[{"data":1,"prerenderedAt":193},["ShallowReactive",2],{"person-5f9d8875-0513-4c93-8c90-4d56be792038":3},{"success":4,"person":5,"request":189},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Lima","","Ana Gabriela Godinho",{},"5f9d8875-0513-4c93-8c90-4d56be792038","gabriela.lima@uol.com.br","2025-12-17T08:50:53-03:00","Universidade Presbiteriana Mackenzie",[15,16],"ana-gabriela-godinho-lima","lima-ana-gabriela-godinho",[18,99],{"parent":19,"metaData":20,"updateDate":12,"data":22,"langs":31,"_id":34,"contributors":35,"contributorsIds":52,"type":53,"typeData":54,"status":95,"download":96,"slugs":97,"slug":98},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",{"updateDate":7,"createDate":21,"deleteDate":7},1765972253,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Jan Tschichold, Elementar Typography, New Typography\u003C/p>","This paper aims to analyze aspects of the academic reflection involved in the production of the first translation of the special issue elementare typographie (1925) published to date. In this process, Jan Tschichold's (1902-1974) ideas about the New Typography are not only part of this issue's content, but also guide the graphic project that seeks to reproduce the characteristics of the original material.","Considerations About the Brazilian Edition of Jan Tschichold's Elementare Typographie",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Jan Tschichold, Tipografia elementar, Nova Tipografia\u003C/p>","O objetivo desta comunicação é relatar alguns aspectos da reflexão acadêmica envolvida na produção da primeira publicação traduzida até o momento do caderno especial elementare typographie – 1925. Nesse processo, a linha de pensamento sobre a Nova Tipografia do tipógrafo e designer Jan Tschichold [1902-1974] não apenas representa parte do escopo da edição, como orienta o projeto gráfico que buscou reproduzir as características do original.","Considerações Sobre a Edição Brasileira de Elementare Typographie de Jan Tschichold",[32,33],"primary","secondary","bc1f884c-c2ea-492f-a486-259979505cac",[36,48],{"id":7,"name":37,"lastName":38,"email":39,"designation":7,"description":40,"role":7,"_id":41,"createDate":42,"filiation":13,"slugs":43,"url":7,"path":46,"lastmodified":47,"objectID":41},"Alex","Mazzini","alex_mazzini5@hotmail.com",{},"638b9e39-98ec-4bf6-a728-4b85d250b4f9","2025-12-17T11:50:53.400Z",[44,45],"alex-mazzini","mazzini-alex","people/638b9e39-98ec-4bf6-a728-4b85d250b4f9",1765972253400,{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":49,"role":7,"_id":10,"createDate":42,"filiation":13,"slugs":50,"url":7,"path":51,"lastmodified":47,"objectID":10},{},[15,16],"people/5f9d8875-0513-4c93-8c90-4d56be792038",[41,10],"article",{"startPage":55,"file":56,"references":59,"endPage":93,"track":94,"doi":7},1989,{"fullpath":57,"name":58},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69374.pdf","69374.pdf",[60,63,66,69,72,75,78,81,84,87,90],{"id":61,"label":62},"704a41d2-4076-456c-b449-ee520675d119","\u003Cp>BURKE, Christopher. \u003Cstrong>Active Literature – Jan Tchichold and New Typography\u003C/strong>. Londres: Hyphen Press, 2007.\u003C/p>",{"id":64,"label":65},"e949e35e-6726-4969-9f5d-52fbd70bbba4","\u003Cp>DROSTE, Magdalena. \u003Cstrong>Bauhaus\u003C/strong>. Berlin: Taschen, 2004.\u003C/p>",{"id":67,"label":68},"49269aaa-4e4a-46ed-8fcf-ed0bbc33265e","\u003Cp>HOLLIS, Richard. \u003Cstrong>Jan Tschichold: a titan of typography\u003C/strong>. Disponível em: http://www.guardian.co.uk/artanddesign/2008/dec/05/jan-tschichold-typography. Acesso em: 27 abr. 2010.\u003C/p>",{"id":70,"label":71},"6c47fea3-64b6-4fd3-8794-b09b8ad04ed6","\u003Cp>IDEA 321. \u003Cstrong>Works of Jan Tschichold\u003C/strong>, 2007.\u003C/p>",{"id":73,"label":74},"a5071508-ee4b-4600-b06e-dc614d14695e","\u003Cp>KINROSS, Robin. \u003Cstrong>Modern typography\u003C/strong>. London: Hyphen Press, 2004.\u003C/p>",{"id":76,"label":77},"eeb9a754-1a7d-46a5-ac8c-92028b973209","\u003Cp>MCLEAN, Ruari. \u003Cstrong>Jan tschichold – a life in typography\u003C/strong>. New York: Princeton Architectural Press, 1997.\u003C/p>",{"id":79,"label":80},"a359dda6-d581-4455-922c-9f992e9aa018","\u003Cp>MEGGS, Philip. \u003Cstrong>História do design gráfico\u003C/strong>. São Paulo: CosacNaify, 2009.\u003C/p>",{"id":82,"label":83},"e1249f40-d0c4-4ef3-a7db-95a8f4b982a5","\u003Cp>RIGLEY, Steve. \u003Cstrong>An unbearable lightness?\u003C/strong> Visual Communication, Vol. 6, no. 3, p. 281-304, 2007.\u003C/p>",{"id":85,"label":86},"f93bb3e1-79d3-4748-8bf1-b93d9b9a63fb","\u003Cp>TSCHICHOLD, Iwan. \u003Cstrong>Tipografia Elementar – Comunicações tipográficas\u003C/strong>. São Paulo: Altamira Editorial, 2007.\u003C/p>",{"id":88,"label":89},"c25af497-304a-456e-8c3c-2b2760f5a4a5","\u003Cp>TSCHICHOLD, Iwan. \u003Cstrong>elementare typographie\u003C/strong>. Mainz: Hermann Schmidt, 1986.\u003C/p>",{"id":91,"label":92},"bc92fd70-2bef-41e1-8623-55ea42eb7ea8","\u003Cp>TSCHICHOLD, Iwan. \u003Cstrong>la nueva tipografia\u003C/strong>. Valência: Campgrafic, 2003.\u003C/p>",2005,"ftya7ms6","enabled",1,[98],"consideracoes-sobre-a-edicao-brasileira-de-elementare-typographie-de-jan-tschichold",{"parent":19,"metaData":100,"updateDate":102,"data":103,"langs":112,"_id":113,"contributors":114,"contributorsIds":131,"type":53,"typeData":132,"status":95,"download":96,"slugs":187,"slug":188},{"updateDate":7,"createDate":101,"deleteDate":7},1766015930,"2025-12-17T20:58:50-03:00",{"secondary":104,"primary":108},{"keywords":105,"excerpt":106,"title":107},"\u003Cp>innovation, boundaries, design practice, jewel design\u003C/p>","This paper discusses some aspects of the reflection about the academic research in jewel design. The jewel design practice involves challenging elements to the academic reasoning. The same may be said about the practitioner results communication in terms of academic research. The article \"Eight Criteria for Practice Based Research for Creative and Cultural Industries\" is here employed as a theoretical frame for the discussion.","Jewel Design and Academic Research: Limits and Overlapings",{"keywords":109,"excerpt":110,"title":111},"\u003Cp>inovação, limiares, prática projetual, design de jóias\u003C/p>","Este artigo discute alguns aspectos envolvidos na reflexão sobre as características da pesquisa acadêmica na área de design de joalheria. A prática projetual da jóia envolve elementos que são um desafio para os métodos de raciocínio acadêmico, o mesmo podendo se dizer da comunicação dos resultados obtidos pelo praticante quando se trata de uma pesquisa acadêmica. O texto \"Oito Critérios para a Pesquisa Acadêmica em Áreas de Prática Projetual\" de M. Biggs e D. Büchler é aqui empregado como base teórica para a discussão.","Design de Jóias e Pesquisa Acadêmica: Limites e Sobreposições",[32,33],"e50c0049-e0be-4333-85e3-2f38ce54a59d",[115,127],{"id":7,"name":116,"lastName":117,"email":118,"designation":7,"description":119,"role":7,"_id":120,"createDate":121,"filiation":13,"slugs":122,"url":7,"path":125,"lastmodified":126,"objectID":120},"Henny Aguiar Bizarro Rosa","Favaro","hennyrosa@yahoo.com.br",{},"6d513dd6-6a7b-4804-aa5d-eb241bddef1e","2025-12-17T23:58:50.538Z",[123,124],"henny-aguiar-bizarro-rosa-favaro","favaro-henny-aguiar-bizarro-rosa","people/6d513dd6-6a7b-4804-aa5d-eb241bddef1e",1766015930538,{"id":7,"name":8,"lastName":6,"email":128,"designation":7,"description":129,"role":7,"_id":10,"createDate":121,"filiation":13,"slugs":130,"url":7,"path":51,"lastmodified":126,"objectID":10},"Gabriela.lima@uol.com.br",{},[15,16],[120,10],{"startPage":133,"file":134,"references":137,"endPage":186,"track":94,"doi":7},2971,{"fullpath":135,"name":136},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F69577.pdf","69577.pdf",[138,141,144,147,150,153,156,159,162,165,168,171,174,177,180,183],{"id":139,"label":140},"f1fb4089-eb34-454e-a71c-7fd4e4f3a163","\u003Cp>BÜCHLER, D. M.; BIGGS, M. A. R. \u003Cstrong>Art, Design & Communication in Higher Education: Eight criteria for practice-based research in the creative and cultural industries\u003C/strong>, 7 (1):5-18. © Intellect Ltd 2008.\u003C/p>",{"id":142,"label":143},"f03ff7d9-d803-4c0b-a810-aceaff441895","\u003Cp>_______________________ \u003Cstrong>Academic Practice and Academic Reserch\u003C/strong>. Nordic Journal of Arcitectural Reserch. 20:1. pp. 83-94, 2008.\u003C/p>",{"id":145,"label":146},"3bdadd31-4348-4f39-8f6a-bf904b845635","\u003Cp>BUSATO, Sergio Luiz. \u003Cstrong>Metodologia de Projeto Aplicada à Produção de Joias\u003C/strong>. Aula 3, disponível em \u003Chttp:DUO1.tempsite.ws> Acesso em out. 2009.\u003C/p>",{"id":148,"label":149},"9d7fbf25-0e1c-45cb-9571-891376c1e539","\u003Cp>CAMPOS, José Carlos; ALBUQUERQUE DA SILVA, Cairo. \u003Cstrong>O Projeto como Investigação Científica: Educar pela pesquisa\u003C/strong>. Vitruvius, Aquitextos 050, Texto Especial 246, jul 2004.\u003C/p>",{"id":151,"label":152},"6bb0b128-2ad9-43d7-9304-9b223d398029","\u003Cp>COSTA, Rogério da, (org). \u003Cstrong>Limiares do Contemporâneo\u003C/strong>. São Paulo: Escuta, 1993.\u003C/p>",{"id":154,"label":155},"65ec6e46-81d0-4c86-89cc-13bab0a4e020","\u003Cp>DUARTE, Clementina. \u003Cstrong>A Arte e o Design da Jóia Moderna Brasileira\u003C/strong>. Washington, D.C. Cynthia Unninayar, 2006.\u003C/p>",{"id":157,"label":158},"84c1e7fa-3119-454b-8b7d-a24b17175a71","\u003Cp>LEES-MAFFEI, Grace. \u003Cstrong>Dangerous Liaisons: Relationship Between Design, Craft and Art\u003C/strong>. The Journal of Design History 17 (3), 2007. p. 207-220.\u003C/p>",{"id":160,"label":161},"bd49b7f4-6199-44ae-84e7-5d20ba1b0e59","\u003Cp>MARRINER, Robin. Derrida and the Parergon. In: \u003Cstrong>A Companion to Art Theory\u003C/strong>. Smith, Paul & Wilde, Carolyn. Blackwell Publishing, 2002.\u003C/p>",{"id":163,"label":164},"59d9a0b3-0b74-4b50-a30b-9a1644c66295","\u003Cp>NYRNES, Aslaug. \u003Cstrong>Artistic Research and Development (Artistic R & D) ans Rhetoric - an outline\u003C/strong>. Sensuous Knowledge, Solstrand, Norway, 26-28/10/2004.\u003C/p>",{"id":166,"label":167},"80bec983-fc3e-445e-999e-378149c609a9","\u003Cp>OGASAWARA, Luís Alexandre. \u003Cstrong>O Apelo Comunicativo da Embalagem\u003C/strong>. (Dissertação de Mestrado) São Paulo: PUC, 2009.\u003C/p>",{"id":169,"label":170},"ba7998df-f60f-46ba-89e0-7a2af5be01e0","\u003Cp>PARRET, Herman. \u003Cstrong>A Estética da Comunicação: Além da Pragmática\u003C/strong>. Campinas: Unicamp, 1997.\u003C/p>",{"id":172,"label":173},"e96cb951-52e1-45af-8936-5e40b26a2ecf","\u003Cp>PIGNATARI, Décio. \u003Cstrong>Informação, Linguagem. Comunicação\u003C/strong>. Cotia: Ateliê Editorial, 2008.\u003C/p>",{"id":175,"label":176},"c9260497-8a2f-4ab9-802e-2daa6f1b4f79","\u003Cp>RICHTER, Linda; KRUGLANSKY, Arie. \u003Cstrong>Motivated Search for Common Ground: Need for Closure Effects on Audience Design in Interpersonal Communication\u003C/strong>. Personality and Social Psychology Bulletin, Vol. 25, No. 9, September 1999, 1101-1114.\u003C/p>",{"id":178,"label":179},"4397ab17-fe4b-4cee-be5b-f8cde9a953c5","\u003Cp>RICOEUR, Paul. \u003Cstrong>Interpretação e Ideologias\u003C/strong>. Rio de Janeiro: Francisco Alves, 1983.\u003C/p>",{"id":181,"label":182},"779a15d7-323a-4e68-a554-132d3889ecf3","\u003Cp>SCHON, Donald. \u003Cstrong>Educando um Profissional Reflexivo: Um novo design para o ensino e a aprendizagem\u003C/strong>. Porto Alegre: Artmed, 2000.\u003C/p>",{"id":184,"label":185},"845ccbc9-59d1-4c8c-a8a4-6e1f4f822403","\u003Cp>SMITH, Paul e WILDE, Carolyn (eds). \u003Cstrong>Um companheiro de Teoria da Arte\u003C/strong>. Blackwell Publishing, 2002.\u003C/p>",2985,[188],"jewel-design-and-academic-research-limits-and-overlapings",{"target":190,"query":191},"people/get",{"id":10,"articles":192},"true",1780316107681]