[{"data":1,"prerenderedAt":921},["ShallowReactive",2],{"person-da90bc84-fb9b-4ea9-9cba-a91820288661":3},{"success":4,"person":5,"request":917},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Iida","","Itiro",{},"da90bc84-fb9b-4ea9-9cba-a91820288661","iida.itiro@gmail.com","2025-12-28T07:11:35-03:00","Universidade de Brasília",[15,16],"itiro-iida","iida-itiro",[18,123,183,231,294,374,474,551,646,742,821,887],{"parent":19,"metaData":20,"data":22,"langs":31,"_id":34,"type":35,"typeData":36,"createDate":53,"status":54,"updateDate":55,"contributors":56,"contributorsIds":119,"download":120,"slugs":121,"slug":122},"b94f7c15-71fe-4339-a30a-879ed828c2a6",{"updateDate":7,"createDate":21,"deleteDate":7},1729891124,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>cupboard, office furniture, furniture testing, furniture quality\u003C/p>","\u003Cp>According to the Brazilian norms NBR 13961:1998 e NBR 14109:1998, six cupboards acquired in the commerce of Brasilia were submitted to tests. As the results, four of them present fragile and unstable structures, specially in the shelves. The two others presented satisfactory performance.\u003C/p>","\u003Cp>Quality of the office cupboard\u003C/p>",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>armários, móveis de escritório, ensaio em móveis, qualidade dos móveis\u003C/p>","\u003Cp>Seis armários adquiridos no comércio de Brasília foram submetidos a testes de acordo com as normas NBR 13961:1998 e NBR14109:1998. Como resultado, quatro deles apresentaram estruturas frágeis e instáveis, especialmente nas prateleiras. Os outros dois apresentaram desempenho satisfatório.\u003C/p>","\u003Cp>Qualidade dos Armários para Escritório\u003C/p>",[32,33],"primary","secondary","03dc2c98-5685-4685-8619-3c6fa36181c5","article",{"startPage":37,"file":38,"references":41,"endPage":51,"track":52,"doi":7},"568",{"fullpath":39,"name":40},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F5_pd_design_2002%2F041.pdf","041.pdf",[42,45,48],{"id":43,"label":44},"9451a218-95ff-45f9-81be-cd5fd158260f","\u003Cp>INTERNATIONAL ORGANIZATION OF CONSUMERS UNIONS, Guide to the principles of comparative testing. Penang, Malasia, julho de 1985.\u003C/p>",{"id":46,"label":47},"79c8ca1e-cb0a-44de-853b-bece737e2659","\u003Cp>ABNT NBR 13691:1998- Móveis para escritório- ARMÁRIOS- classificação e características dimensionais.\u003C/p>",{"id":49,"label":50},"b5a053cc-8379-492e-b9fa-21fd1866c1c1","\u003Cp>ABNTNBR14109:1998-Móveis para escritório- ARMÁRIOS- Ensaios de estabilidade, resistência e durabilidade.\u003C/p>","574","dk7g6o8r","2024-10-25T21:22:54+00:00","enabled","2025-12-28T19:18:32-03:00",[57,58,68,80,90,100,109],{"email":11,"role":7,"url":7,"_id":10,"filiation":13,"lastName":6,"name":8,"designation":7},{"url":7,"name":59,"createDate":60,"filiation":61,"id":7,"lastName":62,"email":7,"description":63,"role":7,"_id":64,"slugs":65,"designation":7},"Reynaldo ","2024-10-25T21:21:02+00:00","M.Sc, Curso de Engenharia Mecânica da UnB","Turquetti Filho",{},"850b71e8-f37a-4f42-b734-af694ab334fc",[66,67],"reynaldo_turquetti_filho","turquetti_filho_reynaldo",{"objectID":69,"designation":7,"filiation":70,"email":7,"role":7,"createDate":71,"id":7,"path":72,"lastName":73,"slugs":74,"lastmodified":77,"name":78,"url":7,"_id":69,"description":79},"e7216368-b3fb-497f-96cf-90c045c25b89","UnB","2023-08-01T09:41:54+00:00","people/e7216368-b3fb-497f-96cf-90c045c25b89","Figueiredo Pazetto",[75,76],"valeria_maria_de_figueiredo_pazetto","figueiredo_pazetto_valeria_maria_de",1690882914974,"Valéria Maria de ",{},{"id":7,"createDate":81,"lastName":82,"role":7,"filiation":83,"url":7,"slugs":84,"description":87,"_id":88,"designation":7,"name":89,"email":7},"2024-10-25T21:21:29+00:00","Messeder"," Mba, Laboratório de Ensaio em Móveis da Unb",[85,86],"ana_paula_ferreira_messeder","messeder_ana_paula_ferreira",{},"0abb406d-7206-4a22-a077-ceadae17494f","Ana Paula Ferreira ",{"filiation":91,"name":92,"_id":93,"lastName":94,"url":7,"email":7,"role":7,"designation":7,"description":95,"createDate":96,"slugs":97,"id":7},"Estudante de Engenharia Mecânica da UnB, bolsista do CNPq","Ana Carolina Leal ","c3bfcf07-b8f0-49a0-babc-c8c2c78c4d17","Firmino",{},"2024-10-25T21:21:44+00:00",[98,99],"ana_carolina_leal_firmino","firmino_ana_carolina_leal",{"createDate":101,"role":7,"email":7,"_id":102,"lastName":103,"designation":7,"filiation":91,"description":104,"slugs":105,"name":108,"url":7,"id":7},"2024-10-25T21:21:59+00:00","4c182133-be7a-4829-acc4-f3db6ffe49aa","Duarte",{},[106,107],"vagner_lisoski_duarte","duarte_vagner_lisoski","Vagner Lisoski ",{"_id":110,"createDate":111,"designation":7,"url":7,"description":112,"id":7,"email":7,"slugs":113,"lastName":116,"role":7,"filiation":117,"name":118},"70732298-6eb6-4c39-9a23-19d96508fdc8","2024-10-25T21:22:16+00:00",{},[114,115],"alexandre_jose_loureiro_ribeiro","ribeiro_alexandre_jose_loureiro","Ribeiro"," Estudante de Desenho Industrial da UnB, bolsista do CNPq"," Alexandre José Loureiro ",[10,64,69,88,93,102,110],2,[122],"quality_of_the_office_cupboard",{"parent":124,"metaData":125,"langs":127,"_id":128,"type":35,"createDate":129,"status":54,"data":130,"typeData":139,"updateDate":55,"contributors":177,"contributorsIds":179,"download":180,"slugs":181,"slug":182},"fd79c889-f7d9-437f-bd33-87d39bbc8bd3",{"updateDate":7,"createDate":126,"deleteDate":7},1701620429,[32,33],"3ebeb332-d703-4860-b8d5-0303e966cd41","2023-12-03T16:21:39+00:00",{"secondary":131,"primary":135},{"keywords":132,"excerpt":133,"title":134},"\u003Cp>design methodologies, consumer needs, competing companies\u003C/p>","\u003Cp>The traditional design methodologies, based on a sequence ofsteps, were derivedfrom scientific • methodology and was largely used during years 60 's and 70 's. Some inabilities of such methods have been proven recently, because they don'tjit to increasing consumer needs and severe competition among companies. A new generation ofmethodologies are arising to replace the o/d ones.\u003C/p>","\u003Cp>Evolution of design methodologies\u003C/p>",{"title":136,"keywords":137,"excerpt":138},"\u003Cp>Evolução das metodologias de projeto\u003C/p>","\u003Cp>metodologias de projeto, necessidades do consumidor, empresas concorrentes\u003C/p>","\u003Cp>Os métodos tradicionais de projeto do produto, baseados numa seqüência de etapas, derivados da metodologia científica, foram bastante difundidos nas décadas de 60 e 70. Recentemente, eles tem-se mostrado inadequados porque não levam em consideração a crescente exigência dos consumidores e a acirrada competição entre as empresas. Devido a isso, estão sendo substituídos por uma nova geração de metodologias.\u003C/p>",{"startPage":140,"endPage":141,"track":142,"doi":7,"file":143,"references":146},382,"388","svxx3en9",{"fullpath":144,"name":145},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F3_pd_design_1998%2F98_485-492_sesso%CC%83este%CC%81cnicastema5metodologia_evoluc%CC%A7a%CC%83o.pdf","98_485-492_sessõestécnicastema5metodologia_evolução.pdf",[147,150,153,156,159,162,165,168,171,174],{"id":148,"label":149},"31e4732a-c45d-4ce1-9c7c-43140f9b9e82","\u003Cp>ASIMOW, Morris, Introd.uction to Design. New York: Prentice-Hall, 1962. \u003C/p>",{"id":151,"label":152},"47881673-6cee-43d2-94ef-0c081ac5260b","\u003Cp>BAXTER Mike, Projeto de Produto. São Paulo: Editora Edgard Blücher, 1998. \u003C/p>",{"id":154,"label":155},"30c18b02-18d9-46f0-adc7-b8763dd84458","\u003Cp>BOMFIM, Gustavo A, Metodologia para Desenvolvimento de Projetos. João Pessoa: Editora Universitária da UFPb, 1995. \u003C/p>",{"id":157,"label":158},"87fc0b9b-4f14-4e1b-aa6f-0bc7b7542596","\u003Cp>CAPRA, Fritjof, O Ponto de Mutação. São Paulo: Cultrix, 1995. \u003C/p>",{"id":160,"label":161},"aa896f97-1af5-4776-b776-7840b4b479c7","\u003Cp>CHENG, Lin Chih et ai. QFD -Planejamento de Qualidade. Belo Horizonte: Fundação Christiano Ottoni, 1995. \u003C/p>",{"id":163,"label":164},"c3214585-61f0-490c-bf7c-b1a066ed9ad0","\u003Cp>INSTITUTO BRASILEIRO DE DEFESA DO CONSUMIDOR - IDEC. Esse Velho Companheiro Merece mais Cuidados (testes com liquidificadores). Consumidor SA., nº 23, set. 1997, p.10-13. \u003C/p>",{"id":166,"label":167},"b48bf956-8949-49ff-8cb0-e2cbd7a3c7d1","\u003Cp>JONES, Christopher, Design Methods Compared, Design nº 212, ago. 1996, pp. 32-35 e Design nº 213, set. 1996, pp. 46-52.\u003C/p>",{"id":169,"label":170},"002efa5f-98f3-41f5-ad8f-9846cea08169","\u003Cp>LIEBFRIED, Kathleen e McNAJR, C.J., Benchmarking: uma Ferramenta para Melhoria Contínua. Rio de Janeiro: Editora Campus, 1994. \u003C/p>",{"id":172,"label":173},"16ef1612-d0b2-4394-bad5-237e01b8c96c","\u003Cp>MUNARI, Bruno, Das Coisas Nascem Coisas, Lisboa: Edições 70, 1993. \u003C/p>",{"id":175,"label":176},"79e650d6-a187-475c-b5c7-abf74d2b91ca","\u003Cp>ULRICH, Karl e EPPINGER, Steven, Product Design and Development. New York: McGraw-Hill, 1995.\u003C/p>",[178],{"lastName":6,"_id":10,"role":7,"designation":7,"filiation":13,"email":11,"name":8,"url":7},[10],3,[182],"evolution_of_design_methodologies",{"parent":19,"metaData":184,"data":186,"langs":194,"_id":195,"type":35,"typeData":196,"createDate":225,"status":54,"updateDate":55,"contributors":226,"contributorsIds":228,"download":120,"slugs":229,"slug":230},{"updateDate":7,"createDate":185,"deleteDate":7},1729959751,{"secondary":187,"primary":191},{"keywords":188,"excerpt":189,"title":190},"\u003Cp>história do design, evolução do design, metodologia de design\u003C/p>","\u003Cp>The article presents a reflection about the Brazilian economic and social scenario as a reference to the teaching, research and application of design in industry. Moreover, the author makes suggestions to include the design activity in the economy and society, in order to benefit the majority of population.\u003C/p>","\u003Cp>Design, in spite of it all!\u003C/p>",{"keywords":188,"excerpt":192,"title":193},"\u003Cp>O artigo faz uma reflexão sobre o momento econômico e social do país, como referência para analisar a situação do ensino, pesquisa e aplicação prática do design. Além disso, o autor apresenta sugestões para a inserção do design na economia e na sociedade, visando, sobretudo, beneficiar a maioria da população.\u003C/p>","\u003Cp>Design, apesar de tudo!\u003C/p>",[32,33],"44742e73-11b2-45be-9cb9-6d48602009ac",{"startPage":197,"file":198,"references":201,"endPage":223,"track":224,"doi":7},"1483",{"fullpath":199,"name":200},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F5_pd_design_2002%2F074.pdf","074.pdf",[202,205,208,211,214,217,220],{"id":203,"label":204},"931fa324-dcc6-4e4e-a427-2a4058e80d44","BAXTER, Mike, Projeto de Produto. São Paulo: Edgard Blücher, 2ª ed., 2000",{"id":206,"label":207},"028c7639-4924-4aef-8131-5c52aa832e04","CAPRA, Fritjof, O Ponto de Mutação. São Paulo: Cultrix, 1982",{"id":209,"label":210},"47ef5ef9-bfa6-41f0-89ff-24f335c05d9c","DENIS, Rafael C., Uma Introdução à História do Design. São Paulo: Edgard Blücher, 2000",{"id":212,"label":213},"cab2ec5d-deee-4aff-bf73-3e82a16fafb5","DESCHAMPS, Jean-Philippe e NAYAK, P. Ranganath, Produtos Irresistíveis.São Paulo: Makron Books, 1996",{"id":215,"label":216},"0ac1155e-cbc3-4b66-877b-4c02cb20150c","LÖBACH, Bernd, Design Industrial. São Paulo: Edgard Blücher, 2001",{"id":218,"label":219},"7ec6be2e-dabc-4da4-8549-5360d6cd5425","RATTNER, Henrique, Impactos Sociais da Automação. São Paulo: Nobel, 1988",{"id":221,"label":222},"f29daafb-11b0-4b1e-917f-a6404501f3e1","SUN TSU, A Arte da Guerra. São Paulo: Paz e Terra, 1997\n","1489","tze90ntg","2024-10-26T16:24:52+00:00",[227],{"filiation":13,"email":11,"lastName":6,"designation":7,"url":7,"name":8,"role":7,"_id":10},[10],[230],"design_apesar_de_tudo",{"parent":232,"metaData":233,"langs":235,"_id":236,"type":35,"createDate":237,"status":54,"data":238,"typeData":247,"updateDate":55,"contributors":285,"contributorsIds":291,"download":120,"slugs":292,"slug":293},"13d66526-f25c-42fa-8e58-2ce788ca56a0",{"updateDate":7,"createDate":234,"deleteDate":7},1690883123,[32,33],"47a60348-fb30-4d2a-b029-7b06dab0338b","2023-08-01T09:51:49+00:00",{"primary":239,"secondary":243},{"keywords":240,"excerpt":241,"title":242},"\u003Cp>mesas para microcomputador, ensaios em móveis, qualidade de móveis, defesa do consumidor\u003C/p>","\u003Cp>Foram feitos ensaios em nove mesas para microcomputador adquiridas no mercado local. As avaliações de conforto foram feitas por sujeitos humanos c os testes de natureza fisica, de acordo com as nonnas ABNT. Os resultados desses ensaios geram in formações úteis aos consumidores na hora da compra desses produtos e aos fabricantes de móveis, para a melhoria dos respectivos projetos.\u003C/p>","\u003Cp>Qualidade de móveis para informática: mesas\u003C/p>",{"keywords":244,"excerpt":245,"title":246},"\u003Cp>tablesfor microcomputer, assays infumiture, quality offurniture, consumer\u003C/p>","\u003Cp>Assays in nine tablesfor microcomputer bought in the local market had been made. The comfort evaluations had been made by human subjects and the mechanica/tests, in accordance with norms ABNT. The results ofthese assays supply useful information to the consumers acquisition of these products and to the manufacturers offunziture in order to improve their designs.\u003C/p>","\u003Cp>Quality o f computer user furniture: desks\u003C/p>",{"startPage":248,"references":249,"endPage":280,"track":281,"doi":7,"file":282},186,[250,253,256,259,262,265,268,271,274,277],{"id":251,"label":252},"3b15ca71-9d9f-49a0-bce6-480ed30cb92c","CRONEY, John, Anthropometrics for Designers, New York: Van Nostland, 1971.",{"id":254,"label":255},"fe257555-ac5c-4524-85be-a28fec50619f","GRANDJEAN, E. e HÜNTING, W., Ergonomics of posture, Applied Ergonomics, 8(3), 135-140, 1977",{"id":257,"label":258},"aa89d426-edef-4dfc-9a02-fac637e8a405","GRANDJEAN, Etienne, Manual de Ergonomia, Porto Alegre: Bookrnan, 1998.",{"id":260,"label":261},"474608f9-3535-47a6-a00d-a793404fb202","lIDA, Itiro, Ergonomia: Projeto e Produção. São Paulo: Edgard B1ücher, 1990.",{"id":263,"label":264},"39a35161-63da-4086-bbcb-098c91e629c0","INTERNATIONAL ORGANIZATION OF CONSUMERS UNIONS, Guide to the principies of comparative testing. Penang, Malasia, julho de 1985.",{"id":266,"label":267},"4768c3bb-3f89-45e7-b6cd-6397c5e36081","PANERO, Julius e ZELNIK, Martin, Las Dimensiones Humanas en los Espacios Interiores. México: Gustavo Gili, 1984.",{"id":269,"label":270},"38e2af5a-5996-430a-8856-b4a6b37c2d4c","SCHACKEL, Bryan, Cadeiras: modelo e aplicação do conforto. Arquivos Brasileiros de Psicologia Aplicada 27(1), 88-108,jan./mar. 1975.",{"id":272,"label":273},"181ee50e-be6e-409c-8b58-f982e5283779","Normas citadas\nNBR 13695:1997 -Móveis para escritório -Móveis para informática - classificação e características e\ndimensionais",{"id":275,"label":276},"4615f9f6-fc26-4382-9767-03dee2dfdc27","NBR 13966:1997 - Móveis para escritório -Mesas - classificação e características e dimensionais",{"id":278,"label":279},"7d699b1a-19f8-4b66-b583-f9ad82ab8a5b","NBR 14111: 1998 - Móveis para escritório - Mesas -Ensaios de estabilidade, resistência e durabilidade \n","191","5ews4h2i",{"fullpath":283,"name":284},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F4_pd_design_2000%2F2000v1p1_186-191_tema4produto_mesas.pdf","2000v1p1_186-191_tema4produto_mesas.pdf",[286,288],{"designation":7,"filiation":13,"name":8,"lastName":6,"role":287,"_id":10,"email":11,"url":7},"7nwi9oah",{"id":7,"_id":69,"slugs":289,"email":7,"designation":7,"createDate":71,"url":7,"role":7,"lastName":73,"filiation":70,"name":78,"description":290},[75,76],{},[10,69],[293],"quality_o_f_computer_user_furniture_desks",{"parent":295,"metaData":296,"data":298,"langs":307,"_id":308,"type":35,"typeData":309,"createDate":353,"status":54,"updateDate":55,"contributors":354,"contributorsIds":371,"download":180,"slugs":372,"slug":373},"b9a41c2e-d8d9-4c69-89e3-f6e614e4f29e",{"updateDate":7,"createDate":297,"deleteDate":7},1739629451,{"secondary":299,"primary":303},{"keywords":300,"excerpt":301,"title":302},"functionality, aesthetics, pleasure, emotion","In the popular sense, the two essential qualities of the product are goodness and beauty. The goodness relates to technical and functional qualities. The beauty relates to sensorial qualities, being pleasant to the look, touch, hearing and smell. The methods and techniques generally applied in Design tend to privilege goodness, that nor always produces beauty. Design can be supported by the knowledge of other areas, such as engineering of materials and process, computer science, ergonomics and others, to produce efficient, comfortable, strong and durable objects. However, still there are no methods and suitable techniques to achieve beauty. Recent research in \u003Ci>design and emotion\u003C/i> places emotion as one of the central subjects of design. Developments in this area look for identifying the product characteristics that are associated to certain types of emotions, for the beauty.","Goodness and beauty in design",{"keywords":304,"excerpt":305,"title":306},"funcionalidade, estética, prazer, emoção","No senso popular, as duas qualidades essenciais do produto são o bom e o bonito. O lado bom significa ter qualidades técnicas e funcionais. Bonito significa ter qualidades sensoriais, sendo agradáveis ao olhar, tato, audição e olfato. Os métodos e técnicas geralmente aplicados no Design tendem a priviligiar o lado bom, e isso nem sempre resulta também no bonito. O Design pode apoiar-se em conhecimentos de outras áreas como engenharia de materiais e processos, informática, ergonomia e outras, para produzir objetos eficientes, confortáveis, fortes e duráveis. Contudo, ainda não existem métodos e técnicas adequadas para se chegar ao bonito. Recentes pesquisas na área de \u003Ci>design and emotion\u003C/i> colocam a emoção como um dos temas centrais do design. Desenvolvimentos nessa área procuram identificar as características do produto que se associam a certos tipos de emoções, para produzir o bonito.","O bom e o bonito em design",[32,33],"8564e334-9962-404e-b8fd-17a6d43b0ab9",{"startPage":310,"file":311,"references":314,"endPage":351,"track":352,"doi":7},5444,{"fullpath":312,"name":313},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F7_pd_design_2006%2FO%20Bom%20e%20o%20Bonito%20em%20Design.pdf","O Bom e o Bonito em Design.pdf",[315,318,321,324,327,330,333,336,339,342,345,348],{"id":316,"label":317},"3e363984-0039-41cd-a8ee-c26da96822be","BAXTER, Mike. \u003Cstrong>Projeto de Produto\u003C/strong>. 2ª ed. São Paulo: Blücher, 2000.",{"id":319,"label":320},"f24c0d65-9118-44bd-ab57-e9b0e43ed779","DESMET, Peter. \u003Cstrong>Designing Emotions\u003C/strong>. Delft: Universidade Tecnológica de Delft, 2002.",{"id":322,"label":323},"879ded1f-d0f4-42a3-931b-b3062718cb3a","GREEN, William S. e JORDAN, Patrick. \u003Cstrong>Pleasure with Products: Beyond Usability\u003C/strong>. London: Taylor & Francis, 2002.",{"id":325,"label":326},"5dbe6020-8e7d-4db8-b11f-1498972b3b47","IIDA, Itiro. \u003Cstrong>Ergonomia: Projeto e Produção\u003C/strong>. 2ª ed. São Paulo: Blücher, 2005",{"id":328,"label":329},"bb5a7206-9e3f-4b93-b208-f60e66f6c6c1","JORDAN, Patrick W. \u003Cstrong>Products as personalities\u003C/strong>. In Robertson, S. (ed.) \u003Cstrong>Contemporary Ergonomics\u003C/strong>. London: Taylor & Francis, 1997.",{"id":331,"label":332},"3887af7c-e82e-4279-af44-30c18102f98f","JORDAN, Patrick W. \u003Cstrong>Designing Pleasurable Products\u003C/strong>. London: Taylor & Francis, 2000.",{"id":334,"label":335},"4b2dd436-afc3-4ecf-a1d7-6e7a3668c390","LÖBACH, Bernd. \u003Cstrong>Design Industrial\u003C/strong>. São Paulo: Blücher, 2000.",{"id":337,"label":338},"253f9ff6-6b6c-4e1a-996f-022475301900","MARTINS, José Maria. \u003Cstrong>A lógica das Emoções na Ciência e na Vida\u003C/strong>. Petrópolis: Vozes, 2004.",{"id":340,"label":341},"0d70c49d-7e15-4f06-903c-a999ae566097","MCDONAGH, Deana, HEKKERT, Paul e GYI, Diane. \u003Cstrong>Design and Emotion\u003C/strong>. London: Taylor & Francis, 2004.",{"id":343,"label":344},"8733896f-3162-4767-9fbf-21418ff7e7c7","NORMAN, Donald A. \u003Cstrong>Emotional Design\u003C/strong>. New York: Basic Books, 2004",{"id":346,"label":347},"51662142-df09-42d4-a672-1245f32c482b","OVERBEEKE, Kees e HEKKERT, Paul. \u003Cstrong>Proceedings of the First International Conference on Design and Emotion\u003C/strong>. Delft: School of Design Engineering, 1999.",{"id":349,"label":350},"2e69e750-b8a3-473c-a9fe-177d7d7d2a42","TIGER, Lionel. \u003Cstrong>The Pursuit of Pleasure\u003C/strong>. New Brunswick, New Jersey: Transaction Publishers, 2000.",5455,"gp7re6twk","2025-02-15T11:24:32-03:00",[355,356],{"role":7,"name":8,"filiation":13,"lastName":6,"_id":10,"designation":7,"email":11,"url":7},{"objectID":357,"createDate":358,"slugs":359,"_id":357,"filiation":7,"path":362,"url":7,"id":363,"lastName":364,"name":365,"description":366,"email":367,"lastmodified":368,"role":369,"designation":370},"2ab5c245-8e1e-493d-ad7a-7eca62a2bb47","2025-02-13T23:30:33-03:00",[360,361],"poema_muhlenberg","muhlenberg_poema","people/2ab5c245-8e1e-493d-ad7a-7eca62a2bb47",null,"Mühlenberg","Poema","graduanda, Universidade de Brasília","eusoupoema@yahoo.com.br",1739500389541,"author","Graduanda",[10,357],[373],"o_bom_e_o_bonito_em_design",{"parent":295,"metaData":375,"data":377,"langs":386,"_id":387,"type":35,"typeData":388,"createDate":420,"status":54,"updateDate":55,"contributors":421,"contributorsIds":470,"download":471,"slugs":472,"slug":473},{"updateDate":7,"createDate":376,"deleteDate":7},1739500192,{"secondary":378,"primary":382},{"keywords":379,"excerpt":380,"title":381},"product project, furniture, Amazon's alternative timbers","It was carried through a research to project furniture with the application of alternative Amazonian timbers. It involved the work of a team of 8 researchers and 5 industrial companies. These enterprises contributed in the definition of products, evaluation of alternatives and construction of prototypes. The proposal involved research and development of products and processes, using solid timber modules associated with Medium Density Fiberboard and coverings in laminated wood. Theses modules explore the great variety of colors and textures of alternative Amazonian timbers. They were applied in furniture as tables, chairs, beds and panels, destined to production in commercial and industrial scale.","Alternative Amazon's Timbers Furniture",{"keywords":383,"excerpt":384,"title":385},"projeto do produto, móveis, madeiras alternativas da Amazônia","Realizou-se um projeto para desenvolvimento de móveis com aplicação das madeiras alternativas da Amazônia, envolvendo uma equipe de 8 pessoas, em colaboração com 5 empresas fabricantes de móveis. A proposta envolveu pesquisa e desenvolvimento de processos e produtos, associando módulos de madeiras maciças com chapas de MDF. Esses módulos exploram a grande variedade de cores e texturas das madeiras alternativas da Amazônia e são aplicados em móveis como mesas, cadeiras, camas e painéis, destinados à produção industrial seriada e comercial. A construção dos protótipos ficou a cargo das empresas envolvidas.","Móveis de Madeiras Alternativas da Amazônia",[32,33],"a10b34fe-7c83-4b32-8821-b400b6d2e689",{"startPage":389,"file":390,"references":393,"endPage":418,"track":419,"doi":7},3944,{"fullpath":391,"name":392},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F7_pd_design_2006%2FM%C3%B3veis%20de%20madeiras%20alternativas%20da%20Amaz%C3%B4nia.pdf","Móveis de madeiras alternativas da Amazônia.pdf",[394,397,400,403,406,409,412,415],{"id":395,"label":396},"ef2596b3-5d45-4e40-a561-9c81dfce29e7","ASSOCIAÇÃO BRASILEIRA DE METALURGIA E MATERIAIS. \u003Cstrong>Metalurgia e desenvolvimento:a corrida dos metais no Brasil.\u003C/strong> São Paulo, 1989. 74 p.",{"id":398,"label":399},"6c3ab96c-2352-49c6-9d7f-08daa891096d","BORGES, A. Maurício Azeredo, \u003Cstrong>A construção da identidade brasileira no mobiliário.\u003C/strong> São Paulo: Instituto Lina Bo e P. M. Bardi, 1999. 120 р.",{"id":401,"label":402},"d9013b19-8f94-4e9b-b530-bb514cb4c74d","CNI, COMPI, SENAI/DR-RJ. \u003Cstrong>A importância do design para sua empresa\u003C/strong> / Brasília: CNI, 1998. 56p.",{"id":404,"label":405},"fe215cf9-8549-4474-9118-5dd43639e95f","MENDES, A. S; MARTINS, V.A .; MARQUES, M. H. B.\u003Cstrong>Programa de Secagem para Madeiras Brasileiras.\u003C/strong> Brasília, 1998. 114 p.",{"id":407,"label":408},"cf96ca05-ea00-4c78-aaac-5e84e9a5e1d9","SENAI/DN/SEBRAE/DF. \u003Cstrong>Perfil Competitivo do Distrito Federal.\u003C/strong> Brasília: SEBRAE, 2002/2003.260 р.",{"id":410,"label":411},"a921a7ef-d84e-4a4c-b24c-645dc2c1c395","SENAI. RS. SEBRAE.RS. \u003Cstrong>Tendências em Mobiliário 2005.\u003C/strong> Bento Gonçalves: Centro Tecnológico do Mobiliário SENAI, 2004. 44p.",{"id":413,"label":414},"bd4d5153-9d59-4f11-92f8-7f7242943979","SOUZA, M. H. \u003Cstrong>Incentivo ao Uso de Novas Madeiras para Fabricação de Móveis.\u003C/strong> Brasília:IBAMA/LPF, 1998. 70 р.",{"id":416,"label":417},"24f955ba-9280-4b2a-937c-bee1c2482553","SOUZA, M. H.; SOUZA, M. R. \u003Cstrong>Madeiras Tropicais Brasileiras.\u003C/strong> Brasília:IBAMA/ LPF, 1997, 151 páginas.",3952,"pq8hpjv4","2025-02-13T23:30:41-03:00",[422,423,428,433,443,451,453,462],{"role":7,"designation":7,"lastName":6,"name":8,"_id":10,"email":11,"filiation":13,"url":7},{"_id":424,"url":7,"name":425,"filiation":13,"email":426,"role":7,"lastName":427,"designation":7},"7eeef4c9-54a9-4933-8644-500e9efcde9e","Ana Cláudia","anacmay@gmail.com","Maynardes",{"lastName":429,"designation":7,"email":430,"_id":431,"url":7,"name":432,"filiation":13,"role":369},"Hudson","fred.vilacultural@gmail.com","7c52881a-1b22-400b-9459-24393d2641a8","Frederico",{"url":7,"description":434,"filiation":7,"slugs":435,"_id":438,"id":363,"role":369,"createDate":439,"designation":440,"email":363,"lastName":441,"name":442},"Designer, Universidade de Brasília",[436,437],"paulo_henrique_carvalho_santos","santos_paulo_henrique_carvalho","e0251c6b-3413-444f-8ca1-88ce7fc62e15","2025-02-13T23:30:25-03:00","Designer","Santos","Paulo Henrique Carvalho",{"email":363,"role":369,"createDate":444,"description":434,"lastName":445,"_id":446,"filiation":7,"url":7,"name":447,"slugs":448,"designation":440,"id":363},"2025-02-13T23:30:30-03:00","Tomiosso Jr.","68319f09-01fa-4e85-bf67-e2a2cf16460d","Lucindo",[449,450],"lucindo_tomiosso_jr","tomiosso_jr_lucindo",{"designation":363,"name":365,"filiation":7,"createDate":358,"_id":357,"url":7,"slugs":452,"role":369,"id":363,"description":366,"email":363,"lastName":364},[360,361],{"id":363,"filiation":7,"_id":454,"email":363,"description":455,"lastName":456,"slugs":457,"url":7,"role":369,"designation":363,"createDate":460,"name":461},"1046c4ed-fd20-4209-9130-0600814d8ac8","graduando, Universidade de Brasília","Bulcão",[458,459],"cesar_bulcao","bulcao_cesar","2025-02-13T23:30:36-03:00","César",{"email":363,"designation":363,"name":463,"id":363,"_id":464,"lastName":465,"role":369,"url":7,"slugs":466,"createDate":469,"filiation":7,"description":455},"Dimitri Lociks Cavalcanti","fead1027-40f5-4190-8978-ccdeaa3d3ca2","Gusmão",[467,468],"dimitri_lociks_cavalcanti_gusmao","gusmao_dimitri_lociks_cavalcanti","2025-02-13T23:30:39-03:00",[10,424,431,438,446,357,454,464],4,[473],"alternative_amazons_timbers_furniture",{"parent":19,"metaData":475,"data":477,"langs":486,"_id":487,"type":35,"typeData":488,"createDate":516,"status":54,"updateDate":55,"contributors":517,"contributorsIds":548,"download":180,"slugs":549,"slug":550},{"updateDate":7,"createDate":476,"deleteDate":7},1729890703,{"secondary":478,"primary":482},{"keywords":479,"excerpt":480,"title":481},"\u003Cp>Office, industrial design, scotch tape\u003C/p>","\u003Cp>The article presents the project of a new kind of scotch tape dispenser that can pack handle and apply the scotch tape with portability, practility and safety during its handling. The product can be covered by a variety of colors and stamps that are applied on its bold shape.\u003C/p>","\u003Cp>Practicality and Usability of the Scotch Tape Dispenser\u003C/p>",{"keywords":483,"excerpt":484,"title":485},"\u003Cp>Material de escritório, projeto de produto, fita adesiva\u003C/p>","\u003Cp>Oartigo apresenta o projeto de um novo tipo de Aplicador de Fita Adesiva que permite acondicionar, manusear e aplicar a fita adesiva com portabilidade, praticidade e segurança durante o seu manuseio. O produto pode apresentar variedades de cores e estampas aplicadas em sua forma arrojada.\u003C/p>","\u003Cp>Praticidade e Facilidade no Uso de Fita Adesiva\u003C/p>",[32,33],"b786ae55-5767-4bb7-ba96-9af710954fdd",{"startPage":489,"file":490,"references":493,"endPage":515,"track":52,"doi":7},"547",{"fullpath":491,"name":492},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F5_pd_design_2002%2F046.pdf","046.pdf",[494,497,500,503,506,509,512],{"id":495,"label":496},"fb57fa26-9b21-471b-a112-ac1a5fe04b56","\u003Cp>BAXTER, Mike, Projeto de Produto. São Paulo: Editora Edgard Blücher, 2aedição. 2000\u003C/p>",{"id":498,"label":499},"75ed09f3-be9f-4654-90e4-edbde8e9e71e","\u003Cp>BÜRDECK, Bernhard. Diseño: historia, teoria y practica del diseño industrial. Barcelona: Gustavo Gili, 1994\u003C/p>",{"id":501,"label":502},"ecbba6f6-7202-44ed-a8e9-57eb52432192","\u003Cp>CAMP, R.C. Benchmarking: o Caminho da Qualidade Total. São Paulo: Pioneira, 1993\u003C/p>",{"id":504,"label":505},"15e7138b-c501-4310-aeee-185ebd300c96","\u003Cp>IIDA, I. Ergonomia: Projeto e Produção. São Paulo: Editora Edgard Blücher, 1990\u003C/p>",{"id":507,"label":508},"9dccbd73-2ef1-4379-8181-41177786dbc4","\u003Cp>IIDA, I.O Mapa Preço-Valor. Estudos em Design,No2, V. VI,1998. pp. 47-56.\u003C/p>",{"id":510,"label":511},"68c2f390-6250-4c61-8cee-e86cb4a87a50","\u003Cp>LEIBFRIED, K. H. J. e MCNAIR, C. J. Benchmarking: uma Ferramenta para Melhoria Contínua.Riode Janeiro: Campus, 1994\u003C/p>",{"id":513,"label":514},"090d377a-91af-4e2c-a332-6beddce55c2b","\u003Cp>LÖBACH, Bernd, Desenho Industrial. São Paulo: Editora Edgard Blücher, 2001\u003C/p>","554","2024-10-25T21:16:10+00:00",[518,528,538,547],{"slugs":519,"email":7,"id":7,"designation":7,"role":7,"url":7,"lastName":522,"createDate":523,"_id":524,"name":525,"filiation":526,"description":527},[520,521],"paula_pereira_scherre","scherre_paula_pereira","Scherre","2024-10-25T21:13:58+00:00","e4dabe9f-b503-430d-85bb-3127d341a089","Paula Pereira ","Estudante, Curso de Desenho Industrial da UnB",{},{"email":7,"filiation":529,"lastName":530,"_id":531,"role":7,"slugs":532,"url":7,"id":7,"name":535,"description":536,"createDate":537,"designation":7}," Estudante, Curso de Desenho Industrial da UnB","Curi","896f9f25-88a8-4625-9ce2-943012c14ff8",[533,534],"suzana_curi","curi_suzana"," Suzana ",{},"2024-10-25T21:14:14+00:00",{"slugs":539,"filiation":526,"createDate":542,"designation":7,"name":543,"url":7,"lastName":544,"role":7,"email":7,"id":7,"description":545,"_id":546},[540,541],"tereza_cristina_pires_da_silva","silva_tereza_cristina_pires_da","2024-10-25T21:14:31+00:00","Tereza Cristina Pires da ","Silva",{},"f88e6931-5c8f-4630-bfde-fbc656cf42f8",{"filiation":13,"designation":7,"role":7,"email":11,"lastName":6,"name":8,"_id":10,"url":7},[524,531,546,10],[550],"praticidade_e_facilidade_no_uso_de_fita_adesiva",{"parent":552,"metaData":553,"data":555,"langs":564,"_id":565,"type":35,"typeData":566,"createDate":628,"status":54,"updateDate":55,"contributors":629,"contributorsIds":643,"download":120,"slugs":644,"slug":645},"6812ce42-f5f2-4456-9064-686c9b2b8f80",{"updateDate":7,"createDate":554,"deleteDate":7},1739407693,{"secondary":556,"primary":560},{"keywords":557,"excerpt":558,"title":559},"plastic chairs, furniture tests, furniture quality","Eleven plastic chairs were bought in Brasilia's stores and were tested according to the norm ASTM F1561-96. As result, four of them had broken and two had deformed because of the fragility of the material. The others five had satisfactory performance. Significative correlation between quality and price was not verified.","Quality of Plastic Chairs",{"keywords":561,"excerpt":562,"title":563},"cadeiras de plástico, ensaio em móveis, qualidade de móveis","Onze cadeiras de plástico monobloco foram adquiridas no comércio de Brasília e submetidas a testes de acordo com as normas ASTM F1561-96. Como resultado, quatro delas quebraram e duas apresentaram deformações devido à fragilidade do material. As outras cinco apresentaram desempenho satisfatório. Não se verificou correlação significativa entre qualidade e preço.","Qualidade de Cadeiras Plásticas",[32,33],"ba9ddd2a-bd68-46b8-b34b-447950353a69",{"startPage":567,"file":568,"references":571,"endPage":626,"track":627,"doi":7},1582,{"fullpath":569,"name":570},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F6_pd_design_2004%2F17-10-033.pdf","17-10-033.pdf",[572,575,578,581,584,587,590,593,596,599,602,605,608,611,614,617,620,623],{"id":573,"label":574},"9eaeb97e-cafe-44ae-9f7b-75d6cacb7788","BAXTER, M., \u003Cstrong>Projeto de Produto\u003C/strong>. São Paulo: Edgard Blücher, 2000.",{"id":576,"label":577},"4df0f51a-0c03-4926-bbf8-4dd9ab39e8ae","CALS, S. (org.) \u003Cstrong>Sérgio Rodrigues\u003C/strong>. Rio de Janeiro: S. Cals, 2000.",{"id":579,"label":580},"7ac10b85-d37b-40d1-aca5-6138bb15b590","COUTINHO, L., \u003Cstrong>et al.\u003C/strong> Design na Indústria Brasileira de Móveis. São Paulo: Abimóvel, 2001.",{"id":582,"label":583},"4a7a3732-fd7b-4492-a030-92f9d716e48d","CRONEY, J., \u003Cstrong>Anthropometrics for Designers\u003C/strong>, New York: Van Nostland, 1971.",{"id":585,"label":586},"29b7abbd-9498-40b5-a131-74d3bc07948b","FIELL, C. \u003Cstrong>1000 Chairs\u003C/strong>. Köln: Taschen, 1997",{"id":588,"label":589},"7e775204-5089-4b72-853b-df1e7c737681","GRANDJEAN, E. e HÜNTING, W., Ergonomics of posture, \u003Cstrong>Applied Ergonomics\u003C/strong>, 8(3), 135-140, 1977",{"id":591,"label":592},"7c1f7644-cf68-44b1-8812-33d7345606de","GRANDJEAN, E., \u003Cstrong>Manual de Ergonomia\u003C/strong>, Porto Alegre: Bookman, 1998.",{"id":594,"label":595},"0962471d-e80b-42f9-b447-0d07c967e199","IIDA, I., \u003Cstrong>Ergonomia: Projeto e Produção\u003C/strong>. São Paulo: Edgard Blücher, 1990.",{"id":597,"label":598},"37087885-09c2-4827-9cef-8ebd96c1858f","IIDA, I., PAZETTO, V. e ANTONIALLI, L.B., Cadeiras de digitador: avaliação do conforto. \u003Cstrong>Arcos\u003C/strong>. Vol. 3, 2000/2001, p. 84-102.",{"id":600,"label":601},"fddf0c55-e13b-4292-95e3-bf421e5b1b38","IIDA, I., e PAZETTO, V. Qualidade dos móveis para informática: cadeiras. \u003Cstrong>Anais do IV Congresso de Pesquisa e Desenvolvimento em Design\u003C/strong>, vol. 1, p. 151-159",{"id":603,"label":604},"09a37226-1a24-4490-aa84-cc263c69d017","IIDA, I., e PAZETTO, V. Qualidade dos móveis para informática: móveis para informática. \u003Cstrong>Anais do IV Congresso de Pesquisa e Desenvolvimento em Design\u003C/strong>, vol. 1, p. 161-166",{"id":606,"label":607},"645247ce-8726-41f7-80a0-64217f316668","INTERNATIONAL ORGANIZATION OF CONSUMERS UNIONS, \u003Cstrong>Guide to the principles of comparative testing\u003C/strong>. Penang, Malasia, julho de 1985.",{"id":609,"label":610},"2e287b30-ed62-48ed-8a6d-dee0eb40994e","PANERO, J. e ZELNIK, M., \u003Cstrong>Las Dimensiones Humanas en los Espacios Interiores\u003C/strong>. México: Gustavo Gili, 1984.",{"id":612,"label":613},"2dfc3d1a-f9b9-401c-86d6-aad967c7e626","SCHACKEL, B., Cadeiras: modelo e aplicação do conforto. \u003Cstrong>Arquivos Brasileiros de Psicologia Aplicada\u003C/strong> 27(1), 88-108, jan./mar. 1975.",{"id":615,"label":616},"a203e88e-2560-4564-a63f-dec60138c666","TAMBINI, M., \u003Cstrong>O Design do Século\u003C/strong>. São Paulo: Ática, 1997.",{"id":618,"label":619},"d1f660d7-58b3-4b5b-ab0e-292b38c8545c","NBR 13962:1997 - Móveis para escritório - Cadeiras - classificação e características e dimensionais",{"id":621,"label":622},"a02a7a34-5f19-4041-b860-52e104a5f8bd","norma NBR14776:2001 – Cadeiras plástica monobloco – Requisitos e métodos de ensaio",{"id":624,"label":625},"284178c5-73d4-44a4-9446-4aada23cb31a","ASTM F1561-96 – Standard Performance requirements for plastic chair for outdoor use.",1589,"7eerr9m2","2025-02-12T21:48:50-03:00",[630,631,636],{"filiation":13,"url":7,"lastName":6,"designation":7,"name":8,"_id":10,"role":7,"email":11},{"description":632,"lastName":62,"id":7,"email":7,"createDate":60,"objectID":64,"designation":7,"slugs":633,"role":7,"name":59,"url":7,"filiation":61,"_id":64,"lastmodified":634,"path":635},{},[66,67],1729891262436,"people/850b71e8-f37a-4f42-b734-af694ab334fc",{"designation":7,"url":7,"role":7,"filiation":70,"id":7,"path":72,"email":7,"name":637,"lastmodified":77,"description":638,"objectID":69,"updateDate":639,"slugs":640,"_id":69,"createDate":71,"lastName":642},"Valéria Maria de Figueiredo ",{},"2025-02-12T21:48:47-03:00",[75,76,641],"pazetto_valeria_maria_de_figueiredo","Pazetto",[10,64,69],[645],"quality_of_plastic_chairs",{"parent":647,"metaData":648,"data":650,"langs":659,"_id":660,"type":35,"typeData":661,"status":54,"updateDate":55,"contributors":687,"contributorsIds":739,"download":120,"slugs":740,"slug":741},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":7,"createDate":649,"deleteDate":7},1765971538,{"secondary":651,"primary":655},{"keywords":652,"excerpt":653,"title":654},"\u003Cp>product design, furniture, marquetry, alternative woods from Amazon, microenterprises\u003C/p>","A project was conducted for the development of furniture with the application of marquetry techniques, produced with alternative woods from Amazon, in partnership with Valparaiso Furniture Pole Cooperative, GO. The project involved research on the traditional marquetry techniques to the development of faster and cheaper processes making possible the use of this technique in products produced in semi-industrial scale. The use and application of alternative woods from Amazon provided to the products a different aesthetic quality where the natural colors and textures of the woods were explored.","Project of Furniture Design with Alternative Woods From Amazonia",{"keywords":656,"excerpt":657,"title":658},"\u003Cp>projeto de produto, móveis, marchetaria, madeiras alternativas da Amazônia, microempresas\u003C/p>","Conduziu-se um projeto para desenvolvimento de móveis com aplicação de técnica de marchetaria com madeiras alternativas da Amazônia, em parceria com uma cooperativa do pólo moveleiro de Valparaíso – GO. O projeto envolveu pesquisa dos processos da técnica de marchetaria tradicional até o desenvolvimento de processos mais baratos e rápidos viabilizando assim, o uso dessa técnica em produtos produzidos em escala semi-industrial. O uso e aplicação das madeiras alternativas da Amazônia proporcionaram aos produtos uma qualidade estética diferenciada onde foram exploradas as cores e texturas naturais das madeiras.","Projeto de Design de Móveis com Madeiras Alternativas da Amazônia",[32,33],"bc286949-8c01-4af3-9ab3-90c09e88976a",{"startPage":662,"file":663,"references":666,"endPage":685,"track":686,"doi":7},1506,{"fullpath":664,"name":665},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69223.pdf","69223.pdf",[667,670,673,676,679,682],{"id":668,"label":669},"fdd5b42f-c227-4ce2-b961-f4bcc664f93f","\u003Cp>FRUTIGER, Adrian; Sinais e Símbolos: desenhos, projeto e significado; tradução Karina Jannini.- São Paulo: \u003Cstrong>Martins Fontes\u003C/strong>, 1999.\u003C/p>",{"id":671,"label":672},"78dfeb80-7c1b-4fc6-978b-676afe1421bf","\u003Cp>LOPES, Cesar Augusto Carneiro. Contribuição ao estudo anatômico de algumas madeiras da Amazônia. Belém: \u003Cstrong>Sudam\u003C/strong>, 1983.\u003C/p>",{"id":674,"label":675},"4ae48eba-47c4-436d-b2ff-760a5f8531e8","\u003Cp>MARQUES, Maria Helena Bezerra. \u003Cstrong>Madeiras da Amazônia: Características e utilização\u003C/strong>. Brasília: IBAMA, 1997. 141 P. ISBN 85-7300-032-5\u003C/p>",{"id":677,"label":678},"e245d64a-b5e6-4ae2-82a3-f7d9f5b93d20","\u003Cp>MUNARI, Bruno; \u003Cstrong>Design e comunicação visual: contribuição para uma metodologia didática\u003C/strong>; tradução Daniel Santana. – São Paulo: Martins Fontes, 1997.\u003C/p>",{"id":680,"label":681},"b3817fee-64e7-4558-a91d-7ec087e1722f","\u003Cp>SOUZA, Maria Helena de. \u003Cstrong>Madeiras Tropicais brasileiras\u003C/strong>. – Brasília: IBAMA - Laboratório de Produtos Florestais, 1997.\u003C/p>",{"id":683,"label":684},"b8f463c0-7b74-4154-b1ca-fd7615f793a3","\u003Cp>WONG, Wucius. \u003Cstrong>Princípios de Forma e Desenho\u003C/strong>; tradução Alvamar Helena Lamparelli. São Paulo: Martins Fontes, 1998.\u003C/p>",1520,"ftya7ms6",[688,689,700,708,709,719,729],{"_id":10,"role":7,"email":11,"lastName":6,"name":8,"designation":7,"filiation":13,"url":7},{"url":7,"role":7,"description":690,"slugs":691,"lastName":427,"email":694,"name":695,"id":7,"_id":696,"createDate":697,"path":698,"objectID":696,"lastmodified":699,"designation":7,"filiation":13},{},[692,693],"ana-c-maynardes","maynardes-ana-c","anacm@unb.br","Ana C.","743c75a1-0c53-4b70-b534-68e6004153a3","2025-12-17T11:38:58.297Z","people/743c75a1-0c53-4b70-b534-68e6004153a3",1765971538297,{"objectID":464,"id":7,"slugs":701,"lastName":465,"filiation":13,"name":704,"designation":7,"description":705,"url":7,"email":706,"role":7,"path":707,"createDate":697,"_id":464,"lastmodified":699},[702,703],"dimitri-l-c-gusmao","gusmao-dimitri-l-c","Dimitri L. C.",{},"dimitri.lociks@gmail.com","people/fead1027-40f5-4190-8978-ccdeaa3d3ca2",{"lastName":429,"email":430,"url":7,"_id":431,"filiation":13,"role":7,"designation":7,"name":432},{"objectID":710,"description":711,"lastName":712,"filiation":13,"slugs":713,"name":716,"email":717,"designation":7,"id":7,"_id":710,"lastmodified":699,"path":718,"role":7,"url":7,"createDate":697},"7bab594e-b185-4389-86a5-54d4c3a64d94",{},"Dietzsch",[714,715],"rafael-dietzsch","dietzsch-rafael","Rafael","rafael.dietzsch@gmail.com","people/7bab594e-b185-4389-86a5-54d4c3a64d94",{"designation":7,"_id":720,"description":721,"lastName":722,"path":723,"email":724,"slugs":725,"url":7,"filiation":13,"objectID":720,"name":728,"role":7,"createDate":697,"lastmodified":699,"id":7},"4fdbc90f-792e-423a-a3ec-9c3a35685775",{},"Gliosci","people/4fdbc90f-792e-423a-a3ec-9c3a35685775","rgtocantins@gmail.com",[726,727],"rebeca-gliosci","gliosci-rebeca","Rebeca",{"lastName":730,"id":7,"_id":731,"createDate":697,"filiation":13,"name":732,"url":7,"lastmodified":699,"objectID":731,"email":733,"designation":7,"path":734,"description":735,"role":7,"slugs":736},"Pinho","0d21aa36-bf28-4820-a1e0-11af20c3a691","Tatiana","taticcpinho@hotmail.com","people/0d21aa36-bf28-4820-a1e0-11af20c3a691",{},[737,738],"tatiana-pinho","pinho-tatiana",[10,696,464,431,710,720,731],[741],"project-of-furniture-design-with-alternative-woods-from-amazonia",{"pageRange":363,"parent":743,"data":744,"trackId":753,"type":35,"typeData":754,"metaData":797,"langs":799,"_id":800,"status":54,"updateDate":55,"contributors":801,"contributorsIds":817,"download":818,"slugs":819,"slug":820},"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",{"secondary":745,"primary":749},{"keywords":746,"excerpt":747,"title":748},"\u003Cp>furniture, ornament, marchetry\u003C/p>","This article presents an analysis of concepts that discuss the use of ornament in the artifacts of daily use, especially in furniture, throughout the design history. Through a literature review, debate and contrasts the concepts of creation and production of the forms and ornaments by the theories of John Ruskin and Le Corbusier. Presents the technique of marchetry as the one most used in the history of ornamental furniture and makes an analysis of how to apply this technique in contemporary furniture can be considered as a differential surface design based on the search for differentiation by the user.","Marquetry – The Ornament as Surface Design Used in the Furniture Industry",{"keywords":750,"excerpt":751,"title":752},"\u003Cp>mobiliário, ornamento, marchetaria\u003C/p>","Este artigo apresenta uma análise de conceitos que discutem a aplicação do ornamento nos artefatos de uso cotidiano, sobretudo no mobiliário, ao longo da história do design. Por meio de um levantamento bibliográfico, debate e contrapõe os conceitos da criação e produção das formas e ornamentos pelas teorias de John Ruskin e Le Corbusier. Apresenta a técnica de marchetaria como aquela mais utilizada na história da ornamentação do mobiliário e faz uma análise de como a aplicação dessa técnica no mobiliário contemporâneo pode ser considerado um diferencial como design de superfície na busca pela diferenciação pelo usuário.","Marchetaria – O Ornamento como Design de Superfície Aplicado na Indústria Moveleira","mfl52tvij",{"startPage":755,"file":756,"references":759,"endPage":796,"track":753,"doi":7},2696,{"fullpath":757,"name":758},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fmfl52tvij-1766859171-2696-2705.pdf","mfl52tvij-1766859171-2696-2705.pdf",[760,763,766,769,772,775,778,781,784,787,790,793],{"label":761,"id":762},"\u003Cp>BENJAMIN, Walter. A obra de arte na era de sua reprodutibilidade técnica. In: \u003Cstrong>Magia e Técnica, Arte e Política, Obras Escolhidas\u003C/strong>. São Paulo: Ed. Brasiliense, 1994.\u003C/p>","2f9aaf1b-502c-47eb-b2ec-d4e1652bf45c",{"id":764,"label":765},"2c5eb54b-49ff-4c36-9472-37c64a76009d","\u003Cp>FORTY, Adrian. \u003Cstrong>Objetos de desejo\u003C/strong> – design e sociedade desde 1750. São Paulo: Cosac Naify, 2007.\u003C/p>",{"label":767,"id":768},"\u003Cp>GIDDENS, Anhony. \u003Cstrong>The Consequences of Modernity\u003C/strong>. Polity Press, 1990.\u003C/p>","a07920b4-c2ad-40f1-ad97-4b915d0d4957",{"label":770,"id":771},"\u003Cp>HALL, Stuart. \u003Cstrong>A identidade cultural na pós-modernidade\u003C/strong>. Rio de Janeiro: DP&A Editora, 2001.\u003C/p>","3a5f86d9-0f3e-40e7-8051-71abd5c26f74",{"label":773,"id":774},"\u003Cp>LE CORBUSIER. \u003Cstrong>L’Art décoratif d’aujourd’hui\u003C/strong>. Paris: Arthaud, 1980.\u003C/p>","3f3a4a43-3815-4ea6-ae0b-7249e412540d",{"label":776,"id":777},"\u003Cp>IIDA, Itiro et all. Projeto de móveis produzidos com madeira alternativa da Amazônia. \u003Cstrong>Anais do 9° P&D 2010\u003C/strong>. São Paulo/SP. 2010\u003C/p>","4f6adbc5-9c36-45bf-ad76-7b70fd5d7254",{"label":779,"id":780},"\u003Cp>MAYNARDES, Ana Claudia; QUEIROZ, Shirley G. O Design contemporâneo e seu universo simbólico. \u003Cstrong>Anais do 5° P&D 2002\u003C/strong>. Brasília/DF. 2002.\u003C/p>","c4f73da8-0de3-486b-b96a-7562b36d969c",{"label":782,"id":783},"\u003Cp>MAYNARDES, Ana Claudia et all. Marchetaria e madeiras alternativas da Amazônia: o design de superfície aplicado à indústria moveleira. \u003Cstrong>1° Congresso de Design\u003C/strong> - Desenhando o Futuro. Bento Gonçalves/RS. 2011.\u003C/p>","59d06534-af2c-4936-8b03-c2c07b5aaad8",{"id":785,"label":786},"d3c8afd3-47a8-41d2-80e5-733c2877c054","\u003Cp>PAIM, Gilberto. \u003Cstrong>A beleza sob suspeita\u003C/strong>: o ornamento em Ruskin, Lloyd Wright, Loos, Le Corbusier e outros. Rio de Janeiro: Jorge Zahar Ed., 2000.\u003C/p>",{"label":788,"id":789},"\u003Cp>PEVSNER, Nikolaus. \u003Cstrong>Os pioneiros do desenho moderno\u003C/strong>: de William Morris a Walter Gropius. São Paulo: Martins Fontes, 1990.\u003C/p>","72b000d6-7ec8-456e-82e1-a40254b9e0fc",{"id":791,"label":792},"2a78b502-4527-4afb-a979-cf8cf1826692","\u003Cp>RINALDI, Ricardo M.; MENEZES, Marizilda. Design Bidimensional: do Gráfico ao de Superfície. \u003Cstrong>Anais do 5° CIPED\u003C/strong>. Bauru/SP. 2009.\u003C/p>",{"id":794,"label":795},"0e0283c7-2ccc-4dc0-95ac-35cc6ed74f54","\u003Cp>RUSKIN, John. \u003Cstrong>The Seven Lamps of Architecture\u003C/strong>. Nova York: Hill and Wang, 1989.\u003C/p>",2705,{"updateDate":7,"createDate":798,"deleteDate":7},1766859171,[32,33],"c4f16062-1b6c-4062-906f-2cda01399781",[802,807,808,814],{"slugs":803,"email":694,"objectID":696,"_id":696,"path":698,"name":695,"url":7,"lastmodified":804,"id":7,"role":7,"createDate":805,"description":806,"lastName":427,"designation":7,"filiation":13},[692,693],1766859171534,"2025-12-27T18:12:51.534Z",{},{"designation":7,"lastName":6,"email":11,"_id":10,"filiation":13,"url":7,"name":8,"role":7},{"email":430,"lastName":429,"url":7,"slugs":809,"path":812,"designation":7,"id":7,"description":813,"_id":431,"role":7,"name":432,"createDate":805,"filiation":13,"objectID":431,"lastmodified":804},[810,811],"frederico-hudson","hudson-frederico","people/7c52881a-1b22-400b-9459-24393d2641a8",{},{"createDate":805,"name":704,"path":707,"description":815,"lastmodified":804,"_id":464,"email":706,"lastName":465,"role":7,"slugs":816,"id":7,"designation":7,"objectID":464,"url":7,"filiation":13},{},[702,703],[696,10,431,464],1,[820],"marquetry-the-ornament-as-surface-design-used-in-the-furniture-industry",{"pageRange":363,"parent":822,"data":823,"trackId":832,"type":35,"typeData":833,"metaData":852,"langs":854,"_id":855,"createDate":856,"status":54,"updateDate":857,"contributors":858,"contributorsIds":884,"download":818,"slugs":885,"slug":886},"f43247ba-af93-4a8a-898e-651ef65d9bd2",{"secondary":824,"primary":828},{"keywords":825,"excerpt":826,"title":827},"\u003Cp>product’s personality, emotional design\u003C/p>","\u003Cp>This research consists in a Product Personality Assignment test of three products: pen, tooth brush and a wrist clock. A survey with 17 personality descriptors was applied. Significative differences between products was found.\u003C/p>","\u003Cp>Product’s Personality Test\u003C/p>",{"keywords":829,"excerpt":830,"title":831},"\u003Cp>personalidade de produtos, design emocional\u003C/p>","\u003Cp>Este trabalho apresenta uma aplicação da ferramenta de Atribuição de Personalidade de Produtos a três produtos simples: caneta esferográfica, escova de dentes e um relógio de pulso. Foi utilizada uma escala de diferencial semântico com 17 traços de personalidade. Verificou-se que é Possível estabelecer diferenças significativa entre eles.\u003C/p>","\u003Cp>Teste de Personalidade dos Produtos\u003C/p>","zquoy91s",{"startPage":834,"file":835,"references":838,"endPage":851,"track":832,"doi":7},"3038",{"fullpath":836,"name":837},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fzquoy91s-1766926383-3038-3043.pdf","zquoy91s-1766926383-3038-3043.pdf",[839,842,845,848],{"label":840,"id":841},"COATES, D. \u003Cstrong>Watches Tell More than Time\u003C/strong>. New York: McGraw-Hill, 2003.","92a33fb7-fae1-46ea-b999-f241fabbcf1c",{"label":843,"id":844},"GREEN, W. S.; JORDAN, P., W. (ed.), \u003Cstrong>Pleasure with Products\u003C/strong>: Beyond Usability. London: Taylor & Francis, 2002.","3a9d6310-6046-4d6d-aa85-7fd6a1c291ba",{"label":846,"id":847},"IIDA, I.; SILVA, T. B. P. e; SARMET, M. M. Conexão Emocional no Design. In: MORAES, D.; KRUCKEN, L. (org.). \u003Cstrong>Design e Transversalidade\u003C/strong> - Coleção de Cadernos de Estudos Avançados em Design. Contagem: Santa Clara, 2008, v. 1, p. 34-53.","4c634236-bc73-457e-8534-0bdff3dc8552",{"id":849,"label":850},"47e1579c-7c02-430c-96c1-f378a47ee1bc","JORDAN, P. W., \u003Cstrong>Designing Pleasurable Products\u003C/strong>. London: Taylor & Francis, 2000.","3043",{"updateDate":7,"createDate":853,"deleteDate":7},1766926383,[32,33],"cfcab3cf-06c0-43b5-a59a-10cce51d503e","2025-12-28T12:53:03.746Z","2025-12-28T12:25:50-03:00",[859,869,879,880],{"createDate":856,"objectID":860,"email":861,"filiation":13,"description":862,"_id":860,"name":863,"role":7,"slugs":864,"designation":7,"id":7,"url":7,"path":867,"lastmodified":868,"lastName":544},"5e2a72de-040a-4a86-9853-5f0dcfa00375","tiagobarros@unb.br",{},"Tiago B. P. e",[865,866],"tiago-b-p-e-silva","silva-tiago-b-p-e","people/5e2a72de-040a-4a86-9853-5f0dcfa00375",1766926383746,{"lastmodified":868,"email":870,"lastName":871,"id":7,"createDate":856,"description":872,"_id":873,"name":874,"objectID":873,"path":875,"filiation":13,"role":7,"slugs":876,"url":7,"designation":7},"msarmet@gmail.com","Sarmet",{},"543ac572-8e10-4b6d-9779-175db7cff710","Mauricio M.","people/543ac572-8e10-4b6d-9779-175db7cff710",[877,878],"mauricio-m-sarmet","sarmet-mauricio-m",{"filiation":13,"lastName":427,"_id":424,"role":7,"name":425,"email":426,"url":7,"designation":7},{"objectID":10,"description":881,"createDate":856,"role":7,"lastName":6,"url":7,"lastmodified":868,"_id":10,"id":7,"email":11,"slugs":882,"path":883,"name":8,"designation":7,"filiation":13},{},[15,16],"people/da90bc84-fb9b-4ea9-9cba-a91820288661",[860,873,424,10],[886],"products-personality-test",{"parent":232,"metaData":888,"langs":890,"_id":891,"type":35,"createDate":892,"status":54,"data":893,"typeData":902,"updateDate":55,"contributors":909,"contributorsIds":914,"download":180,"slugs":915,"slug":916},{"updateDate":7,"createDate":889,"deleteDate":7},1690882773,[32,33],"ebc4cfd3-3004-4fcf-a6ae-ab3119928e5d","2023-08-01T09:41:11+00:00",{"primary":894,"secondary":898},{"keywords":895,"excerpt":896,"title":897},"\u003Cp>cadeiras de digitador, ensaios em móveis, qualidade de móveis, defesa do consumidor\u003C/p>","\u003Cp>Foram feitos ensaios em catorze cadeiras de digitador adquiridas no mercado local. As avaliações de conforto foram feitas por sujeitos humanos e os testes de natureza física, de acordo com as nonnas ABNT. Os resultados desses ensaios fornecem informações úteis aos consumidores para a aquisição desses móveis e aos fabricantes, para a melhoria dos respectivos projetos.\u003C/p>","\u003Cp>Qualidade dos móveis para informática: cadeiras\u003C/p>",{"keywords":899,"excerpt":900,"title":901},"\u003Cp>VDU work chair, Jumiture testing, furniture quality, consumers\u003C/p>","\u003Cp>Fourteen VDU work chairs bought in the local market had been tcstcd. The comfort evaluations had bcen made by human subjects and the mechanical tests, in accordance with norms AB~T. The results of tbese assays supply useful information to the consumers acquisition ofthese fumiture and to the manufacturers, in order to improvc tbeir designs.\u003C/p>","\u003Cp>Quality of the computer user furniture: chairs\u003C/p>",{"startPage":903,"endPage":904,"track":281,"doi":7,"references":905,"file":906},176,"185",[],{"fullpath":907,"name":908},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F4_pd_design_2000%2F2000v1p1_176-185_tema4produto_qualidade.pdf","2000v1p1_176-185_tema4produto_qualidade.pdf",[910,911],{"url":7,"_id":10,"email":11,"lastName":6,"name":8,"filiation":13,"designation":7,"role":7},{"id":7,"url":7,"designation":7,"role":7,"slugs":912,"_id":69,"name":78,"lastName":73,"email":7,"description":913,"createDate":71,"filiation":70},[75,76],{},[10,69],[916],"quality_of_the_computer_user_furniture_chairs",{"target":918,"query":919},"people/get",{"id":10,"articles":920},"true",1780316180078]