[{"data":1,"prerenderedAt":433},["ShallowReactive",2],{"person-5131d055-e04a-43aa-b662-6cf3703e0be3":3},{"success":4,"person":5,"request":429},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":11,"url":7,"createDate":12,"filiation":13,"slugs":14,"articles":17},"Portugal","","Daniel",{},"5131d055-e04a-43aa-b662-6cf3703e0be3","dportugal@esdi.uerj.br","2025-12-17T01:25:35-03:00","ESDI/UERJ",[15,16],"daniel-portugal","portugal-daniel",[18,130,216,329],{"parent":19,"metaData":20,"data":22,"langs":28,"_id":31,"type":32,"typeData":33,"slugs":98,"status":100,"updateDate":101,"contributors":102,"contributorsIds":128,"download":129,"slug":99},"308f2508-39ad-43fe-a49b-3483ee224f04",{"updateDate":7,"createDate":21,"deleteDate":7},1766842253,{"secondary":23,"primary":24},{"keywords":7,"excerpt":7,"title":7},{"keywords":25,"excerpt":26,"title":27},"\u003Cp>Design, hermenêutica, interpretação, projeto, história\u003C/p>","Esta proposta de “Conversação” pretende promover reflexões sobre o design centradas na questão da interpretação. Seu objetivo é explorar os horizontes interpretativos nos quais artefatos, imagens e sistemas podem ganhar uma ou outra configuração específica. Em outros termos: investigar os modos de compreensão que possibilitam que eles sejam projetados e desejados, produzidos e consumidos. Eminentemente interdisciplinar, a proposta temática de uma Hermenêutica do Design se abre a esforços investigativos que entrelaçam saberes do design, da filosofia, da história e das ciências sociais, entre outras disciplinas.","Hermenêutica do Design: Interpretação, Projeto e História",[29,30],"primary","secondary","23e2e559-f37b-4f5e-a830-aa3f1663cb68","article",{"startPage":34,"file":35,"references":38,"endPage":96,"track":97,"doi":7},8493,{"fullpath":36,"name":37},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F38377.pdf","38377.pdf",[39,42,45,48,51,54,57,60,63,66,69,72,75,78,81,84,87,90,93],{"label":40,"id":41},"\u003Cp>BECCARI, M. \u003Cstrong>Articulações simbólicas\u003C/strong>: uma nova filosofia do design. Teresópolis: 2ab, 2016.\u003C/p>","2c5142e7-b8d1-4c1b-8bcc-27345bdf3171",{"label":43,"id":44},"\u003Cp>CAMPBELL, C. \u003Cstrong>The Romantic Ethic and the Spirit of Modern Consumerism\u003C/strong>. Oxford: Blackwell, 1989.\u003C/p>","e653732e-cbfe-4163-9dcc-0e1150f767b0",{"id":46,"label":47},"6e713be1-3ae3-4c3d-ac9a-62aeb3916b97","\u003Cp>CAMARGO, I P. \u003Cstrong>O Departamento de Design Gráfico da Cranbrook Academy of Art (1971-1995)\u003C/strong>: novos caminhos para o design. Dissertação (Mestrado em Design e Arquitetura) – Universidade de São Paulo, São Paulo, 2011.\u003C/p>",{"label":49,"id":50},"\u003Cp>CASANOVA, M. \u003Cstrong>Compreender Heidegger\u003C/strong>. 5. ed. Petrópolis: Vozes, 2015.\u003C/p>","2cc957d7-bb7d-4021-84b8-5579216c1335",{"label":52,"id":53},"\u003Cp>DILTHEY, W. The Rise of Hermeneutics. \u003Cstrong>New Literary History\u003C/strong>, v. 3, n. 2, 1972, pp. 229-244.\u003C/p>","927a8330-04d3-48ff-927b-e46e1185182a",{"label":55,"id":56},"\u003Cp>FOUCAULT, M. \u003Cstrong>A Hermenêutica do Sujeito\u003C/strong>: Curso dado no Collège de France (1981-1982). Trad. M. A. Fonseca; S. A. Muchail. 3. Ed. São Paulo: Martins Fontes, 2010.\u003C/p>","84927f7f-a967-481c-b9d2-673c5707381b",{"label":58,"id":59},"\u003Cp>FRY, T. Whither Design / Whether History. In: FRY, T.; DILNOT, C.; STEWART, S. C. \u003Cstrong>Design and the question of History\u003C/strong>. London: Bloomsbury, 2015.\u003C/p>","c1546b48-5bc5-40b3-9453-9ef08d2ab600",{"label":61,"id":62},"\u003Cp>FRY, T. \u003Cstrong>Becoming Human by Design\u003C/strong>. London: Berg, 2012.\u003C/p>","5705361e-9e3a-47dd-9d5b-05c34de2b220",{"id":64,"label":65},"c2be0be6-28f1-4bdd-b322-f79179f816de","\u003Cp>GADAMER, H. G. \u003Cstrong>Verdade e Método\u003C/strong>: Traços fundamentais de uma hermenêutica filosófica. Trad. F. P. Meurer. Petrópolis: Vozes, 1999.\u003C/p>",{"label":67,"id":68},"\u003Cp>GRONDIN, J. \u003Cstrong>Introdução à hermenêutica filosófica\u003C/strong>. Trad. B. Dischinger. São Leopoldo: Unisinos, 1999.\u003C/p>","b57695ac-40cc-40af-87ea-d5c32abd2249",{"label":70,"id":71},"\u003Cp>GEERTZ, C. \u003Cstrong>The interpretation of cultures\u003C/strong>: selected essays. New York: Basic Books, 1973.\u003C/p>","58b923e3-4d59-4324-b241-2c487f61a0bc",{"label":73,"id":74},"\u003Cp>HEIDEGGER, M. \u003Cstrong>Ser e tempo\u003C/strong>. Trad. M. S. C. Schuback. 10. ed. Petrópolis: Vozes, 2015.\u003C/p>","78422b5d-8fa0-4bbc-9000-e939b28fa39f",{"label":76,"id":77},"\u003Cp>LATOUR, B. \u003Cstrong>Reassembling the Social\u003C/strong>. Oxford: Oxford University Press, 2005.\u003C/p>","c6f584b6-28c4-4c2a-a33f-f7779ec20911",{"label":79,"id":80},"\u003Cp>LAVOIE, D. (Org.). \u003Cstrong>Economics and Hermeneutics\u003C/strong>. London: Routledge, 2005.\u003C/p>","321d84e2-dfe8-44df-b770-cedcd3dddaf5",{"label":82,"id":83},"\u003Cp>MARTIN, M. The Classical Verstehen Position. In: _____. \u003Cstrong>Verstehen\u003C/strong>: The Uses of Understanding in Social Sciences. New Brunswick: Transaction, 2000.\u003C/p>","f19fd4c9-2503-46e3-a334-2bb7ebdf85f2",{"label":85,"id":86},"\u003Cp>NIETZSCHE, F. \u003Cstrong>A gaia ciência\u003C/strong>. Trad. P. C. Souza. São Paulo: Companhia das Letras, 2012.\u003C/p>","d1bf0ec1-acf5-4419-afa6-4a393470e602",{"id":88,"label":89},"84477b6d-0bb2-4da3-a6b2-f6d0f5a0f633","\u003Cp>RITTEL, H.; WEBBER, M. Dilemmas in a General Theory of Planning. \u003Cstrong>Policy Sciences\u003C/strong>, v. 4, 1973.\u003C/p>",{"label":91,"id":92},"\u003Cp>WAGNER, P. \u003Cstrong>Modernity\u003C/strong>: Understanding the Present. London: Polity Press, 2012.\u003C/p>","995deae8-8725-4acc-a60f-a6cb29fa0b3a",{"label":94,"id":95},"\u003Cp>WILLIS, A.-M. Ontological Designing. \u003Cstrong>Design Philosophy Papers\u003C/strong>, v. 4, n. 2, p. 69-92, 2006.\u003C/p>","196af44b-3f7c-44c5-8cb0-bc07794f1da2",8500,"yz0k8ow5",[99],"hermeneutica-do-design-interpretacao-projeto-e-historia","enabled","2025-12-27T20:43:15-03:00",[103,104,117],{"filiation":13,"url":7,"_id":10,"designation":7,"name":8,"email":11,"role":7,"lastName":6},{"_id":105,"lastmodified":106,"path":107,"designation":7,"email":108,"filiation":109,"lastName":110,"description":111,"url":7,"slugs":112,"createDate":115,"name":116,"role":7,"id":7,"objectID":105},"3e6146b9-94b3-490e-bf8e-a410c62620a3",1766842253376,"people/3e6146b9-94b3-490e-bf8e-a410c62620a3","wandyr@gmail.com","UERJ","Hagge",{},[113,114],"wandyr-hagge","hagge-wandyr","2025-12-27T13:30:53.376Z","Wandyr",{"filiation":118,"lastName":119,"id":7,"name":120,"designation":7,"createDate":115,"path":121,"slugs":122,"url":7,"description":125,"_id":126,"role":7,"objectID":126,"email":127,"lastmodified":106},"UFPR","Beccari","Marcos","people/94dec480-99a3-4d51-be43-5ec54d2a2766",[123,124],"marcos-beccari","beccari-marcos",{},"94dec480-99a3-4d51-be43-5ec54d2a2766","contato@marcosbeccari.com",[10,105,126],4,{"parent":131,"metaData":132,"data":134,"langs":143,"_id":144,"type":32,"typeData":145,"status":100,"updateDate":204,"contributors":205,"contributorsIds":212,"download":213,"slugs":214,"slug":215},"f1f23d35-203a-4494-b7cd-e41787bada40",{"updateDate":7,"createDate":133,"deleteDate":7},1765944275,{"secondary":135,"primary":139},{"keywords":136,"excerpt":137,"title":138},"\u003Cp>design thinking, nature and artifice, abduction\u003C/p>","In order to reflect on the characteristics of design thinking, this article approaches several epistemological problems, beginning with Hume's critique of the role of induction in the production of knowledge. This is followed by some considerations about the notion of abduction, about the logic of discoveries and of evidence in scientific thought, and about the notion of a nature assumed to be uniform, with universal and immutable \"laws\". Based mainly on the ideas of Bruno Latour, we observe that the opposition between nature and artifice does not hold upon close scrutinity. As an alternative to this opposition, we separate a dogmatic way of placing questions–in which they appear already oriented–from a relativistic way of dealing with problems, in which there is no pre-established north. Such are the bewildering problems–or wicked problems–that design thinking has to deal with.","Design Thinking, Nature and Artifice: A Few Epistemological Considerations",{"keywords":140,"excerpt":141,"title":142},"\u003Cp>pensamento projetual, natureza e artifício, abdução\u003C/p>","Com o objetivo de refletir sobre as características do pensamento projetual, ou design thinking, este artigo se debruça sobre diversas questões epitemológicas, começando por acompanhar a crítica de Hume à indução. Em seguida, são realizadas considerações sobre a noção Peirceana de abdução, sobre a lógica das descobertas e das provas no pensamento científico e sobre a pressuposição da existência de uma natureza uniforme, com \"leis\" universais e imutáveis. Tendo como principal base as propostas de Bruno Latour, observamos que a oposição entre natureza e artifício não se sustenta. Em vez dessa oposição, situamos, de um lado, uma forma dogmática de colocar questões – na qual estas aparecem já norteadas –, e, de outro, uma forma relativista de lidar com os problemas, na qual não há norte estabelecido de antemão. Tais são os problemas desnorteadores – ou wicked problems – com os quais o pensamento projetual precisa lidar.","Pensamento Projetual, Natureza e Artifício: Algumas Considerações Epistemológicas",[29,30],"244b576d-9462-4c67-b242-b6f2030164a3",{"startPage":146,"file":147,"references":150,"endPage":201,"track":202,"doi":203},154,{"fullpath":148,"name":149},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-pensamento-projetual-natureza-e-artifcio-algumas-consideraes-epistemolgicas-29910.pdf","download-pdf-pensamento-projetual-natureza-e-artifcio-algumas-consideraes-epistemolgicas-29910.pdf",[151,154,157,160,163,166,169,172,175,178,181,184,187,189,192,195,198],{"id":152,"label":153},"69e44705-37e6-437a-b2f0-f6258ee8da67","\u003Cp>BACON, F. \u003Cstrong>Novum organum: ou verdadeiras indicações acerca da interpretação da natureza\u003C/strong>. trad. J. A. R. de Andrade. Pará de Minas: Virtual Books, 2000.\u003C/p>",{"id":155,"label":156},"c5607e22-3d17-4776-ab01-fcdb4cd82757","\u003Cp>BUCHANAN, R. Wicked problems in design thinking. \u003Cstrong>Design Issues\u003C/strong>, v. 8, n. 2, 1992.\u003C/p>",{"id":158,"label":159},"27714120-d87c-4f0a-91fa-9445bdde0d34","\u003Cp>FANN, K. \u003Cstrong>Peirce's theory of abduction\u003C/strong>. The Hague: Martinus Nijhoff, 1970.\u003C/p>",{"id":161,"label":162},"129674ab-b7a0-41f2-b4ce-39adae80f4fc","\u003Cp>HUME, D. \u003Cstrong>An enquiry concerning human understanding\u003C/strong>. Oxford: Oxford University Press, 2008.\u003C/p>",{"id":164,"label":165},"1c4c21f9-3bc8-4571-a1c2-02744554d446","\u003Cp>KUHN, T. \u003Cstrong>A estrutura das revoluções científicas\u003C/strong>. São Paulo: Perspectiva, 1987.\u003C/p>",{"id":167,"label":168},"f1de3d26-b131-426f-85d1-7883885acd39","\u003Cp>LATOUR, B. \u003Cstrong>Face à Gaïa: Huit conférences sur le Nouveau Régime Climatique\u003C/strong>. E-book. Paris: La Découvert, 2015.\u003C/p>",{"id":170,"label":171},"74967637-ca81-415f-8f3c-2bcf3c9db985","\u003Cp>LATOUR, B. Um Prometeu cauteloso? Alguns passos rumo a uma filosofia do design (com especial atenção a Peter Slotedijk). trad. D. B. Portugal; I. Fraga. \u003Cstrong>Agitprop: revista brasileira de design\u003C/strong>, São Paulo, v. 6, n. 58, jul./ago. 2014.\u003C/p>",{"id":173,"label":174},"3f50ec32-b6bf-4e9c-8096-b16c0d46b621","\u003Cp>LATOUR, B. \u003Cstrong>Reassembling the Social: An Introduction to Actor-Network-Theory\u003C/strong>. New York: Oxford University Press, 2005.\u003C/p>",{"id":176,"label":177},"aa58ebb8-316d-49e5-a454-2e1db49ad462","\u003Cp>MINNAMEIER, G. The logicality of abduction, deduction and induction. In: Bergman, M., Paavola, S., Pietarinen, A.-V., & Rydenfelt, H. (Eds.) \u003Cstrong>Ideas in Action: Proceedings of the Applying Peirce Conference\u003C/strong> (pp. 239–251). Nordic Studies in Pragmatism 1. Helsinki: Nordic Pragmatism Network, 2010.\u003C/p>",{"id":179,"label":180},"0cd2b51a-7e33-4612-85b2-7554a81a7e3f","\u003Cp>PEIRCE, C. S. Abduction and induction. In: BUCHLER, J. (Org.). \u003Cstrong>Philosophical writings of Peirce\u003C/strong>. Mineola: Dover, 1955.\u003C/p>",{"id":182,"label":183},"9591d0b9-889b-4d7c-b697-8aabeff583e7","\u003Cp>POPPER, K. \u003Cstrong>The Logic of Scientific Discovery\u003C/strong>. London: Routledge, 1992.\u003C/p>",{"id":185,"label":186},"dbb4cf52-379d-4eb1-b049-a1a5734428ca","\u003Cp>PESIC, P. Wrestling with Proteus: Francis Bacon and the \"Torture\" of Nature. \u003Cstrong>Isis\u003C/strong>, v. 90, n. 1, mar. 1999, pp. 81-94.\u003C/p>",{"id":188,"label":89},"5b2aa83e-6347-4b55-b97f-12977f21926c",{"id":190,"label":191},"59aaecba-9e0c-4597-9818-5569375dd599","\u003Cp>SILVA, A. P. F. \u003Cstrong>Metamorfoses do conceito de abdução em Peirce: o exemplo de Kepler\u003C/strong>. Dissertação de mestrado. Universidade de Lisboa [Faculdade de Ciências], 2007.\u003C/p>",{"id":193,"label":194},"506dcbc4-0779-4b89-aedb-5b2b577d51d3","\u003Cp>STEGMÜLLER, W. \u003Cstrong>The Structure and Dynamic of Theories\u003C/strong>. New York: Springer-Verlag, 1976.\u003C/p>",{"id":196,"label":197},"ed2d76f1-23bf-4455-b9c6-8179bc71520c","\u003Cp>SIMON, H. \u003Cstrong>The sciences of the artificial\u003C/strong>. 3. ed. Cambridge: The MIT Press, 1996.\u003C/p>",{"id":199,"label":200},"b1ce2060-14c7-4c16-8abf-c5f307ac0f8e","\u003Cp>WITTGENSTEIN, L. \u003Cstrong>Tractatus logico-philosophicus\u003C/strong>. trad. J. A. Gianotti. São Paulo: Companhia Editora Nacional, 1968.\u003C/p>",163,"yovc67lk","10.5151/ped2018-1","2025-12-27T20:44:01-03:00",[206,207],{"designation":7,"lastName":6,"name":8,"url":7,"_id":10,"email":11,"role":7,"filiation":13},{"designation":7,"filiation":13,"lastName":110,"email":108,"description":208,"name":116,"lastmodified":209,"role":7,"slugs":210,"_id":105,"id":7,"path":107,"objectID":105,"createDate":211,"url":7},{},1765944275495,[113,114],"2025-12-17T04:04:35.495Z",[10,105],1,[215],"design-thinking-nature-and-artifice-a-few-epistemological-considerations",{"parent":19,"metaData":217,"updateDate":12,"data":219,"langs":228,"_id":229,"contributors":230,"contributorsIds":247,"type":32,"typeData":248,"status":100,"download":326,"slugs":327,"slug":328},{"updateDate":7,"createDate":218,"deleteDate":7},1765945535,{"secondary":220,"primary":224},{"keywords":221,"excerpt":222,"title":223},"\u003Cp>William Morris, Pleasure, Labor\u003C/p>","William Morris, central figure for design history, argued that art was the expression of a worker's pleasure in labor, whatever that labor was. Such proposition was inspired by the writings of English art critic John Ruskin, but it took on particular interpretation and meaning in the work of Morris. This article examines how the understanding of pleasure in labor was manifested in the designer's thinking, seeking to comprehend its profusion of meanings, but also its contradictions. Morris' assertion can only be grasped if looked through notions that come before it, such as his connection with Ruskin's work and his socialist affiliation. For this reason, the present article proposes to contextualize Morris' political and artistic experience (both theoretical and practical), which will lead to an in-depth perception of his thoughts on pleasure in labor.","Pleasure as an Artistic Medium as Understood By William Morris",{"keywords":225,"excerpt":226,"title":227},"\u003Cp>William Morris, Prazer, Trabalho\u003C/p>","William Morris, figura central na história do design, defendia que a arte seria a expressão do prazer do trabalhador no trabalho – qualquer que fosse tal trabalho. A ideia foi inspirada no pensamento do crítico de arte inglês John Ruskin, porém ganhou interpretação e significado próprios no trabalho de Morris. Este artigo investiga de que maneira a ideia de prazer no trabalho manifestou-se no pensamento do designer, buscando entender seus vários significados e, também, contradições. Tal proposição de Morris só pode ser compreendida a partir de noções anteriores a ela, como sua ligação com o trabalho de Ruskin e sua filiação socialista. Por isso, o artigo propõe contextualizar a experiência (teórica e prática) política e artística de Morris para construir um entendimento sobre sua visão de prazer no trabalho.","O Prazer como Instrumento Artístico em William Morris",[29,30],"dddd5fa8-1186-4dc0-8453-9da9b21201fa",[231,243],{"id":7,"name":232,"lastName":233,"email":234,"designation":7,"description":235,"role":7,"_id":236,"createDate":237,"filiation":13,"slugs":238,"url":7,"path":241,"lastmodified":242,"objectID":236},"Valter","Costa","vsousa@esdi.uerj.br",{},"ea96a4ee-b973-4592-8a0a-b1ee841cc00e","2025-12-17T04:25:35.035Z",[239,240],"valter-costa","costa-valter","people/ea96a4ee-b973-4592-8a0a-b1ee841cc00e",1765945535035,{"id":7,"name":8,"lastName":6,"email":11,"designation":7,"description":244,"role":7,"_id":10,"createDate":237,"filiation":13,"slugs":245,"url":7,"path":246,"lastmodified":242,"objectID":10},{},[15,16],"people/5131d055-e04a-43aa-b662-6cf3703e0be3",[236,10],{"startPage":249,"file":250,"references":253,"endPage":323,"track":324,"doi":325},1165,{"fullpath":251,"name":252},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-o-prazer-como-instrumento-artstico-em-william-morris-37955.pdf","download-pdf-o-prazer-como-instrumento-artstico-em-william-morris-37955.pdf",[254,257,260,263,266,269,272,275,278,281,284,287,290,293,296,299,302,305,308,311,314,317,320],{"id":255,"label":256},"c20ce0d0-1788-44fe-a478-8425cc440f75","\u003Cp>ARAÚJO, R. B. A concepção do trabalho na utopia libertária de William Morris. \u003Cstrong>Emblemas – Revista do Departamento de História e Ciências Sociais\u003C/strong>, Catalão, v. 11, n. 1, p. 25-38, mai. 2015.\u003C/p>",{"id":258,"label":259},"a5caa5db-4c91-446d-aaab-abc2427775f6","\u003Cp>CASEMENT, W. William Morris on Labour and Pleasure. \u003Cstrong>Social Theory and Practice\u003C/strong>, Florida, v. 12, n. 3, p. 351-382, mar. – jun. 1986.\u003C/p>",{"id":261,"label":262},"e40fc0b0-615e-4066-ba05-6cf07fdf7ea9","\u003Cp>COLE, G. \u003Cstrong>Socialist Thought: Marxism and Anarchism\u003C/strong>. London: Macmillan & Co, 1954.\u003C/p>",{"id":264,"label":265},"c55e8dd0-eb86-41d7-8653-3ca8e42c5c24","\u003Cp>KINNA, R. William Morris: Art, Work, and Leisure. \u003Cstrong>Journal of the History of Ideas\u003C/strong>, Pennsylvania, v. 61, n. 3, p. 493-512, jul. de 2000.\u003C/p>",{"id":267,"label":268},"3924ea90-ae8f-48a7-8749-cc6e129b081b","\u003Cp>MACCARTHY, F. \u003Cstrong>William Morris\u003C/strong>. London: Faber & Faber, 1994.\u003C/p>",{"id":270,"label":271},"d9701d0c-ce40-4a67-a809-ee6963264e20","\u003Cp>MANIFESTO of the Socialist League, The. \u003Cstrong>The Commonweal\u003C/strong>, London, v. 1, n. 1, fev. de 1885. Disponível em: \u003Chttps://archive.org/details/0544678.0001.001.umich.edu/page/n3/mode/2up>. Acesso em: 02 de abr. de 2022.\u003C/p>",{"id":273,"label":274},"c63e22e3-3bae-46b1-8964-857f575ff972","\u003Cp>Marx, R. \u003Cstrong>L'Art social\u003C/strong>. Paris: Eugène Fasquelle, 1913.\u003C/p>",{"id":276,"label":277},"b064badc-4cfb-4b65-8e6e-23d70a8a5b5a","\u003Cp>MORRIS, W.; BAX, E. \u003Cstrong>Socialism: Its Growth and Outcome\u003C/strong>. London: Swan Sonnenschein, 1893.\u003C/p>",{"id":279,"label":280},"32df508e-13fd-4f75-a96b-fa40b71a7ca0","\u003Cp>MORRIS, W. Preface. In: RUSKIN, John. \u003Cstrong>The Nature of Gothic, a Chapter of the Stones of Venice\u003C/strong>. London: Kelmscott Press, 1892, pp. I-V.\u003C/p>",{"id":282,"label":283},"6536c4dc-19a8-4f26-a976-602eacdfb951","\u003Cp>________. \u003Cstrong>Factory Work: As It Is and Might Be\u003C/strong>. New York: New York Labour News Co, 1922.\u003C/p>",{"id":285,"label":286},"84943156-a57d-4552-af81-0f0bd9fd42d3","\u003Cp>________. How I Became a Socialist. In: MORRIS, W. \u003Cstrong>Selected Writings and Designs\u003C/strong>. Middlesex: Penguin Books, 1962a, pp. 33-37.\u003C/p>",{"id":288,"label":289},"b18bc0cf-abec-44e8-b57f-eeb86cd19f94","\u003Cp>________. Art and the Future. In: MORRIS, W. \u003Cstrong>Selected Writings and Designs\u003C/strong>. Middlesex: Penguin Books, 1962b, pp. 143-145.\u003C/p>",{"id":291,"label":292},"00618852-2f9f-4b85-854d-89927881675f","\u003Cp>________. The Workers Share of Art. In: MORRIS, W. \u003Cstrong>Selected Writings and Designs\u003C/strong>. Middlesex: Penguin Books, 1962c, pp. 140-143.\u003C/p>",{"id":294,"label":295},"20951cc4-7c2d-4f63-9a54-3415c069def9","\u003Cp>________. Useful Work v. Useful Toil. In: MORRIS, W. \u003Cstrong>Useful Work v. Useful Toil\u003C/strong>. London: Penguin Books, 2008a, n.p.\u003C/p>",{"id":297,"label":298},"da33ea2f-ebb8-48ff-917e-c6fc0d581d5f","\u003Cp>________. The Lesser Arts. In: MORRIS, W. \u003Cstrong>Useful Work v. Useful Toil\u003C/strong>. London: Penguin Books, 2008b, n.p.\u003C/p>",{"id":300,"label":301},"8c8ea6d9-e2bf-4eaf-9ce6-7551df41707c","\u003Cp>________. Art and Socialism. In: MORRIS, W. \u003Cstrong>The Collected Works of William Morris\u003C/strong>. Cambridge: Cambridge University Press, 2012a, pp. 192-214.\u003C/p>",{"id":303,"label":304},"3febf07e-d719-4f0d-adb6-b602dce60db2","\u003Cp>________. The Socialist Ideal. In: MORRIS, W. \u003Cstrong>The Collected Works of William Morris\u003C/strong>. Cambridge: Cambridge University Press, 2012b, pp. 255-263.\u003C/p>",{"id":306,"label":307},"40790980-69c9-4339-a19f-3d0b7b2996aa","\u003Cp>________. \u003Cstrong>Art Under Plutocracy\u003C/strong>. Glasgow: Good Press, 2020a.\u003C/p>",{"id":309,"label":310},"43d40ef6-64f9-42b6-9988-fc77a6731fe0","\u003Cp>________. How We Live and How We Might Live. In: MORRIS, W. \u003Cstrong>How I became a socialist\u003C/strong>. London: Verso Books, 2020b.\u003C/p>",{"id":312,"label":313},"a802ebcc-eb76-49c7-8e7d-4e171abad5fb","\u003Cp>________. Correspondence on Communism and Anarchism. In: MORRIS, W. \u003Cstrong>How I became a socialist\u003C/strong>. London: Verso Books, 2020c.\u003C/p>",{"id":315,"label":316},"3ae482b8-2ff6-466b-bff6-2726de845cf9","\u003Cp>PEVSNER, N. \u003Cstrong>Pioneers of Modern Design: From William Morris to Walter Gropius\u003C/strong>. London: Pelican, 1977.\u003C/p>",{"id":318,"label":319},"bc39e64e-0ed3-4f3d-961d-4e647e2e4fe2","\u003Cp>RUSKIN, John. \u003Cstrong>The Nature of Gothic, a Chapter of the Stones of Venice\u003C/strong>. London: Kelmscott Press, 1892.\u003C/p>",{"id":321,"label":322},"07ea1b81-9820-43f6-b751-6a739111394f","\u003Cp>THOMPSON, E. P. \u003Cstrong>William Morris: Romantic to Revolutionary\u003C/strong>. Oakland: The Merlin Press Ltd, 2011.\u003C/p>",1176,"51btsil","10.5151/ped2022-6844898",3,[328],"o-prazer-como-instrumento-artistico-em-william-morris",{"parent":330,"metaData":331,"data":333,"langs":342,"_id":343,"type":32,"typeData":344,"status":100,"updateDate":204,"contributors":401,"contributorsIds":426,"download":213,"slugs":427,"slug":428},"1ab1f6ea-e043-44d8-a7ab-1bd0d96c1c82",{"updateDate":7,"createDate":332,"deleteDate":7},1765946939,{"secondary":334,"primary":338},{"keywords":335,"excerpt":336,"title":337},"\u003Cp>Design and public policies, Military communication, Urban warfare, Content analysis, Instagram\u003C/p>","This work presents a study over Bope's (Special Operations Battalion) profile on Instagram, one well-known Military Police unity from Rio de Janeiro. As many commercial and institutional profiles, Bope has its own profile on this social media named @bope.oficial. What is desired with this study is to understand how the platform usage affects this group's action and the different relations with its followers. Applying Laurence Bardin's methodology, 200 posts made around the first semester of 2024 were observed. Then, 21 different themes were identified along their respective average number of likes, comments, and image contents. Comparing results with others police and military profiles, it was possible to point out similarities and differences in the platform","\"anonymous Heroes\" Under the Spotlights: A Content Analysis of Bope's Official Instagram Profile",{"keywords":339,"excerpt":340,"title":341},"\u003Cp>Design e políticas públicas, Comunicação militar, Guerra urbana, Análise de conteúdo, Instagram\u003C/p>","Este trabalho apresenta um estudo sobre o perfil no Instagram do Batalhão de Operações Especiais (Bope), uma conhecida unidade da Polícia Militar do Rio de Janeiro. Como muitos perfis comerciais e institucionais, o Bope possui seu próprio perfil na rede, o @bope.oficial. O objetivo deste estudo é compreender como o uso da plataforma afeta a atuação do grupo, e as diferentes relações com seus seguidores. Utilizando a metodologia de Laurence Bardin, foram observados 200 posts publicados no primeiro semestre do ano de 2024. Neles foram identificados 21 temas e suas respectivas médias de curtidas, comentários e o conteúdo de suas imagens. Comparando os resultados com outros perfis policiais e militares, foram apontadas semelhanças e diferenças no uso da plataforma.","\"heróis Anônimos\" Sob os Holofotes: Uma Análise de Conteúdo do Perfil Oficial do Bope no Instagram",[29,30],"e0b80c7f-7460-47ce-a94f-dab35bd2ab17",{"startPage":345,"file":346,"references":349,"endPage":398,"track":399,"doi":400},6407,{"fullpath":347,"name":348},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2F16403_9976.pdf","16403_9976.pdf",[350,353,356,359,362,365,368,371,374,377,380,383,386,389,392,395],{"id":351,"label":352},"b7275fac-251c-4d16-bd8e-c05c96ff4d9b","\u003Cp>ENTENDA a curta história do Instagram, comprado pelo Facebook. In: \u003Cstrong>G1\u003C/strong>, São Paulo, 10 abr. 2012.\u003C/p>",{"id":354,"label":355},"3957d14b-e689-4e0e-9437-d41c54dd0269","\u003Cp>BARROS, Matheus. Instagram completa 12 anos; relembre a história da rede social. In: \u003Cstrong>Olhar Digital\u003C/strong>, 6 out. 2022.\u003C/p>",{"id":357,"label":358},"a8b43a24-bc5e-4d36-abdb-2504e7848edb","\u003Cp>BARDIN. L. \u003Cstrong>Análise de conteúdo\u003C/strong>. Lisboa: Editora Edições 70, 1977.\u003C/p>",{"id":360,"label":361},"1356db92-ac80-4368-8969-ecad16e1f95a","\u003Cp>WALBY, Kevin; WILKINSON, Blair. The visual politics of public police Instagram use in Canada. In: \u003Cstrong>New Media & Society\u003C/strong>, 2023, v.25, n.5.\u003C/p>",{"id":363,"label":364},"f2cfd0bf-5325-418b-b2f5-11cd3e5c9bcf","\u003Cp>PRABOWO, Tyan Ludiana. Effect of Instagram Post on Legitimacy and Reputation of Indonesian National Police. In: \u003Cstrong>Ultimacomm\u003C/strong>, 2021, v.13, n.2, 13(2), pp. 318-342.\u003C/p>",{"id":366,"label":367},"6da76fe9-39c7-48d2-a21f-2419112bacf8","\u003Cp>SJÖBERG, Jens; CASSINGER, Cecilia; GAMBARATO, Renira Rampazzo. Communicating a sense of safety: the public experience of Swedish Police Instagram communication. In: \u003Cstrong>Journal of Communication Management\u003C/strong>, 2023, volume ainda não publicado.\u003C/p>",{"id":369,"label":370},"b8a492f8-edbd-4fa6-b80c-bef3610d19f1","\u003Cp>BATAGHIN, Fernando Antônio; COSTA, Marcela Avelina Bataghin; NUNES, William Caetano Carlos. Instragram Marketing: Alavancando as vendas em tempos de Pandemia. In: \u003Cstrong>Revista Acadêmica - Ensino de Ciências e Tecnologia\u003C/strong>. Cubatão: IFSP, 2020, n.7.\u003C/p>",{"id":372,"label":373},"79c012cf-52a9-4bf8-ab68-7491da064c54","\u003Cp>LÓPEZ-RODRÍGUEZ, Guillermo. Determinants of users' engagement with official military Instagram accounts. In: \u003Cstrong>Revista Más Poder Local\u003C/strong>. Múrcia: out. 2023, n. 54, pp. 58-74.\u003C/p>",{"id":375,"label":376},"a6ec4e5f-43cb-4e1c-8bf2-09d086a91dc3","\u003Cp>UM MÊS de enchentes no RS: Veja a cronologia do desastre. In: \u003Cstrong>G1\u003C/strong>, Porto Alegre, 29 mai. 2024.\u003C/p>",{"id":378,"label":379},"d6602dc4-3291-4ad7-9cb5-9d2f79be47f4","\u003Cp>TEO, Li Xin; LENG, Ho Keat; PHUA, Yi Xian Phillip. Marketing on Instagram: Social influence and image quality on perception of quality and purchase intention. In: \u003Cstrong>International Journal of Sports Marketing and Sponsorship\u003C/strong>. Bingley: Emerald Publishing Limited, 2019, v. 20 n. 2.\u003C/p>",{"id":381,"label":382},"e437109f-0a29-45b5-840b-27aaa913dd48","\u003Cp>PRIMASIWI, Claudia; IRAWAN, M. Isa; AMBARWATI, Rita. Key Performance Indicators for Influencer Marketing on Instagram. In: \u003Cstrong>Advances in Economics, Business and Management Research\u003C/strong>. Amsterdã: Atlantis Press, 2021, v. 175.\u003C/p>",{"id":384,"label":385},"aad7c1bc-a88e-4379-99f1-554ec05d8033","\u003Cp>MEMORIAL com nomes dos 28 mortos em operação no Jacarezinho é derrubado pela polícia, que cita 'apologia ao tráfico'. In: \u003Cstrong>G1\u003C/strong>, Rio de Janeiro, 11 mai. 2022.\u003C/p>",{"id":387,"label":388},"af632c93-5157-4eec-b567-e780676e0173","\u003Cp>DP CONFIRMA 19 mortos, 9 feridos e 4 presos no Alemão. In: \u003Cstrong>G1\u003C/strong>, Rio de Janeiro, 28 jun. 2007.\u003C/p>",{"id":390,"label":391},"e068658e-7e17-4e3b-a3e8-0901fc59f09c","\u003Cp>TORRES, Ana Carolina. Atirador do Bope mata sequestrador de ônibus na Ponte Rio-Niterói após mais de 3h de cerco. In: \u003Cstrong>O Globo\u003C/strong>, Rio de Janeiro, 20 ago. 2019.\u003C/p>",{"id":393,"label":394},"4149cc6f-c69c-4c39-93a8-a92ad1916ce0","\u003Cp>COSTA, Ana Cláudia; CÁSSIA, Cristiane; GOMES, Marcelo; BRITO, Carlos. Megaoperação no Alemão deixa 19 mortos. In: \u003Cstrong>Extra\u003C/strong>, 27 jun. 2007.\u003C/p>",{"id":396,"label":397},"061a9076-07c4-46af-b7ed-4883305973d5","\u003Cp>FILHO, José Rodrigues Alvarenga. A \"Chacina do Pan\" e a produção de vidas descartáveis. In: \u003Cstrong>Fractal: Revista de Psicologia\u003C/strong>, v. 28, n. 1, p. 111-117, jan.-abr. 2016.\u003C/p>",6430,"3x8ny158","https://doi.org/10.29327/5457226.1-252",[402,415,416],{"id":7,"objectID":403,"role":7,"description":404,"designation":7,"lastName":405,"url":7,"path":406,"createDate":407,"lastmodified":408,"_id":403,"name":409,"filiation":410,"slugs":411,"email":414},"30eedf27-c75c-407b-835b-70c2bdaebbb8",{},"Silva","people/30eedf27-c75c-407b-835b-70c2bdaebbb8","2025-12-17T04:48:59.769Z",1765946939769,"Laura Gadelha","Universidade do Estado do Rio de Janeiro",[412,413],"laura-gadelha-silva","silva-laura-gadelha","laura.gadelha.silva@gmail.com",{"designation":7,"_id":10,"filiation":13,"role":7,"email":11,"lastName":6,"name":8,"url":7},{"createDate":407,"url":7,"description":417,"lastName":418,"designation":7,"_id":419,"lastmodified":408,"slugs":420,"filiation":410,"path":423,"name":424,"id":7,"objectID":419,"role":7,"email":425},{},"Soares","9cc45bdd-554e-4df0-8707-e1a9bdab300d",[421,422],"flavia-menezes-cunha-soares","soares-flavia-menezes-cunha","people/9cc45bdd-554e-4df0-8707-e1a9bdab300d","Flávia Menezes Cunha","flaviasoares7@gmail.com",[403,10,419],[428],"anonymous-heroes-under-the-spotlights-a-content-analysis-of-bopes-official-instagram-profile",{"target":430,"query":431},"people/get",{"id":10,"articles":432},"true",1780316098786]