[{"data":1,"prerenderedAt":116},["ShallowReactive",2],{"person-cfbff8be-3a41-4557-83da-3dece7de9140":3},{"success":4,"person":5,"request":112},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Kubaski","","Francielle",{},"cfbff8be-3a41-4557-83da-3dece7de9140","fkubaski@yahoo.com","2025-12-27T17:19:06-03:00","Faculdade de Arquitetura – Universidade Federal do Rio Grande do Sul",[15,16],"francielle-kubaski","kubaski-francielle",[18],{"pageRange":19,"parent":20,"updateDate":12,"data":21,"trackId":30,"type":31,"typeData":32,"metaData":84,"langs":86,"_id":89,"contributors":90,"contributorsIds":107,"status":108,"download":109,"slugs":110,"slug":111},null,"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",{"secondary":22,"primary":26},{"keywords":23,"excerpt":24,"title":25},"\u003Cp>lighting design, character, emotion\u003C/p>","The study of relations between lighting, character and emotion has been crucial in research on lighting design focused on stimulation of user ́s senses. In the context where one refers to an experience economy, the transcendence of mere functionality is fundamental This paper discusses the importance of these concepts, organizing light into three categories depending of its role in architecture: light to valorize, to communicate and to provoke user ́s emotions. From this critical analysis we seek greater understanding of the potential of light to stimulate users' senses and enhance the work of lighting design.","Lighting, Character and Emotion: The Role of Light in Architectural Design for the Senses",{"keywords":27,"excerpt":28,"title":29},"\u003Cp>lighting design, caráter, emoção\u003C/p>","O estudo das relações entre iluminação, caráter e emoção tem merecido destaque nas pesquisas de lighting design voltadas para estimulação dos sentidos dos usuários. No contexto em que se fala de uma economia da experiência, a transcendência da mera funcionalidade é fundamental. Este artigo visa discutir a importância destes conceitos organizando a luz em três categorias segundo de seu papel na arquitetura: luz para valorizar, para comunicar e para emocionar. A partir desta análise critica buscamos maior entendimento do potencial da luz para estimular os sentidos dos usuários e qualificar o trabalho de lighting design.","Iluminação, Caráter e Emoção: O Papel da Luz na Concepção da Arquitetura para os Sentidos","wmmkkhzv","article",{"startPage":33,"file":34,"references":37,"endPage":83,"track":30,"doi":7},4888,{"fullpath":35,"name":36},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fwmmkkhzv-1766866746-4888-4896.pdf","wmmkkhzv-1766866746-4888-4896.pdf",[38,41,44,47,50,53,56,59,62,65,68,71,74,77,80],{"label":39,"id":40},"\u003Cp>BAHAMÓN, A.; ALVAREZ, A.M. \u003Cstrong>Light, color, sound\u003C/strong>. Barcelona: Parramón Ediciones, 2010.\u003C/p>","130e54dd-4b96-4a63-ac5c-070c1f558347",{"label":42,"id":43},"\u003Cp>CIRIANI, H.; Tableau des clartés. \u003Cstrong>L’Architecture D’Aujourd’hui\u003C/strong>, Paris, n. 274, p. 77-83, avr. 1991.\u003C/p>","9b659c5b-a76d-4770-b190-3dd78053a374",{"label":45,"id":46},"\u003Cp>DEHOFF, P. The impact f changing light on the well-being of people at work. In: \u003Cstrong>Proceedings of Right Light 5\u003C/strong>. Nice: maio 2002, p 347-351.\u003C/p>","3b4b27f7-7a74-4a04-912a-bdda4cff3ab9",{"label":48,"id":49},"\u003Cp>DESMET, P. M. A. \u003Cstrong>Designing Emotions\u003C/strong>. Delft: Universidade Tecnológica de Delft, 2002.\u003C/p>","16bb093e-1c13-4ecc-9b91-008e68d5629c",{"label":51,"id":52},"\u003Cp>DESMET, P. M. A; HEKKERT, P. The basis of product emotions. In: GREEN, W; JORDAN, P. (Eds.). \u003Cstrong>Pleasure with Products, beyond usability\u003C/strong>. London: Taylor & Francis, 2002.\u003C/p>","a10d52e9-e223-4202-b6df-d1b81f7d63ba",{"label":54,"id":55},"\u003Cp>DIENER, E.; LUCAS, R. F. Subjective emocional well-being. running head: emotional well-being. In M. Lewis & J. M. Haviland (Orgs.), \u003Cstrong>Handbook of emotions\u003C/strong> (pp.325-337). New York: Guilford.2000\u003C/p>","a70d00e1-de96-40de-9845-97cb51a6c8cf",{"label":57,"id":58},"\u003Cp>KLINGMANN, A. \u003Cstrong>Brandscapes\u003C/strong>: architecture in the experience economy. Massachusetts: MIT, 2007.\u003C/p>","f1668f62-afaf-4f84-bf33-6e8cae5c0019",{"label":60,"id":61},"\u003Cp>MILLET, Marietta S.. \u003Cstrong>Light revealing architecture\u003C/strong>. New York: Van Nostrand Reinhold, 1996.\u003C/p>","400dc292-9ac2-43eb-ac99-411e4d027597",{"label":63,"id":64},"\u003Cp>MOORE, C.; ALLEN G., \u003Cstrong>Dimensiones de la Architectura\u003C/strong>, Barcelona, Gustavo Gilli, 1976.\u003C/p>","722e53e8-baff-4c89-a16a-1dee96e632b5",{"id":66,"label":67},"6609a7c8-276b-4381-aed6-410f96057e78","\u003Cp>MUGGE, R., SCHOORMANS, J.; SCHIFFERSTEIN, HENDRIK N. J. Emotional bonding with personalized products. \u003Cstrong>Journal of Engineering Design\u003C/strong>, 20:5,2009, 467- 476.\u003C/p>",{"label":69,"id":70},"\u003Cp>NORMAN, D. \u003Cstrong>Design Emocional\u003C/strong>: por que adoramos (ou detestamos) os objetos do dia-a-dia. Rio de Janeiro: Rocco, 2009.\u003C/p>","bf43e851-7659-4de9-b0fa-36e803aa137c",{"label":72,"id":73},"\u003Cp>PALLASMAA, J. \u003Cstrong>The thinking hand\u003C/strong>: existencial and embodied wisdom in architecture. United Kingdom: John Wiley & Sons Ltda, 2009.\u003C/p>","c46bc020-15e9-4b08-863f-ca0249861df1",{"label":75,"id":76},"\u003Cp>RICE, P., \u003Cstrong>An Engineer Images\u003C/strong>, London: Artemis, 1994.\u003C/p>","2a8beba3-7977-46da-895e-84cdd80b608c",{"label":78,"id":79},"\u003Cp>SEUNTIENS, P.J.H.; VOGELS, I.M.L.C. Atmosphere creation: the relation between atmosphere and light characteristics. In: \u003Cstrong>DESIGN AND EMOTION, 6th.\u003C/strong>, 2008, Hong Kong. Proceedings. Hong Kong: School of Design Hong Kong Polytechnic University, 2008. p.1-8.\u003C/p>","809f9e15-c79c-4031-ac7d-2f506640ae50",{"label":81,"id":82},"\u003Cp>ZUMTHOR, P. \u003Cstrong>Atmospheres\u003C/strong>. Berlim: Birkhäuser, 2006.\u003C/p>","e398d4e1-d062-46b6-a510-755475929588",4896,{"updateDate":7,"createDate":85,"deleteDate":7},1766866746,[87,88],"primary","secondary","53c61be6-6499-456f-bc29-edf96ae808c9",[91,103],{"slugs":92,"filiation":13,"description":95,"createDate":96,"lastmodified":97,"url":7,"id":7,"name":98,"role":7,"lastName":99,"designation":7,"email":100,"_id":101,"objectID":101,"path":102},[93,94],"betina-martau","martau-betina",{},"2025-12-27T20:19:06.098Z",1766866746098,"Betina","Martau","betina.martau@ufrgs.br","2d404361-f037-4374-89f7-e15bf4a2a937","people/2d404361-f037-4374-89f7-e15bf4a2a937",{"role":7,"lastName":6,"url":7,"id":7,"name":8,"description":104,"_id":10,"objectID":10,"path":105,"email":11,"slugs":106,"filiation":13,"designation":7,"lastmodified":97,"createDate":96},{},"people/cfbff8be-3a41-4557-83da-3dece7de9140",[15,16],[101,10],"enabled",2,[111],"iluminacao-carater-e-emocao-o-papel-da-luz-na-concepcao-da-arquitetura-para-os-sentidos",{"target":113,"query":114},"people/get",{"id":10,"articles":115},"true",1780316173983]