[{"data":1,"prerenderedAt":109},["ShallowReactive",2],{"person-b3d94def-0010-47b5-a127-9639d2550faa":3},{"success":4,"person":5,"request":105},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Huber","","Sarah C.",{},"b3d94def-0010-47b5-a127-9639d2550faa","ch.sarah@gmail.com","2025-12-17T08:33:32-03:00","ESDI - UERJ",[15,16],"sarah-c-huber","huber-sarah-c",[18],{"parent":19,"metaData":20,"updateDate":12,"data":22,"langs":31,"_id":34,"contributors":35,"contributorsIds":42,"type":43,"typeData":44,"status":101,"download":102,"slugs":103,"slug":104},"308f2508-39ad-43fe-a49b-3483ee224f04",{"updateDate":7,"createDate":21,"deleteDate":7},1765971212,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Jewelry design, Creative process, Concept generation\u003C/p>","This article starts from the importance of jewelry production in the country, due to  internationally  famous  Brazilian  jewelry  corporations,  focusing  on  small producers,  which  represent  a  tenth  of  the  market.  In  view  of  the  discrepancy between  the  wide  availability  of  new  technologies  in  recent  decades  and  the little   significant   evolution   of   the   shapes   of   these   pieces,  we  sought   to investigate the possible reasons for not producing so many jewelry in line with current   technological   advances.   For   this,   semi-structured   interviews   were carried  out  in  order  to  understand  the  creative  process  of  jewelry  designers, and to find gaps and difficulties faced by these professional.","Creative Processes and Concept Generation in Small Amount Jewelry Manufacturing",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Design de Joias, Processos Criativos, Geração de Conceitos\u003C/p>","Este artigo  parte  da  importância  da  produção  de  joias  no  país,  devido  às grandes empresas brasileiras de renome internacional, com foco nos pequenos produtores,  que  representam  dez  por  cento  do  mercado.  Tendo  em  vista a discrepância  entre  a  grande  disponibilidade  de  novas  tecnologias  das  últimas décadas  e  a  pouco  significativa  evolução  de  formas  dessas  peças,  buscou-se investigar  quais  os  possíveis  motivos  para  que  não  se  produza  tantas  joias condizentes  com  os  avanços  tecnológicos  atuais.  Para  isso,  foram  realizadas entrevistas semiestruturadas, a fim de se compreender o processo criativo dos designers  joalheiros,  e  encontrar  lacunas  e  dificuldades  enfrentadas  por  estes profissionais.","Processos Criativos e a Geração de Ideias na Joalheria de Pequeno Porte",[32,33],"primary","secondary","d4e54b18-c844-4fac-9882-3808753c08f7",[36],{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":37,"role":7,"_id":10,"createDate":38,"filiation":13,"slugs":39,"url":7,"path":40,"lastmodified":41,"objectID":10},{},"2025-12-17T11:33:32.525Z",[15,16],"people/b3d94def-0010-47b5-a127-9639d2550faa",1765971212525,[10],"article",{"startPage":45,"file":46,"references":49,"endPage":98,"track":99,"doi":100},7300,{"fullpath":47,"name":48},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-processos-criativos-e-a-gerao-de-ideias-na-joalheria-de-pequeno-porte-38303.pdf","download-pdf-processos-criativos-e-a-gerao-de-ideias-na-joalheria-de-pequeno-porte-38303.pdf",[50,53,56,59,62,65,68,71,74,77,80,83,86,89,92,95],{"id":51,"label":52},"61fe7af9-b559-45e0-bc8b-2afa49f96658","\u003Cp>ALMEIDA, Bruna Milam. \u003Cstrong>Tecnologias tridimensionais e o designer de joias empreendedor fluminense\u003C/strong>. Dissertação (Mestrado). Rio de Janeiro: ESDI-UERJ. 2019.\u003C/p>",{"id":54,"label":55},"6d50f203-5719-4d6f-8247-aa62deb6a195","\u003Cp>BARBOSA, Mariana. Trajetória da joalheria H.Stern e seu dono é contada em livro. 2016. Colaboração para a Folha. Disponível em: https://www1.folha.uol.com.br/mercado/2016/01/1727696-trajetoria-da-joalheria-hstern-e-seu-dono-e-contada-em-livro.shtml. Acesso em: 26 fev. 2021.\u003C/p>",{"id":57,"label":58},"4ff31fb9-44a9-4ea6-beee-fe237ace144d","\u003Cp>BOMFIM, Gustavo Amarante. \u003Cstrong>Metodologia para Desenvolvimento de Projetos\u003C/strong>. João Pessoa, Editora Universitária / UFPB, 1995. 69p\u003C/p>",{"id":60,"label":61},"16b9754d-eb7f-4ea7-9cb8-731471e2a034","\u003Cp>BOUROUHL, Marcela. As lições de empreendedorismo da H Stern. 2016. Elaborada para Época Negócios. Disponível em: https://epocanegocios.globo.com/Empreendedorismo/noticia/2016/05/licoes-de-empreendedorismo-da-h-stern.html. Acesso em: 28 fev. 2021.\u003C/p>",{"id":63,"label":64},"e009dbd4-2c2a-47b0-8f91-20435c37b5e6","\u003Cp>DEN BESTEN, Liesbeth. \u003Cstrong>On Jewellery – a compendium of international contemporary art jewellery\u003C/strong>. Stuttgart: Arnoldsche Art Publishers, 2011.\u003C/p>",{"id":66,"label":67},"5e116768-e1ff-41c9-a174-66b8aaeedd97","\u003Cp>FLICK, Uwe. \u003Cstrong>Introdução à pesquisa qualitativa\u003C/strong>. Porto Alegre: Artmed, 2009.\u003C/p>",{"id":69,"label":70},"428098f0-d153-474d-ae04-69c69f159a82","\u003Cp>FORTY, Adrien. \u003Cstrong>Objetos de desejo: Design e Sociedade desde 1750\u003C/strong>. São Paulo: Cosac Naify, 2007.\u003C/p>",{"id":72,"label":73},"d5310c66-7656-4c99-8bd3-e858fa1f51d0","\u003Cp>GOLA, Eliana. \u003Cstrong>A Joia: história e design\u003C/strong>. São Paulo: Editora Senac São Paulo, 2013.\u003C/p>",{"id":75,"label":76},"923be0e2-1486-4212-9986-6ca6e3ba4310","\u003Cp>KRIPPENDORFF, Klaus. On the Essential Contexts of Artifacts or on the Proposition that \"Design is Making Sense (of Things)\". \u003Cstrong>Design Issues\u003C/strong>, v. 5, n. 2, p. 9-39, 1989.\u003C/p>",{"id":78,"label":79},"24b8e315-efb6-4f49-9319-17f728726fc7","\u003Cp>PATZLAFF, Cassiane. \u003Cstrong>Avaliação  do  uso  de  digitalizador  3D  por  luz  estruturada  para  o  setor joalheiro-pedrista\u003C/strong>. Dissertação (Mestrado). Universidade do Estado do Rio de Janeiro, Escola Superior de Desenho Industrial. 2018.\u003C/p>",{"id":81,"label":82},"bfde01dd-895c-4d57-bb80-f3fe8b3d17a5","\u003Cp>SAWYER, R. Keith. \u003Cstrong>Explaining Creativity\u003C/strong>. New York: Oxford University Press. 2012.\u003C/p>",{"id":84,"label":85},"dde2623c-5598-4f98-beb1-feca2d4a777e","\u003Cp>SENNETT, Richard. \u003Cstrong>O Artífice\u003C/strong>. 5ª edição. Rio de Janeiro: Record, 2015.\u003C/p>",{"id":87,"label":88},"4059675c-284d-49d2-a8cc-ddc947be6701","\u003Cp>SCHON, Donald A. \u003Cstrong>The Reflective Practitioner: How Professionals Think in Action\u003C/strong>. Basic Books, 1984.\u003C/p>",{"id":90,"label":91},"0b977202-3c1f-4333-9241-81296191d02e","\u003Cp>GUILFORD, J. P. Creativity: Yesterday, today, and tomorrow. \u003Cstrong>Journal of Creative Behavior\u003C/strong>, 1, 3-14. 1967.\u003C/p>",{"id":93,"label":94},"83c0f129-311f-4a05-97e8-854ffd51f636","\u003Cp>TAURA, T., NAGAI, Y. \u003Cstrong>Concept Generation For Design Creativity, A Systematized Theory and Methodology\u003C/strong>. London: Springer. 2013.\u003C/p>",{"id":96,"label":97},"5d28ab55-7ba1-4406-8772-39dd2288125d","\u003Cp>UNGER, Marjan. Temptation. In. \u003Cstrong>ThinkingJewellery On the way towards a theory of jewellery\u003C/strong>. Arnoldsche Art Publishers, 2011.\u003C/p>",7311,"8q3xystji","10.5151/ped2022-5741181","enabled",1,[104],"processos-criativos-e-a-geracao-de-ideias-na-joalheria-de-pequeno-porte",{"target":106,"query":107},"people/get",{"id":10,"articles":108},"true",1780316158088]