[{"data":1,"prerenderedAt":164},["ShallowReactive",2],{"person-6fef0d16-dac2-465c-ac83-573a2845cb66":3},{"success":4,"person":5,"request":160},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Quaresma","","Christiane",{},"6fef0d16-dac2-465c-ac83-573a2845cb66","quaresma.christiane@gmail.com","2025-12-17T13:42:35-03:00","Universidade Federal de Pernambuco",[15,16],"christiane-quaresma","quaresma-christiane",[18,77],{"parent":19,"metaData":20,"updateDate":22,"data":23,"langs":32,"_id":35,"contributors":36,"contributorsIds":54,"type":55,"typeData":56,"status":73,"download":74,"slugs":75,"slug":76},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":7,"createDate":21,"deleteDate":7},1765989755,"2025-12-17T13:42:36-03:00",{"secondary":24,"primary":28},{"keywords":25,"excerpt":26,"title":27},"\u003Cp>Animation and live-action, plastic handling, realism\u003C/p>","This article aims to understand the animation as a way of plastic handling of film scene by analysis of two distinct forms of interaction between animation and live action and the implications that these forms of intervention bring for the discussion of realism in cinema through studies of Rudolf Arnheim (1980), Andre Bazin (1991) and Christian Metz (1977).","Dialogues Between Animation and Live-action: It's Implications for the Realism in Cinema",{"keywords":29,"excerpt":30,"title":31},"\u003Cp>Animação e live-action, manipulação plástica, realismo\u003C/p>","O presente artigo visa compreender a animação enquanto forma de manipulação plástica da cena fílmica através da análise de duas formas distintas de interação entre animação e live-action, e as implicações que estas formas de intervenção trazem para a discussão do realismo no cinema através dos estudos de Rudolf Arnheim (1980), André Bazin (1991) e Christian Metz (1977).","Diálogos Entre Animação e Live-action: Implicações para o Realismo no Cinema",[33,34],"primary","secondary","01dcb9cf-72d0-4abe-95b2-bc3af1716cc2",[37,43],{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":38,"role":7,"_id":10,"createDate":39,"filiation":13,"slugs":40,"url":7,"path":41,"lastmodified":42,"objectID":10},{},"2025-12-17T16:42:35.796Z",[15,16],"people/6fef0d16-dac2-465c-ac83-573a2845cb66",1765989755796,{"id":7,"name":44,"lastName":45,"email":46,"designation":7,"description":47,"role":7,"_id":48,"createDate":39,"filiation":49,"slugs":50,"url":7,"path":53,"lastmodified":42,"objectID":48},"Marcos","Buccini","marcosbuccini@gmail.com",{},"4bf8636b-caa4-4ea2-8f53-aacc07f72424","Universidade Federal de Pernambuco / Grupo de Pesquisa Comunicação, Tecnologia e Cultura",[51,52],"marcos-buccini","buccini-marcos","people/4bf8636b-caa4-4ea2-8f53-aacc07f72424",[10,48],"article",{"startPage":57,"file":58,"references":61,"endPage":71,"track":72,"doi":7},2415,{"fullpath":59,"name":60},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69462.pdf","69462.pdf",[62,65,68],{"id":63,"label":64},"601664c1-a78c-4fad-a917-83b1b087a7ff","\u003Cp>ARNHEIM, Rudolf. \u003Cstrong>Arte e percepção visual: uma psicologia da visão criadora\u003C/strong>. São Paulo: Pioneira, 1980.\u003C/p>",{"id":66,"label":67},"8674a55d-b90c-45c9-ba6e-8a17d1bdab7e","\u003Cp>BAZIN, André. \u003Cstrong>O cinema: Ensaios\u003C/strong>. São Paulo: Editora Brasiliense, 1991.\u003C/p>",{"id":69,"label":70},"2f2d8c23-cbef-4ed8-b63f-373f370cf96d","\u003Cp>METZ, Christian. \u003Cstrong>A significação no cinema\u003C/strong>. São Paulo: Editora Perspectiva, 1977.\u003C/p>",2420,"qzqtg11n","enabled",1,[76],"dialogos-entre-animacao-e-live-action-implicacoes-para-o-realismo-no-cinema",{"pageRange":78,"parent":79,"updateDate":80,"data":81,"trackId":90,"type":55,"typeData":91,"metaData":122,"langs":124,"_id":125,"contributors":126,"contributorsIds":156,"status":73,"download":157,"slugs":158,"slug":159},null,"39f260d6-d61f-4dfe-b1f7-a6c315c260bd","2025-12-27T16:07:44-03:00",{"secondary":82,"primary":86},{"keywords":83,"excerpt":84,"title":85},"\u003Cp>animation, deep space, limited animation, Zagreb School\u003C/p>","This article examines the use of compositional techniques of deep space and the insertion of these techniques in the animations produced by the Zagreb School. The theorist chosen to guide the research was Bruce Block, which discusses the composition of deep space in his book \"The Visual Narrative\", exposing techniques such as, differences in sizes, tonal scale, color separation, among others. We conclude that artists create situations in limited animations to simulate unusual, and even distort, the sense of deep space.","Deepspace in Zagreb's Animations",{"keywords":87,"excerpt":88,"title":89},"\u003Cp>animação, espaço profundo, animação limitada, Escola de Zagreb\u003C/p>","O presente artigo analisa o uso de técnicas de composição do espaço profundo nas animações da Escola de Zagreb. O teórico que serviu de referência para a pesquisa foi Bruce Block, que discorre sobre a composição do espaço profundo em seu livro “A Narrativa Visual”, expondo técnicas como, perspectiva, mudanças de tamanho, separação de cores, entre outras. Conclui-se que os artistas das animações limitadas criam situações visuais inusitadas para simular, e até deturpar, a sensação de espaço profundo.","Espaço Profundo nas Animações da Escola de Zagreb","czb3v6h1",{"startPage":92,"file":93,"references":96,"endPage":121,"track":90,"doi":7},3621,{"fullpath":94,"name":95},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fczb3v6h1-1766862464-3621-3630.pdf","czb3v6h1-1766862464-3621-3630.pdf",[97,100,103,106,109,112,115,118],{"id":98,"label":99},"5983a7cb-d30a-4dba-836b-9c444e2e6505","\u003Cp>BECK, Jerry. \u003Cstrong>Animation Art\u003C/strong>: from pencil to pixel, the history of cartoon, anime & CGI. Harper Design: New York, 2004.\u003C/p>",{"label":101,"id":102},"\u003Cp>BLOCK, Bruce. \u003Cstrong>A Narrativa visual\u003C/strong>: Criando a estrutura visual para cinema, TV e mídias digitais. São Paulo: Elsevier, 2010.\u003C/p>","3cdb26e8-1574-4519-b59c-038db9d7b28e",{"label":104,"id":105},"\u003Cp>BORDWELL, D.; THOMPSON, K. \u003Cstrong>Film Art\u003C/strong>: an introduction. New York: McGraw-Hill, 1997.\u003C/p>","cf2ef744-c640-46c3-a81d-cfd5581724b8",{"id":107,"label":108},"379b74bd-7c72-4ede-925c-3a7f68779309","\u003Cp>BUCCINI, M. A abstração do movimento: uma aplicação em cordel animado. \u003Cstrong>2o Congresso Internacional de Pesquisa em Design\u003C/strong>, Rio de Janeiro, Brasil, 2003.\u003C/p>",{"label":110,"id":111},"\u003Cp>CAVALIER, Stephen. \u003Cstrong>The world history of animation\u003C/strong>. University of California Press: California, 2011.\u003C/p>","945d1f8c-93c4-493a-bade-27474de95e77",{"label":113,"id":114},"\u003Cp>FURNISS, M. \u003Cstrong>Art in animation\u003C/strong>: animation aesthetics. New Barnet: John Libbey, 2009.\u003C/p>","8679aeed-8f44-49bf-90b0-4689d70bb895",{"id":116,"label":117},"1f05f079-4f24-4aad-b830-e35dd51ab4c3","\u003Cp>KRASNER, J. \u003Cstrong>Motiongraphic design\u003C/strong>: applied history and aesthetics. Focal Press-USA, 2008.\u003C/p>",{"label":119,"id":120},"\u003Cp>LUCENA JUNIOR, Alberto. \u003Cstrong>Arte da Animação\u003C/strong>: Técnica e estética através da história. São Paulo: Editora Senac São Paulo, 2005.\u003C/p>","1c028ced-b852-4a95-993d-806fdc1fa6a8",3630,{"updateDate":7,"createDate":123,"deleteDate":7},1766862464,[33,34],"720276d0-b3d3-4c23-b785-2aa1603477ad",[127,140,150,153],{"id":7,"createDate":128,"objectID":129,"designation":7,"lastName":130,"description":131,"path":132,"email":133,"slugs":134,"url":7,"_id":129,"filiation":137,"lastmodified":138,"role":7,"name":139},"2025-12-27T19:07:44.334Z","d1aa9550-8501-4125-9c02-6a9b78547b88","Freire",{},"people/d1aa9550-8501-4125-9c02-6a9b78547b88","danilocesareu@gmail.com",[135,136],"danilo-freire","freire-danilo","UFPE - Universidade Federal de Pernambuco",1766862464334,"Danilo",{"role":7,"name":141,"objectID":142,"_id":142,"url":7,"description":143,"email":144,"createDate":128,"filiation":137,"lastmodified":138,"id":7,"designation":7,"slugs":145,"lastName":148,"path":149},"Luciene","74e9a23c-978d-4a2b-8df3-2c40cf8537e1",{},"lucienetenorio@hotmail.com",[146,147],"luciene-tenorio","tenorio-luciene","Tenório","people/74e9a23c-978d-4a2b-8df3-2c40cf8537e1",{"objectID":48,"id":7,"role":7,"lastmodified":138,"designation":7,"description":151,"name":44,"email":46,"url":7,"createDate":128,"filiation":137,"lastName":45,"path":53,"slugs":152,"_id":48},{},[51,52],{"lastName":6,"id":7,"name":8,"lastmodified":138,"createDate":128,"objectID":10,"description":154,"_id":10,"slugs":155,"path":41,"designation":7,"email":11,"url":7,"filiation":137,"role":7},{},[15,16],[129,142,48,10],2,[159],"deepspace-in-zagrebs-animations",{"target":161,"query":162},"people/get",{"id":10,"articles":163},"true",1780316117940]