon","navalon-eloize","people/869a2774-269c-4c03-9268-3e01aa905a20",[41,52,10,66],"article",{"startPage":74,"file":75,"references":78,"endPage":136,"track":137,"doi":7},3498,{"fullpath":76,"name":77},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69694.pdf","69694.pdf",[79,82,85,88,91,94,97,100,103,106,109,112,115,118,121,124,127,130,133],{"id":80,"label":81},"f414a29f-06af-4c22-8090-338f12ea19d7","\u003Cp>ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS. \u003Cstrong>Gallery Warhol\u003C/strong>. Nova York, 2008. Disponível em: \u003C http://gallerywarhol.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":83,"label":84},"9e5ec5b8-b8ca-44b1-a5bc-12c291ac9b92","\u003Cp>AMBASZ. E. \u003Cstrong>Italy: The New Domestic Landscape\u003C/strong>. New York: The Museum of Modern Art, 1972.\u003C/p>",{"id":86,"label":87},"587c44f4-4cbb-48c7-9f91-17ba4513a150","\u003Cp>COMPRESS VERLAGSGESMBM & CO KG. \u003Cstrong>Wieninternational\u003C/strong>. Vienna, 18 ago. 2010. Disponível em: \u003C http://www.wieninternational.at>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":89,"label":90},"4d1d9505-38d6-4dcb-87bf-d4b23c4f3b60","\u003Cp>DESIGN-ITALIA SRL. \u003Cstrong>Design-Italia\u003C/strong>. Milano, 2009. Disponível em: \u003C http://www.design-italia.it>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":92,"label":93},"394b4f80-3a26-41aa-a6d4-b3af2ede8b9b","\u003Cp>FARIA.J.N, \u003Cstrong>Design, tecnologia e cultura contemporânea: do jornal impresso ao jornal em e-paper\u003C/strong>. 2008. Dissertação (Mestrado em Design) – Universidade Anhembi Morumbi, São Paulo, São Paulo, 2008.\u003C/p>",{"id":95,"label":96},"a279c0e8-fdc8-4b53-b7bd-61669462e7d4","\u003Cp>HAUFFE, T. \u003Cstrong>Design, a concise history\u003C/strong>. London: Laurence King Publishing, 1998\u003C/p>",{"id":98,"label":99},"4a2a206a-5c34-4d3a-968a-c6b8ec90fcee","\u003Cp>KUNSTBUS. \u003Cstrong>Kunstbus\u003C/strong>. Leeuwarden, 2008. Disponível em: \u003C http://www.kunstbus.nl/design/gruppo-strum.html >. Acesso em: 15 março de 2010.\u003C/p>",{"id":101,"label":102},"912e2212-5078-49b3-bffc-44ee7d02e70c","\u003Cp>MALDONADO, T. \u003Cstrong>Design Industrial\u003C/strong>. Lisboa: Edições 70, 1991\u003C/p>",{"id":104,"label":105},"80ff7d4c-217d-4680-a800-1d80f5f0349c","\u003Cp>ONLINE MUSEUM. \u003Cstrong>Verner Panton\u003C/strong>. Nova York. 2010. Disponível em: \u003C http://www.vernerpanton.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":107,"label":108},"9796cf29-c3fe-4235-b638-41d2d2ea2dd6","\u003Cp>OP-ART. \u003Cstrong>Op-Art\u003C/strong>. London, 2010. Disponível em: \u003C http://www.op-art.co.uk>. Acesso em: 02 fev. 2010\u003C/p>",{"id":110,"label":111},"90fd1442-4830-4bff-aefb-233fa7a82c52","\u003Cp>SALINAS, O. \u003Cstrong>Historia del Diseño Industrial\u003C/strong>. México:Tilhas, 2001\u003C/p>",{"id":113,"label":114},"d81b07d9-dbcb-4003-8a14-d521417b016c","\u003Cp>TAMBINI, M. \u003Cstrong>O Design do Século\u003C/strong>. São Paulo: Ática, 2004.\u003C/p>",{"id":116,"label":117},"a25582b9-492a-48d7-8a2f-2a45348633c3","\u003Cp>THE MUSEUM OF MODERN ART. \u003Cstrong>MoMA, the museum of modern art\u003C/strong>. New York, 2010. Disponível em: \u003C http://www.moma.org>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":119,"label":120},"f3043e40-5383-4eff-b0bd-636f4777eca0","\u003Cp>TORRENT, R. ; MARÍN, J. M. \u003Cstrong>Historia del diseño industrial\u003C/strong>. Madrid: Ediciones Cátedra, 2007.\u003C/p>",{"id":122,"label":123},"0256becf-263a-4186-b145-1b7e1bd29705","\u003Cp>VERNER PANTON DESIGN.\u003Cstrong>Verner Panton\u003C/strong>. Basel, 11 ago. 2010. Disponível em: \u003C http://www.verner-panton.com/city >. Acesso em: 11 ago. de 2010.\u003C/p>",{"id":125,"label":126},"fb49d8b7-6a31-4dfc-92a3-ca79842fc4d4","\u003Cp>WILSON. W. \u003Cstrong>Wes Wilson\u003C/strong>. Missour, 2010. Disponível em: \u003C http://www.wes-wilson.com >. Acesso em: 02 fev. 2010.\u003C/p>",{"id":128,"label":129},"97e320f3-ae31-41a3-9004-82c575847bb0","\u003Cp>WOODHAM, M. J. \u003Cstrong>Oxford, dictionary of Modern Design\u003C/strong>. New York: Oxford University Press Inc., 2006\u003C/p>",{"id":131,"label":132},"eb107440-bea7-4392-ac44-5356d4e39ed1","\u003Cp>WOOSTER PROJECTS. \u003Cstrong>Warhols\u003C/strong>. Nova York, 01 fev. 2010. Disponível em: \u003C http://www.warhols.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":134,"label":135},"196a84c8-26b9-4862-9ba4-31cca1b94be8","\u003Cp>ZENTRUM FÜR KUNST UND MEDIENTECHNOLOGIE KARLSRUHE. \u003Cstrong>Medien Kunst Netz\u003C/strong>. Karlsruhe, 2000. Disponível em: \u003C http://www.medienkunstnetz.de/works/no-stop-city >. Acesso em: 15 março de 2010.\u003C/p>",3508,"xvi0o5jx","enabled",3,[141],"design-e-arte-durante-os-anos-60-e-80-pop-op-psicodelismo-anti-design-e-radical-design",{"parent":143,"metaData":144,"data":146,"langs":155,"_id":156,"type":72,"typeData":157,"createDate":219,"status":138,"updateDate":220,"contributors":221,"contributorsIds":277,"download":139,"slugs":278,"slug":279},"b9a41c2e-d8d9-4c69-89e3-f6e614e4f29e",{"updateDate":7,"createDate":145,"deleteDate":7},1739409478,{"secondary":147,"primary":151},{"keywords":148,"excerpt":149,"title":150},"dramaturgy, hypermedia, theater","The dramaturgy of the playwriter Nelson Rodrigues transformed the Brazilian theatre for good. \u003Cem>Vestido de Noiva\u003C/em>, first shown on stage in 1943, had great response due to its innovative dramatic structure. The analysis of such structure (fragmentary structure) and the intertextual relations found in this text consist of interesting material for the ascertainment of what several dramatists and semiologists named as “hipertext”. This study seeks to verify the structure that arises from the verification of the intertextual relations, proposed by the author in his play, which results in the unfolding of information generating a hipertextual structure.","Theater and Hypermedia: The Wedding Dress by Nelson Rodrigues",{"keywords":152,"excerpt":153,"title":154},"dramaturgia, hipermídia, teatro","A dramaturgia de Nelson Rodrigues transformou definitivamente o teatro brasileiro. \u003Cem>Vestido de Noiva\u003C/em>, encenado em 1943, teve grande repercussão pelas inovações em sua estrutura dramática. A análise da estrutura dramática (fragmentária) e das relações intertextuais presentes na peça constitui material para o estudo que escritores e semiólogos denominam: hipertexto. O presente estudo verifica esta estrutura a partir das relações intertextuais propostas pelo autor em seu texto teatral, que resulta no desdobramento de informações e dá origem a uma estrutura hipertextual.","Teatro e Hipermídia: Vestido de Noiva de Nelson Rodrigues",[32,33],"a2ce4de2-ec1f-41a8-87dc-bf2771da6596",{"startPage":158,"file":159,"references":162,"endPage":217,"track":218,"doi":7},82,{"fullpath":160,"name":161},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F7_pd_design_2006%2FA%20Intertextualidade%20no%20Teatro%20de%20Nelson%20Rodrigues%20%E2%80%93%20%E2%80%9CVestido.pdf","A Intertextualidade no Teatro de Nelson Rodrigues – “Vestido.pdf",[163,166,169,172,175,178,181,184,187,190,193,196,199,202,205,208,211,214],{"id":164,"label":165},"8dd70b74-3bc2-40af-817f-a39045684d34","CASTRO, R. \u003Cstrong>O anjo pornográfico. A vida de Nelson Rodrigues\u003C/strong>. 2ª Ed. São Paulo: Companhia das Letras, 2004",{"id":167,"label":168},"f4c34240-2294-4e53-8d19-d5d9d5af5506","CROSS, M. \u003Cstrong>O livro de ouro da ópera\u003C/strong>. 2ª Ed. Rio de Janeiro: Ediouro, 2002.",{"id":170,"label":171},"f7b91453-c085-45f2-b69c-dc5b242772ad","DEBATES – TEATRO. \u003Cstrong>Anatol Rosenfeld - o mito e o herói no moderno teatro brasileiro Debates: teatro\u003C/strong>. São Paulo: Ed Perspectiva, 1982.",{"id":173,"label":174},"9420d3b4-96f7-4e0d-a89b-d5069ab590de","FIORIN, J. L. e BARROS, D. L. P. (org). \u003Cstrong>Dialogismo, polifonia e intertextualidade\u003C/strong>. In Ensaios de Cultura 7, São Paulo: EDUSP, s/d.",{"id":176,"label":177},"6c4cd932-87e7-4211-8910-11df6813b411","GOSCIOLA, V. \u003Cstrong>Roteiro para as novas mídias: do game à TV interativa\u003C/strong>, São Paulo: SENAC, 2003",{"id":179,"label":180},"eb4c6210-c1f1-41fe-923c-20ceedcfb6cc","GRASSNER, J. \u003Cstrong>Mestres do teatro II\u003C/strong>. Coleção Estudos, 2ª Ed. São Paulo: Ed. Perspectiva, 2001.",{"id":182,"label":183},"106bbbcb-6b9e-4dd1-a794-6928fc9ccdf7","LINS, R. L. \u003Cstrong>O teatro de Nelson Rodrigues - uma realidade em agonia\u003C/strong>. 2ª Ed. Livraria Francisco Alves Editora, 1979.",{"id":185,"label":186},"ef71e77b-3e1e-4f3b-9592-a0152a281b06","LOPES. Â. L. \u003Cstrong>Nelson Rodrigues trágico então moderno\u003C/strong>. Rio de Janeiro: Ed. UFRJ / Tempo Brasileiro, 1993.",{"id":188,"label":189},"4d63bf90-9fa5-4272-987c-b253e823ba2b","MAGALDI, S. \u003Cstrong>Nelson Rodrigues: dramaturgia e encenações\u003C/strong>. 2ª Ed. São Paulo: Perspectiva, 1992.",{"id":191,"label":192},"39ec566c-d04c-44e1-9fa4-36e9e51b2338","(org). \u003Cstrong>Vestido de Noiva\u003C/strong>. In: \u003Cstrong>Nelson Rodrigues: teatro completo\u003C/strong>. Vol 1. Rio de Janeiro: Nova Fronteira, 1990.",{"id":194,"label":195},"0ed45ff8-f366-4ac0-883f-206c8b282e66","(org). \u003Cstrong>Vestido de Noiva\u003C/strong>. In: \u003Cstrong>Nelson Rodrigues: teatro completo\u003C/strong>. Vol 4. Rio de Janeiro: Nova Fronteira, 1990.",{"id":197,"label":198},"f41e821b-9abc-4f69-804d-eef6613cffc7","PARENTE, André. \u003Cstrong>O virtual e o hipertextual\u003C/strong>. Rio de Janeiro: Ed Pazulin, 1999.",{"id":200,"label":201},"bdd9a6be-5ccd-4517-8ce3-4ee80696ef92","PRADO, D. A. de. \u003Cstrong>A personagem no teatro\u003C/strong>. In: \u003Cstrong>A personagem de ficção\u003C/strong>. Coleção Debates – Literatura, São Paulo: Ed Perspectiva, 1968.",{"id":203,"label":204},"04d4c19e-b44d-478f-a357-e7264341f098","SANT'ANNA, A. R. de. \u003Cstrong>Paródia, paráfrase & cia\u003C/strong>. 7ª Ed. São Paulo: Editora Ática, 2000.",{"id":206,"label":207},"df049d75-74e3-41c8-91b3-65159156c292","On Line:",{"id":209,"label":210},"cd90d340-f26e-4129-a179-276c114c1071","CHANDLERS, D. \u003Cstrong>Intertextuality\u003C/strong>. In: Semiotic for Beginners. On line: http://www.aver.ac.uk/media/Documents/S4B acesso em 08/03/2005.",{"id":212,"label":213},"4a808265-6a64-496d-98df-6b110b46e519","Filme:",{"id":215,"label":216},"17c19bd7-7516-451c-9991-52b58b7138c0","FONSECA, C. \u003Cstrong>Nelson Rodrigues : personagem de si mesmo\u003C/strong>. VHS TV Cultura - Fundação Padre Anchieta, 57 min, português, 1993.",91,"vuur4nbh","2025-02-12T22:19:26-03:00","2025-12-28T19:24:59-03:00",[222,233,244,245,253,261,269],{"path":223,"designation":7,"filiation":7,"createDate":224,"url":7,"email":7,"objectID":225,"name":226,"_id":225,"description":227,"slugs":228,"lastmodified":231,"id":7,"role":7,"lastName":232},"people/45db6368-c27a-4567-945a-7b2a9d170de6","2023-06-10T15:56:43-03:00","45db6368-c27a-4567-945a-7b2a9d170de6","Carlos Augusto C. de ",{},[229,230],"carlos_augusto_c_de_oliveira","oliveira_carlos_augusto_c_de",1686423346666,"Oliveira",{"name":234,"lastName":235,"id":236,"filiation":7,"createDate":237,"description":238,"slugs":239,"designation":236,"_id":242,"url":7,"email":236,"role":243},"Elinor S.","Choate",null,"2025-02-12T22:18:48-03:00","Bel; Universidade Anhembi Morumbi",[240,241],"elinor_s_choate","choate_elinor_s","cfb3a3d3-9ba3-4fec-abda-9656a035d073","author",{"filiation":13,"url":7,"name":8,"_id":10,"role":243,"email":11,"designation":7,"lastName":6},{"description":238,"filiation":7,"email":236,"name":246,"lastName":247,"createDate":248,"designation":236,"url":7,"slugs":249,"id":236,"_id":252,"role":243},"Marco A. C.","Moreira","2025-02-12T22:18:59-03:00",[250,251],"marco_a_c_moreira","moreira_marco_a_c","69f456e7-171a-4136-b4b3-0ab53372043f",{"filiation":7,"createDate":254,"email":236,"designation":236,"role":243,"_id":255,"url":7,"description":238,"name":256,"slugs":257,"id":236,"lastName":260},"2025-02-12T22:19:05-03:00","d4ebeeaa-4439-44f3-80a9-f2a0d41a74f0","Palloma Q. S.",[258,259],"palloma_q_s_souza","souza_palloma_q_s","Souza",{"description":238,"role":243,"lastName":262,"slugs":263,"_id":266,"email":236,"createDate":267,"id":236,"designation":236,"url":7,"name":268,"filiation":7},"Daniel",[264,265],"priscila_l_daniel","daniel_priscila_l","973d6e46-ec30-47d2-a29c-3cb4472f4341","2025-02-12T22:19:10-03:00","Priscila L.",{"email":236,"id":236,"designation":236,"_id":270,"name":271,"role":243,"slugs":272,"filiation":7,"createDate":275,"description":238,"lastName":276,"url":7},"1a190a27-cf62-40e9-9e1e-ef189f4de459","Raphael P. de",[273,274],"raphael_p_de_almeida","almeida_raphael_p_de","2025-02-12T22:19:15-03:00","Almeida",[225,242,10,252,255,266,270],[279],"teatro_e_hipermidia_vestido_de_noiva_de_nelson_rodrigues",{"target":281,"query":282},"people/get",{"id":10,"articles":283},"true",1780316182188]