[{"data":1,"prerenderedAt":469},["ShallowReactive",2],{"person-869a2774-269c-4c03-9268-3e01aa905a20":3},{"success":4,"person":5,"request":465},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":11,"id":12,"email":13,"url":14,"createDate":15,"filiation":14,"slugs":16,"articles":19},"Navalon","author","Eloize","Universidade Anhembi Morumbi.","869a2774-269c-4c03-9268-3e01aa905a20","Msª.",null,"navalon@uol.com.br","","2025-04-08T10:49:33+00:00",[17,18],"eloize_navalon","navalon_eloize",[20,148,235,308,383],{"parent":21,"metaData":22,"updateDate":24,"data":25,"langs":34,"_id":37,"contributors":38,"contributorsIds":77,"type":78,"typeData":79,"status":144,"download":145,"slugs":146,"slug":147},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":14,"createDate":23,"deleteDate":14},1766016777,"2025-12-17T21:12:57-03:00",{"secondary":26,"primary":30},{"keywords":27,"excerpt":28,"title":29},"\u003Cp>Pop Art, Op Art, Psychedelic, Ant-Design, Design radical\u003C/p>","\"Design and art during the 60s and 80s\" offers an analysis and a reflection about art production and design during the 60s and 80s, highlighting the pop art, op, psychedelic and radical design and anti-design. The main goal is to understand the evolution and the relations between art and design. The theoretical, qualitative, deductive design study analyzes the art and its influences on contemporary society through the comparison of the principles and aesthetic forms that lasted until now. Highlights and opposes the groups of anti-design and radical design Alchimia, Archizoom, Gruppo Strum and Super Studio.","Design and Art During the 60's and 80's: Pop, Op, Psychedelic, Anti-design and Radical Design.",{"keywords":31,"excerpt":32,"title":33},"\u003Cp>Pop-art, Op-art, Psicodelismo, Anti-Design, Design radical\u003C/p>","\"Design e arte durante os anos 60 e 80\" propõe uma análise e uma reflexão sobre a produção de arte e design durante os anos 60 a 80, destacando a arte pop, o op, o psicodélico, o design radical e o anti-design. O objetivo principal é compreender a evolução e as relações entre arte e design. O estudo teórico, qualitativo, dedutivo analisa o design, a arte e suas influências na sociedade contemporânea pela comparação de princípios e formas estéticas que perduravam até o momento presente. Destaca e contrapõe os grupos de anti-design e radical design Alchimia, Archizoom, Gruppo Strum e Super Studio.","Design e Arte Durante os Anos 60 e 80: Pop, Op, Psicodelismo, Anti-design e Radical Design.",[35,36],"primary","secondary","00c1a692-11cb-40a2-8a3f-b1a9ea070a94",[39,52,62,71],{"id":14,"name":40,"lastName":41,"email":42,"designation":14,"description":43,"role":14,"_id":44,"createDate":45,"filiation":46,"slugs":47,"url":14,"path":50,"lastmodified":51,"objectID":44},"Laura Villas Boas","Figueiredo","sailor_laura@hotmail.com",{},"8c948604-4efa-4500-9ddd-67da26327a63","2025-12-18T00:12:57.137Z","Universidade Anhembi Morumbi",[48,49],"laura-villas-boas-figueiredo","figueiredo-laura-villas-boas","people/8c948604-4efa-4500-9ddd-67da26327a63",1766016777137,{"id":14,"name":53,"lastName":54,"email":55,"designation":14,"description":56,"role":14,"_id":57,"createDate":45,"filiation":46,"slugs":58,"url":14,"path":61,"lastmodified":51,"objectID":57},"José","Neto de Faria","josenetodesigner@yahoo.com.br",{},"febff338-b3c6-4730-a235-56d3d04c3391",[59,60],"jose-neto-de-faria","neto-de-faria-jose","people/febff338-b3c6-4730-a235-56d3d04c3391",{"id":14,"name":63,"lastName":64,"email":55,"designation":14,"description":65,"role":14,"_id":66,"createDate":45,"filiation":46,"slugs":67,"url":14,"path":70,"lastmodified":51,"objectID":66},"Junia C. J. Parreira","Meirelles",{},"dea49d00-acb3-428b-b824-c668758b6569",[68,69],"junia-c-j-parreira-meirelles","meirelles-junia-c-j-parreira","people/dea49d00-acb3-428b-b824-c668758b6569",{"id":14,"name":8,"lastName":6,"email":13,"designation":14,"description":72,"role":14,"_id":10,"createDate":45,"filiation":46,"slugs":73,"url":14,"path":76,"lastmodified":51,"objectID":10},{},[74,75],"eloize-navalon","navalon-eloize","people/869a2774-269c-4c03-9268-3e01aa905a20",[44,57,66,10],"article",{"startPage":80,"file":81,"references":84,"endPage":142,"track":143,"doi":14},3498,{"fullpath":82,"name":83},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69694.pdf","69694.pdf",[85,88,91,94,97,100,103,106,109,112,115,118,121,124,127,130,133,136,139],{"id":86,"label":87},"f414a29f-06af-4c22-8090-338f12ea19d7","\u003Cp>ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS. \u003Cstrong>Gallery Warhol\u003C/strong>. Nova York, 2008. Disponível em: \u003C http://gallerywarhol.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":89,"label":90},"9e5ec5b8-b8ca-44b1-a5bc-12c291ac9b92","\u003Cp>AMBASZ. E. \u003Cstrong>Italy: The New Domestic Landscape\u003C/strong>. New York: The Museum of Modern Art, 1972.\u003C/p>",{"id":92,"label":93},"587c44f4-4cbb-48c7-9f91-17ba4513a150","\u003Cp>COMPRESS VERLAGSGESMBM & CO KG. \u003Cstrong>Wieninternational\u003C/strong>. Vienna, 18 ago. 2010. Disponível em: \u003C http://www.wieninternational.at>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":95,"label":96},"4d1d9505-38d6-4dcb-87bf-d4b23c4f3b60","\u003Cp>DESIGN-ITALIA SRL. \u003Cstrong>Design-Italia\u003C/strong>. Milano, 2009. Disponível em: \u003C http://www.design-italia.it>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":98,"label":99},"394b4f80-3a26-41aa-a6d4-b3af2ede8b9b","\u003Cp>FARIA.J.N, \u003Cstrong>Design, tecnologia e cultura contemporânea: do jornal impresso ao jornal em e-paper\u003C/strong>. 2008. Dissertação (Mestrado em Design) – Universidade Anhembi Morumbi, São Paulo, São Paulo, 2008.\u003C/p>",{"id":101,"label":102},"a279c0e8-fdc8-4b53-b7bd-61669462e7d4","\u003Cp>HAUFFE, T. \u003Cstrong>Design, a concise history\u003C/strong>. London: Laurence King Publishing, 1998\u003C/p>",{"id":104,"label":105},"4a2a206a-5c34-4d3a-968a-c6b8ec90fcee","\u003Cp>KUNSTBUS. \u003Cstrong>Kunstbus\u003C/strong>. Leeuwarden, 2008. Disponível em: \u003C http://www.kunstbus.nl/design/gruppo-strum.html >. Acesso em: 15 março de 2010.\u003C/p>",{"id":107,"label":108},"912e2212-5078-49b3-bffc-44ee7d02e70c","\u003Cp>MALDONADO, T. \u003Cstrong>Design Industrial\u003C/strong>. Lisboa: Edições 70, 1991\u003C/p>",{"id":110,"label":111},"80ff7d4c-217d-4680-a800-1d80f5f0349c","\u003Cp>ONLINE MUSEUM. \u003Cstrong>Verner Panton\u003C/strong>. Nova York. 2010. Disponível em: \u003C http://www.vernerpanton.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":113,"label":114},"9796cf29-c3fe-4235-b638-41d2d2ea2dd6","\u003Cp>OP-ART. \u003Cstrong>Op-Art\u003C/strong>. London, 2010. Disponível em: \u003C http://www.op-art.co.uk>. Acesso em: 02 fev. 2010\u003C/p>",{"id":116,"label":117},"90fd1442-4830-4bff-aefb-233fa7a82c52","\u003Cp>SALINAS, O. \u003Cstrong>Historia del Diseño Industrial\u003C/strong>. México:Tilhas, 2001\u003C/p>",{"id":119,"label":120},"d81b07d9-dbcb-4003-8a14-d521417b016c","\u003Cp>TAMBINI, M. \u003Cstrong>O Design do Século\u003C/strong>. São Paulo: Ática, 2004.\u003C/p>",{"id":122,"label":123},"a25582b9-492a-48d7-8a2f-2a45348633c3","\u003Cp>THE MUSEUM OF MODERN ART. \u003Cstrong>MoMA, the museum of modern art\u003C/strong>. New York, 2010. Disponível em: \u003C http://www.moma.org>. Acesso em: 18 agosto de 2010.\u003C/p>",{"id":125,"label":126},"f3043e40-5383-4eff-b0bd-636f4777eca0","\u003Cp>TORRENT, R. ; MARÍN, J. M. \u003Cstrong>Historia del diseño industrial\u003C/strong>. Madrid: Ediciones Cátedra, 2007.\u003C/p>",{"id":128,"label":129},"0256becf-263a-4186-b145-1b7e1bd29705","\u003Cp>VERNER PANTON DESIGN.\u003Cstrong>Verner Panton\u003C/strong>. Basel, 11 ago. 2010. Disponível em: \u003C http://www.verner-panton.com/city >. Acesso em: 11 ago. de 2010.\u003C/p>",{"id":131,"label":132},"fb49d8b7-6a31-4dfc-92a3-ca79842fc4d4","\u003Cp>WILSON. W. \u003Cstrong>Wes Wilson\u003C/strong>. Missour, 2010. Disponível em: \u003C http://www.wes-wilson.com >. Acesso em: 02 fev. 2010.\u003C/p>",{"id":134,"label":135},"97e320f3-ae31-41a3-9004-82c575847bb0","\u003Cp>WOODHAM, M. J. \u003Cstrong>Oxford, dictionary of Modern Design\u003C/strong>. New York: Oxford University Press Inc., 2006\u003C/p>",{"id":137,"label":138},"eb107440-bea7-4392-ac44-5356d4e39ed1","\u003Cp>WOOSTER PROJECTS. \u003Cstrong>Warhols\u003C/strong>. Nova York, 01 fev. 2010. Disponível em: \u003C http://www.warhols.com >. Acesso em: 01 fev. 2010.\u003C/p>",{"id":140,"label":141},"196a84c8-26b9-4862-9ba4-31cca1b94be8","\u003Cp>ZENTRUM FÜR KUNST UND MEDIENTECHNOLOGIE KARLSRUHE. \u003Cstrong>Medien Kunst Netz\u003C/strong>. Karlsruhe, 2000. Disponível em: \u003C http://www.medienkunstnetz.de/works/no-stop-city >. Acesso em: 15 março de 2010.\u003C/p>",3508,"xvi0o5jx","enabled",3,[147],"design-e-arte-durante-os-anos-60-e-80-pop-op-psicodelismo-anti-design-e-radical-design",{"parent":21,"metaData":149,"updateDate":151,"data":152,"langs":161,"_id":162,"contributors":163,"contributorsIds":182,"type":78,"typeData":183,"status":144,"download":232,"slugs":233,"slug":234},{"updateDate":14,"createDate":150,"deleteDate":14},1766019045,"2025-12-17T21:50:45-03:00",{"secondary":153,"primary":157},{"keywords":154,"excerpt":155,"title":156},"\u003Cp>haute couture, arts and crafts, fashion design\u003C/p>","This article make a parallel between the haute couture, developed by Englishman Charles Frederick Worth, and the Arts and Crafts movement, represented by the work of William Morris. The aim is to establish and to understand differences in design and fashion between the Arts & Crafts and the Haute couture.","Design and Fashion in the 19th Century: Principles and Values of the Movement of Arts and Crafts to Haute Couture",{"keywords":158,"excerpt":159,"title":160},"\u003Cp>alta-costura, arts and crafts, design de moda\u003C/p>","Este artigo traça um paralelo entre o movimento de Arts & Crafts, representado pelo trabalho de William Morris, e a alta-costura, desenvolvida por Charles Frédéric Worth. O objetivo é estabelecer e compreender aproximações e afastamentos entre o movimento de Artes e Ofícios e de Alta-costura no design e na moda.","Design e Moda no Século Xix: Princípios e Valores do Movimento de Artes e Ofícios e da Alta-costura",[35,36],"09b323f6-0201-4a6e-ab09-245e063040f6",[164,176,179],{"id":14,"name":165,"lastName":166,"email":167,"designation":14,"description":168,"role":14,"_id":169,"createDate":170,"filiation":46,"slugs":171,"url":14,"path":174,"lastmodified":175,"objectID":169},"Ana Julia","Büttner","aninhajulia5@hotmail.com",{},"01dfed31-9e31-48a7-82bb-bb26c9c855af","2025-12-18T00:50:45.433Z",[172,173],"ana-julia-buttner","buttner-ana-julia","people/01dfed31-9e31-48a7-82bb-bb26c9c855af",1766019045433,{"id":14,"name":53,"lastName":54,"email":55,"designation":14,"description":177,"role":14,"_id":57,"createDate":170,"filiation":46,"slugs":178,"url":14,"path":61,"lastmodified":175,"objectID":57},{},[59,60],{"id":14,"name":8,"lastName":6,"email":13,"designation":14,"description":180,"role":14,"_id":10,"createDate":170,"filiation":46,"slugs":181,"url":14,"path":76,"lastmodified":175,"objectID":10},{},[74,75],[169,57,10],{"startPage":184,"file":185,"references":188,"endPage":231,"track":143,"doi":14},4956,{"fullpath":186,"name":187},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F70148.pdf","70148.pdf",[189,192,195,198,201,204,207,210,213,216,219,222,225,228],{"id":190,"label":191},"76af71f5-9081-4fe9-a15d-094ba4a4640e","\u003Cp>ADAMS, Steven. \u003Cstrong>The Arts & Crafts movement\u003C/strong>. Londres: QUMA&C, 1998.\u003C/p>",{"id":193,"label":194},"aaf1c82a-14b1-45d9-89a3-24e1676027c0","\u003Cp>ANGLO VESTIBULARES. \u003Cstrong>História geral: a idade contemporânea – os séculos XVIII e XIX\u003C/strong>. Disponível em: \u003Chttp://www.cursoanglo.com.br/WebStander/disciplinas/index.asp?Cod=60>. Acesso em: 13 de abril de 2010.\u003C/p>",{"id":196,"label":197},"67fb75f8-db5d-4abb-b383-38759bc9a0a8","\u003Cp>CALLAN, Georgina O`Hara. \u003Cstrong>Enciclopédia da moda\u003C/strong>. São Paulo: Companhia das Letras, 2007.\u003C/p>",{"id":199,"label":200},"3a3e33fa-56ef-4eb1-b90b-12d7b0cc0ed9","\u003Cp>DEMPSEY, Amy. \u003Cstrong>Estilos, escolas e movimentos: guia enciclopédico da arte moderna\u003C/strong>. Londres: Cosac & Naif, 2003.\u003C/p>",{"id":202,"label":203},"bc66e15d-ce6e-469e-8e2c-80a083436dc2","\u003Cp>FORTY, Adrian. \u003Cstrong>Objetos de desejo: design e sociedade desde 1750\u003C/strong>. São Paulo: COSAC NAIF, 2007.\u003C/p>",{"id":205,"label":206},"87bb9e6c-ccca-4908-b41a-eb2d90cd6191","\u003Cp>FLORES, Óscar Salinas. \u003Cstrong>Historia del diseño industrial\u003C/strong>. México: Trillas, 1992.\u003C/p>",{"id":208,"label":209},"f290e9c2-f951-40f3-ad90-c5344547a154","\u003Cp>KODA, Harold; MARTIN, Richard. \u003Cstrong>Haute Couture\u003C/strong>. New York: THE METROPOLITAN MUSEUM OF ART, 1996.\u003C/p>",{"id":211,"label":212},"6a7039cf-4650-4e49-ab6a-ea7b025894a8","\u003Cp>LEHNERT, Gertrud. \u003Cstrong>História da moda, do século XX\u003C/strong>. Druckhaus Locher GmbH: Könemann, 2001.\u003C/p>",{"id":214,"label":215},"08871025-81cf-44db-8158-8b2c685aedd5","\u003Cp>GRUMBACH, Didier. \u003Cstrong>Histórias da moda\u003C/strong>. São Paulo: Cosac Naify, 2009.\u003C/p>",{"id":217,"label":218},"4930083b-20e6-439e-b9e7-d6e364510cdb","\u003Cp>MORTEU, Enrico. \u003Cstrong>Petit encyclopédie du design\u003C/strong>. Milão: Mondadori Electa SPA, 2008.\u003C/p>",{"id":220,"label":221},"ee93ffe1-32d3-4958-b19d-e772ce621265","\u003Cp>ITAÚ CULTURAL. \u003Cstrong>Arts & Crafts\u003C/strong>. Disponível em: \u003Chttp://www.itaucultural.org.br/AplicExternas/enciclopedia_IC/index.cfm?fuseaction=termos_texto&cd_verbete=4986>. Acesso em: 05 de abril de 2010.\u003C/p>",{"id":223,"label":224},"d26827fe-94b8-4731-b134-a7366040867d","\u003Cp>OLIVETI, Chiara; UZZANI, Giovanna. \u003Cstrong>Design\u003C/strong>. Florença: Taschen, 2009.\u003C/p>",{"id":226,"label":227},"a1e59934-260d-424a-b768-ac09c636c116","\u003Cp>THE KYOTO COSTUME INSTITUTE. \u003Cstrong>Fashion: Une historie de la mode du XVIII e au XX e siècle\u003C/strong>. Kyoto: Taschen, 2002.\u003C/p>",{"id":229,"label":230},"d21edb14-b6ed-4d37-a1fd-d3f775310aa3","\u003Cp>THOMAS, Pauline Weston. \u003Cstrong>Haute Couture: Fashion History\u003C/strong>. Disponível em: \u003Chttp://www.fashion-era.com/haute_couture.htm>. Acesso em: 10 de abril de 2010.\u003C/p>",4964,1,[234],"design-e-moda-no-seculo-xix-principios-e-valores-do-movimento-de-artes-e-oficios-e-da-alta-costura",{"pageRange":12,"parent":236,"updateDate":237,"data":238,"trackId":247,"type":78,"typeData":248,"metaData":279,"langs":281,"_id":282,"contributors":283,"contributorsIds":305,"createDate":287,"status":144,"download":232,"slugs":306,"slug":307},"f43247ba-af93-4a8a-898e-651ef65d9bd2","2025-12-28T08:54:45-03:00",{"secondary":239,"primary":243},{"keywords":240,"excerpt":241,"title":242},"\u003Cp>design, method, analytic and systemic\u003C/p>","\u003Cp>Contemporary design proposes to discuss and consider about the methodological changes of the way to understand the formation of the contemporary culture objects. Like this, analyses the analytical scientific method and systemic scientific method to understand its influences in determination of the main questions of contemporary design. Believes that cultures objects of contemporary design only be able to be made by the association these two thinking models, that bring back in the classic logic principles and in the multiplicity of possibilities, the necessary connections to create its products and services.\u003C/p>","\u003Cp>Contemporary Design: Between Drawers and the Multiples Connections.\u003C/p>",{"keywords":244,"excerpt":245,"title":246},"\u003Cp>design, método, analítico e sistêmico\u003C/p>","\u003Cp>Design contemporâneo propõe discutir e refletir sobre as mudanças metodológicas nas formas de pensar para compreender a formação dos objetos culturais contemporâneos. Assim, analisa o método científico analítico e o método científico sistêmico para compreender as suas influências na determinação das principais questões do design contemporâneo. Acredita que os objetos culturais do design contemporâneo só podem ser produzidos pela associação destes dois modelos do pensar, os quais trariam nos princípios lógicos clássicos e na multiplicidade de possibilidades, as conexões necessárias à formação de seus produtos e serviços.\u003C/p>","\u003Cp>Design Contemporâneo: Entre as Gavetas e as Múltiplas Conexões.\u003C/p>","y9g4z78z",{"startPage":249,"file":250,"references":253,"endPage":278,"track":247,"doi":14},"3425",{"fullpath":251,"name":252},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fy9g4z78z-1766922885-3425-3429.pdf","y9g4z78z-1766922885-3425-3429.pdf",[254,257,260,263,266,269,272,275],{"label":255,"id":256},"ARANHA, M. L. A.; MARTINS, M. H. P. \u003Cstrong>Filosofando\u003C/strong>. São Paulo, 2003: 264, 425, 428.","3244839e-2434-4433-9db3-6fd38f95a421",{"label":258,"id":259},"BONFIM, G. A. Algumas considerações sobre teoria e pedagogia do design. In: \u003Cstrong>Estudos em Design\u003C/strong>. Rio de Janeiro: Associação de Ensino de Design do Brasil, V. 7, n.2, p. 23-38, ago. 1999.","205d1e7a-d186-48ba-9711-b9a8d31724d4",{"id":261,"label":262},"694a2255-682a-42e1-967c-85a0b9c3c740","BONFIM, G. A. Fundamentos de uma teoria transdisciplinar do design. In: \u003Cstrong>Estudos em Design\u003C/strong>. Rio de Janeiro: Associação de Ensino de Design do Brasil, V. 5, n.2, p. 27-41, dez. 1997.",{"label":264,"id":265},"CARDOSO, R. \u003Cstrong>Introdução a história do Design\u003C/strong>. São Paulo: Edgar Blücher, 2000.","d8f74460-b8c0-464a-b47c-befddd70f12e",{"label":267,"id":268},"COUTO, R.M.S.; OLIVEIRA, A.J. \u003Cstrong>Formas do design\u003C/strong>: por uma metodologia interdisciplinar. Rio de Janeiro: Editor 2AB; PUC - Rio, 1999.","a1d943dd-0933-41ee-8994-cbe9e93f0f88",{"label":270,"id":271},"MORIN, E. \u003Cstrong>Introdução ao pensamento complexo\u003C/strong>. Lisboa: Instituto Piaget, 1995.","1ffd426a-adc1-4399-871a-ebe4f5bf9e28",{"label":273,"id":274},"MORIN, E. Por uma reforma do pensamento. In: VEJA, A. P; NASCIMENTO, E. P. (org.). \u003Cstrong>O pensar complexo\u003C/strong>: Edgar Morin e a crise da modernidade. Rio de Janeiro: Garamond, 1999, p.21-34.","64923904-6afa-44e3-bd8b-428629f9add4",{"id":276,"label":277},"b57b062b-6cdd-45e9-bade-6b6b60cb70ab","REALE, G. \u003Cstrong>História da filosofia\u003C/strong>. São Paulo: Paulus, 1999.","3429",{"updateDate":14,"createDate":280,"deleteDate":14},1766922885,[35,36],"27c530a9-5d66-44f9-901e-b40108acb2ef",[284,296,302],{"lastName":285,"objectID":286,"createDate":287,"designation":14,"role":14,"slugs":288,"email":291,"name":292,"id":14,"path":293,"url":14,"_id":286,"description":294,"filiation":46,"lastmodified":295},"Assis","8f15a0b9-afd0-42a1-b70b-9b35401a4a08","2025-12-28T11:54:45.765Z",[289,290],"larissa-palazi-de-assis","assis-larissa-palazi-de","larissapalazi@hotmail.com","Larissa Palazi de","people/8f15a0b9-afd0-42a1-b70b-9b35401a4a08",{},1766922885765,{"name":297,"description":298,"role":14,"id":14,"url":14,"objectID":57,"email":55,"lastName":299,"filiation":46,"createDate":287,"slugs":300,"_id":57,"path":61,"designation":14,"lastmodified":295},"José Neto de",{},"Faria",[59,301],"faria-jose-neto-de",{"id":14,"role":14,"description":303,"lastmodified":295,"email":13,"createDate":287,"url":14,"_id":10,"name":8,"slugs":304,"lastName":6,"path":76,"objectID":10,"filiation":46,"designation":14},{},[74,75],[286,57,10],[307],"design-contemporaneo-entre-as-gavetas-e-as-multiplas-conexoes",{"parent":21,"metaData":309,"updateDate":311,"data":312,"langs":321,"_id":322,"contributors":323,"contributorsIds":342,"type":78,"typeData":343,"status":144,"download":380,"slugs":381,"slug":382},{"updateDate":14,"createDate":310,"deleteDate":14},1766787367,"2025-12-26T19:16:07-03:00",{"secondary":313,"primary":317},{"keywords":314,"excerpt":315,"title":316},"\u003Cp>design, fashion, romanticism and neoclassicism\u003C/p>","The first half of the nineteenth century experienced a proliferation of important aesthetic movements such as Neoclassicism and Romanticism, which sought references in The Classical Antiquity as well as the fashion of that time. This article discusses these movements, describes the fashion of the time and makes a parallel, showing the references that can be found in common.","Design, Fashion and Clothing in the Nineteenth Century (1801-1850).",{"keywords":318,"excerpt":319,"title":320},"\u003Cp>design, moda, romantismo e neoclassicismo\u003C/p>","A primeira metade do século XIX vivenciou a proliferação de importantes movimentos estéticos, como o Neoclassicismo e o Romantismo, que, assim como a moda dessa época, buscaram referências na Antiguidade Clássica. O presente artigo aborda esses movimentos, descreve a moda da época e tenta traçar um paralelo, mostrando as referências que podem ser encontradas em comum.","Design, Moda e Vestuário no Século Xix (1801-1850).",[35,36],"afc4db58-fdd9-46d1-87f6-ad6bf0ceca3b",[324,336,339],{"filiation":46,"name":325,"_id":326,"role":14,"lastmodified":327,"createDate":328,"description":329,"lastName":330,"objectID":326,"id":14,"url":14,"path":331,"email":332,"designation":14,"slugs":333},"Vanessa Melo","42ea5065-1236-43d2-b2e0-388ed817b3a5",1766787367388,"2025-12-26T22:16:07.388Z",{},"Oliveira","people/42ea5065-1236-43d2-b2e0-388ed817b3a5","nessa_mo@hotmail.com",[334,335],"vanessa-melo-oliveira","oliveira-vanessa-melo",{"name":297,"email":55,"id":14,"url":14,"objectID":57,"description":337,"lastName":299,"createDate":328,"path":61,"slugs":338,"filiation":46,"_id":57,"lastmodified":327,"role":14,"designation":14},{},[59,301],{"createDate":328,"description":340,"role":14,"lastmodified":327,"filiation":46,"email":13,"objectID":10,"url":14,"path":76,"lastName":6,"slugs":341,"designation":14,"name":8,"_id":10,"id":14},{},[74,75],[326,57,10],{"startPage":344,"file":345,"references":348,"endPage":379,"track":143,"doi":14},5051,{"fullpath":346,"name":347},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F70169.pdf","70169.pdf",[349,352,355,358,361,364,367,370,373,376],{"label":350,"id":351},"\u003Cp>ARGAN, Giulio. \u003Cstrong>Arte moderna\u003C/strong>. São Paulo: Companhia das letras, 2006.\u003C/p>","25ad39b0-f740-4111-b4c6-a2205b46b196",{"label":353,"id":354},"\u003Cp>CHRIST, Yvan. \u003Cstrong>A arte no século XIX\u003C/strong>. São Paulo: Martins Fontes, 1981.\u003C/p>","81762540-8ac1-4f3f-afc5-c008d3e5654f",{"label":356,"id":357},"\u003Cp>COSGRAVE, Bronwyn. \u003Cstrong>Historia de la moda\u003C/strong>: desde Egipto hasta nuestros dias. Barcelona: GG moda, 2005.\u003C/p>","b93f024f-b966-4e3e-8297-09104d63425a",{"id":359,"label":360},"3a7f18cc-d587-48b2-950b-75f9a5947a40","\u003Cp>JANSON, Horst. \u003Cstrong>História geral da arte\u003C/strong>: o mundo moderno. São Paulo: Martins Fontes, 2001.\u003C/p>",{"label":362,"id":363},"\u003Cp>KOHLER, Carl. \u003Cstrong>História do vestuário\u003C/strong>. São Paulo: Martins Fontes, 2005.\u003C/p>","3bb1d8a6-42ec-4316-a68e-5f8340ca7237",{"label":365,"id":366},"\u003Cp>LAVER, James. \u003Cstrong>A roupa e a moda\u003C/strong>: uma história concisa. São Paulo: Companhia das letras, 2008.\u003C/p>","e632f6cd-54c6-4a12-969c-ea94a1649cdf",{"id":368,"label":369},"5e208cb8-e0b4-4071-b938-77bf2268a445","\u003Cp>PISCHEL, Gina. \u003Cstrong>História universal da arte 3\u003C/strong>. São Paulo: Mirador Internacional, 1966.\u003C/p>",{"label":371,"id":372},"\u003Cp>MIRABENT, Isabel. \u003Cstrong>Saber ver a arte neoclássica\u003C/strong>. São Paulo: Martins Fontes, 1991.\u003C/p>","c425652f-5f71-400d-84d2-ba33d4da49d4",{"label":374,"id":375},"\u003Cp>V&A. \u003Cstrong>Victoria & Albert Museum\u003C/strong>. Londres, 2010. Disponível em: \u003C http://www.vam.ac.uk /index.html >. Acesso em: 15 mar. 2010.\u003C/p>","6b1936fa-79b0-43d9-a435-589dfb7d54ad",{"label":377,"id":378},"\u003Cp>XIMENES, Maria Alice. \u003Cstrong>Moda e arte na reinvenção do corpo feminino do século XIX\u003C/strong>. São Paulo: Estação das letras e cores, 2009.\u003C/p>","dce3abaf-3fa9-42f5-bf57-cb678a29293d",5064,5,[382],"design-moda-e-vestuario-no-seculo-xix-1801-1850",{"parent":21,"metaData":384,"updateDate":386,"data":387,"langs":396,"_id":397,"contributors":398,"contributorsIds":415,"type":78,"typeData":416,"status":144,"download":232,"slugs":463,"slug":464},{"updateDate":14,"createDate":385,"deleteDate":14},1766016491,"2025-12-17T21:08:11-03:00",{"secondary":388,"primary":392},{"keywords":389,"excerpt":390,"title":391},"\u003Cp>fashion design, methods, interconnections\u003C/p>","This article deals with matters of theoretical-referential universe contained in the preparation of a collection of fashion-oriented apparel, through search trends. It also covers the remark about the research activities needed to fashion design and its connections with the creation and development of a collection. Such reflection is sustained by the experience and research of the authors, as well as in process analysis and results-oriented work in interdisciplinary projects of undergraduate Fashion Design College of Arts, Architecture, Design and Fashion at the University Anhembi Morumbi.","Processes for Creating in Fashion Design: Theoretical Research and Benchmarks",{"keywords":393,"excerpt":394,"title":395},"\u003Cp>design de moda, métodos, interconexões\u003C/p>","O artigo aborda questões em torno do universo teórico-referencial contido na elaboração de uma coleção de moda voltada para o vestuário, perpassando a pesquisa de tendências. Neste sentido, abrange observação acerca das atividades de pesquisas necessárias para o design de moda e de suas conexões com o projeto de uma coleção. Tal reflexão sustenta-se na experiência profissional e de pesquisa das autoras, assim como na análise de processos e resultados dos trabalhos orientados nos projetos interdisciplinares da graduação em Design de Moda da Escola de Artes, Arquitetura, Design e Moda da Universidade Anhembi Morumbi.","Processos Projetuais para a Criação em Design de Moda: Pesquisas Teóricas e Referenciais",[35,36],"f9368d33-ebed-4d34-be6e-41742a0bd26b",[399,411],{"id":14,"name":400,"lastName":401,"email":402,"designation":14,"description":403,"role":14,"_id":404,"createDate":405,"filiation":46,"slugs":406,"url":14,"path":409,"lastmodified":410,"objectID":404},"Márcia","Merlo","mmerlo@anhembi.br",{},"84709648-eb40-458e-b1a1-df4bc0fea4b7","2025-12-18T00:08:11.050Z",[407,408],"marcia-merlo","merlo-marcia","people/84709648-eb40-458e-b1a1-df4bc0fea4b7",1766016491050,{"id":14,"name":8,"lastName":6,"email":412,"designation":14,"description":413,"role":14,"_id":10,"createDate":405,"filiation":46,"slugs":414,"url":14,"path":76,"lastmodified":410,"objectID":10},"navalon@anhemb.br",{},[74,75],[404,10],{"startPage":417,"file":418,"references":421,"endPage":461,"track":462,"doi":14},3321,{"fullpath":419,"name":420},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69664.pdf","69664.pdf",[422,425,428,431,434,437,440,443,446,449,452,455,458],{"id":423,"label":424},"ac313aba-fbd8-44ab-8041-2bfb08a2845e","\u003Cp>BONSIEPE, GUI. \u003Cstrong>Design do material ao digital\u003C/strong>. Florianópolis: FIESC/IEL, 1997.\u003C/p>",{"id":426,"label":427},"9c55dd32-2d2b-4932-8882-24ee31b1aa19","\u003Cp>BRAGA, João Neto. \u003Cstrong>História da moda: uma narrativa\u003C/strong>. São Paulo: Anhembi Morumbi, 2004.\u003C/p>",{"id":429,"label":430},"65656f3c-3862-4053-b546-d51dfd0a0dc0","\u003Cp>CALDAS, Dario. \u003Cstrong>Observatório de Sinais\u003C/strong>. São Paulo: SENAC, 2004.\u003C/p>",{"id":432,"label":433},"3c613830-a765-4870-8636-0df536576cab","\u003Cp>CARR, Harold e PORMEROY, John. \u003Cstrong>Fashion design and product development\u003C/strong>. Londres: Blackwell Scientific Publications, 1992.\u003C/p>",{"id":435,"label":436},"5ece5299-eb27-4412-a74f-12123c434afd","\u003Cp>ERNER, Guillaume. Vida e morte das tendências. In: \u003Cstrong>Cultura e consumo: estilos de vida na contemporaneidade\u003C/strong>. BUENO, Maria Lucia, CAMARGO, Luiz Octávio de Lima (organizadores). São Paulo: SENAC, 2008.\u003C/p>",{"id":438,"label":439},"1249fbfb-97d4-4767-9611-7faa7312b73e","\u003Cp>FRAGA, Ronaldo. Entrevista concedida para o site Santa Moda. Santa Catarina, 2006. Disponível em www.santamoda.com.br. Acesso em 13 de Outubro de 2007.\u003C/p>",{"id":441,"label":442},"4b6d1143-8219-4a54-9654-e66fe9e994af","\u003Cp>HOUAISS, Antonio e VILLAR, Mauro de Salles. \u003Cstrong>Dicionário Houaiss da Língua Portuguesa\u003C/strong>. Rio de Janeiro: Objetiva, 2001.\u003C/p>",{"id":444,"label":445},"5c3d965b-564a-4a65-b6e5-89a060110446","\u003Cp>LIPOVETSKY, Giles. \u003Cstrong>O Império do efêmero: a moda e seu destino nas sociedades modernas\u003C/strong>. São Paulo: Cia. Das Letras, 1989.\u003C/p>",{"id":447,"label":448},"90f78314-80a9-4449-a444-e3fdfbb21cff","\u003Cp>MOURA, Mônica. \u003Cstrong>O design de hipermídia\u003C/strong>. Tese (Doutorado em Comunicação e Semiótica) – Pontifícia Universidade Católica de São Paulo, São Paulo, 2003.\u003C/p>",{"id":450,"label":451},"528a5af0-624e-4ed9-90d8-2aa6a1734a70","\u003Cp>QUEIROZ, Mario, MARINHO, Cláudia, PRECIOSA Rosane (Org). Entrevista gravada em vídeo. São Paulo: Universidade Anhembi Morumbi, no prelo.\u003C/p>",{"id":453,"label":454},"cb34f4da-3968-443b-9874-8b55ae6279c5","\u003Cp>RECH, Sandra. \u003Cstrong>Moda: por um fio de qualidade\u003C/strong>. Florianópolis: Editora da UDESC, 2002.\u003C/p>",{"id":456,"label":457},"a4677c9e-d37f-4048-99dd-afcd42befdbc","\u003Cp>SANT'ANNA, Mara Rúbia. \u003Cstrong>Teoria da moda: sociedade, imagem e consumo\u003C/strong>. São Paulo: Estação das Letras, 2007.\u003C/p>",{"id":459,"label":460},"53eff1dd-c6d0-43a7-9256-f27be6d5882c","\u003Cp>SORGER, Richard, UDALE Udale. \u003Cstrong>The fundamentals of fashion design\u003C/strong>. Lausane: AVA Publishing SA, 2006.\u003C/p>",3332,"pj4zovtp",[464],"processes-for-creating-in-fashion-design-theoretical-research-and-benchmarks",{"target":466,"query":467},"people/get",{"id":10,"articles":468},"true",1780316132466]