[{"data":1,"prerenderedAt":113},["ShallowReactive",2],{"person-539f3332-2863-44de-8901-56073a8a7715":3},{"success":4,"person":5,"request":109},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Ferraz","","Carolina Resende",{},"539f3332-2863-44de-8901-56073a8a7715","ferraz2801@gmail.com","2025-12-17T06:30:56-03:00","UnB",[15,16],"carolina-resende-ferraz","ferraz-carolina-resende",[18],{"parent":19,"metaData":20,"updateDate":12,"data":22,"langs":31,"_id":34,"contributors":35,"contributorsIds":52,"type":53,"typeData":54,"status":105,"download":106,"slugs":107,"slug":108},"f1f23d35-203a-4494-b7cd-e41787bada40",{"updateDate":7,"createDate":21,"deleteDate":7},1765963856,{"secondary":23,"primary":27},{"keywords":24,"excerpt":25,"title":26},"\u003Cp>Brasilia, infography, semiotic\u003C/p>","This article deals with the mathematical logic present in the project of the Pilot Plan of Brasilia and how this mathematical modeling of space yields subjectivity. The object of semiotics is centered on the way sign and language represent the space. We base the research on the semiotics of culture by the bias of the soviet semioticist Iuri Lotman, conceptualize diagram in Charles Sanders Peirce and Ellen Lupton, and also, we direct our gaze to the space from the perspective of David Harvey and Milton Santos. As a method, we started from the analysis of the signs present in infographics and diagrams performed by the semiotic bias. We divided the analysis into two stages: morphological and syntactic. The purpose of the analyzes is to understand how these diagrams and urban infographics representing the urban space explain the functioning of the city.","A Semiotic Analysis of Infographics and Diagrams That Explain the Pilot Plan",{"keywords":28,"excerpt":29,"title":30},"\u003Cp>Brasília, infografia, semiótica\u003C/p>","O presente artigo versa sobre a lógica matemática presente no projeto do Plano Piloto de Brasília e como essa modelização matemática do espaço cede lugar a subjetividade. O objeto da semiótica está centrado no modo como o signo e a linguagem representam o espaço. Fundamentamos a pesquisa na semiótica da cultura pelo viés do semioticista soviético Iuri Lotman, conceituamos diagrama em Charles Sanders Peirce e Ellen Lupton, e ainda, direcionamos o nosso olhar para o espaço sob a perspectiva de David Harvey e Milton Santos. Enquanto método, partimos da análise dos signos presentes em infografias e diagramas realizada pelo viés semiótico. Dividimos a análise em duas etapas: morfológica e sintática. O objetivo das análises é compreender como tais diagramas e infográficos representativos do espaço urbano explicam o funcionamento da cidade.","Uma Análise Semiótica de Infografias e Diagramas Que Explicam o Plano Piloto",[32,33],"primary","secondary","85dde3c2-60c7-41aa-81f3-2636474c11ca",[36,48],{"id":7,"name":37,"lastName":38,"email":39,"designation":7,"description":40,"role":7,"_id":41,"createDate":42,"filiation":13,"slugs":43,"url":7,"path":46,"lastmodified":47,"objectID":41},"Fátima Aparecida dos","Santos","designerfatima2012@gmail.com",{},"cae8dc3c-0ebf-4e19-b20c-4f147c2e897a","2025-12-17T09:30:56.462Z",[44,45],"fatima-aparecida-dos-santos","santos-fatima-aparecida-dos","people/cae8dc3c-0ebf-4e19-b20c-4f147c2e897a",1765963856462,{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":49,"role":7,"_id":10,"createDate":42,"filiation":13,"slugs":50,"url":7,"path":51,"lastmodified":47,"objectID":10},{},[15,16],"people/539f3332-2863-44de-8901-56073a8a7715",[41,10],"article",{"startPage":55,"file":56,"references":59,"endPage":102,"track":103,"doi":104},2957,{"fullpath":57,"name":58},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-uma-anlise-semitica-de-infografias-e-diagramas-que-explicam-o-plano-piloto-30160.pdf","download-pdf-uma-anlise-semitica-de-infografias-e-diagramas-que-explicam-o-plano-piloto-30160.pdf",[60,63,66,69,72,75,78,81,84,87,90,93,96,99],{"id":61,"label":62},"808139f4-e4fc-4e81-953b-158aa1cf0f10","\u003Cp>BHABHA, Homi. \u003Cstrong>O local da cultura\u003C/strong>. Belo Horizonte: EDUFMG, 2001.\u003C/p>",{"id":64,"label":65},"b8f28446-80a8-4f5c-8dce-5bec6ea6f9f1","\u003Cp>BOYER, M. Christine. \u003Cstrong>The city of collective memory. Its Historical Imagery and Architectural Entertainments\u003C/strong>. Cambridge Mass., MIT Press, 1994.\u003C/p>",{"id":67,"label":68},"f6b80761-6399-4eaa-807a-896da2820668","\u003Cp>CERTEAU, Michel de. \u003Cstrong>A invenção do cotidiano: artes de fazer\u003C/strong>. Petrópolis: Vozes, 1990.\u003C/p>",{"id":70,"label":71},"9104ad38-09c4-4e1a-a34f-e0ee9e97ed1c","\u003Cp>CUENCA, Rogério López. \u003Cstrong>Iconografias metropolitanas\u003C/strong>. São Paulo: Fundação Bienal de São Paulo, 2002.\u003C/p>",{"id":73,"label":74},"b922d5ad-01b8-46c6-a016-4abd30c40559","\u003Cp>FERRARA, Lucrécia d'Aléssio. Do desenho ao design: um percurso semiótico? in \u003Cstrong>Galáxia\u003C/strong>, v. 4, n. 7. São Paulo: Educ, 2007. p. 47 a p.58.\u003C/p>",{"id":76,"label":77},"e5cb1545-2317-438e-a8c6-dda9bc26bf43","\u003Cp>GOMES, Renato Cordeiro. \u003Cstrong>Todas as cidades, a cidade: literatura e experiência urbana\u003C/strong>. Rio de Janeiro: Rocco, 1994.\u003C/p>",{"id":79,"label":80},"c05f7f15-09b6-4dfc-b044-ca737ef986ed","\u003Cp>HARVEY, David. \u003Cstrong>Espaços de Esperança\u003C/strong>. Edições Loyola, 2000.\u003C/p>",{"id":82,"label":83},"f0025ae7-519a-4003-9213-26e45f8e02fd","\u003Cp>LIDWELL, Willian, HOLDEN, Kristina e BUTLER, Jill. \u003Cstrong>Princípios universais do design\u003C/strong>. Porto Alegre: Bookman, 2010.\u003C/p>",{"id":85,"label":86},"64b10739-000c-4ae5-acf6-eb988741550c","\u003Cp>LOTMAN, Iuri. M. \u003Cstrong>La semiosfera I: semiótica de la cultura y del texto\u003C/strong>. Madrid: Edições Catedra, 1996.\u003C/p>",{"id":88,"label":89},"92df4640-463b-44dd-8f4c-c1abfdc19014","\u003Cp>LUPTON, Ellen e PHILLIPS, Jennifer Cole. \u003Cstrong>Novos fundamentos do design\u003C/strong>. São Paulo: Cosac Naify, 2011.\u003C/p>",{"id":91,"label":92},"338e2241-45c3-4e43-a82d-91d1c4e88593","\u003Cp>MARCONDES F., Ciro. Infográfico [verbete] in \u003Cstrong>Dicionário da comunicação\u003C/strong>. São Paulo: Paulus, 2009, p. 185.\u003C/p>",{"id":94,"label":95},"37d538c6-e1d1-4715-9296-bc9c5b6f0a2f","\u003Cp>PEIRCE, Charles S. \u003Cstrong>Semiótica\u003C/strong>. São Paulo: Perspectiva, 2003.\u003C/p>",{"id":97,"label":98},"198f1fd5-dfae-4d89-9b51-e61afacef30c","\u003Cp>SANTAELLA, Lúcia. \u003Cstrong>Matrizes da linguagem de do pensamento: sonora, visual, verbal\u003C/strong>. São Paulo: Iluminuras, 2001.\u003C/p>",{"id":100,"label":101},"782e3107-0b00-4d9e-a7b0-1eb17c126f92","\u003Cp>TURCHI, Peter. \u003Cstrong>Maps of the imagination: the writer as cartographer\u003C/strong>. San Antonio: Trinity University Press, 2004.\u003C/p>",2969,"mu1l00x8","10.5151/ped2018-4","enabled",1,[108],"a-semiotic-analysis-of-infographics-and-diagrams-that-explain-the-pilot-plan",{"target":110,"query":111},"people/get",{"id":10,"articles":112},"true",1780316099888]