[{"data":1,"prerenderedAt":108},["ShallowReactive",2],{"person-4bda9ada-0e78-4c9e-849b-ab5efb6472ce":3},{"success":4,"person":5,"request":104},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":11,"id":12,"email":13,"url":14,"createDate":15,"filiation":14,"slugs":16,"articles":19},"Azevedo","author","Rafael de","Centro Universitário Senac","4bda9ada-0e78-4c9e-849b-ab5efb6472ce","bacharel",null,"rafael.de.azevedo@gmail.com.br","","2025-04-08T11:01:46+00:00",[17,18],"rafael_de_azevedo","azevedo_rafael_de",[20],{"pageRange":12,"parent":21,"updateDate":22,"data":23,"trackId":32,"type":33,"typeData":34,"metaData":74,"langs":76,"_id":79,"contributors":80,"contributorsIds":99,"createDate":86,"status":100,"download":101,"slugs":102,"slug":103},"f43247ba-af93-4a8a-898e-651ef65d9bd2","2025-12-28T09:03:51-03:00",{"secondary":24,"primary":28},{"keywords":25,"excerpt":26,"title":27},"\u003Cp>procedure, sign, structure\u003C/p>","\u003Cp>This article discusses aesthetic productions of distinct time and modalities (poetry, sculpture, cinema), comprehending them as a means of application and constitution of procedures through the possibilities offered by the character of each of these modalities (its structure). From this task we hope to begin a process of understanding the nature of structures in the aesthetic doing, so as to raise questionings on the thinking and practice of contemporary design.\u003C/p>","\u003Cp>On Procedure as Sign\u003C/p>",{"keywords":29,"excerpt":30,"title":31},"\u003Cp>procedimento, signo, estrutura\u003C/p>","\u003Cp>Este artigo comenta produções estéticas de tempos e modalidades distintos (poesia, escultura, cinema), compreendendo-as como campos de aplicação e constituição de procedimentos através das possibilidades oferecidas pelo caráter de cada uma destas modalidades (sua estrutura). A partir desta tarefa esperamos dar início a um processo de aprendizado acerca da natureza das estruturas no fazer estético, de forma a suscitar questionamentos sobre a reflexão e a prática contemporâneas no campo do design.\u003C/p>","\u003Cp>Do Procedimento como Signo\u003C/p>","y9g4z78z","article",{"startPage":35,"file":36,"references":39,"endPage":73,"track":32,"doi":14},"4202",{"fullpath":37,"name":38},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fy9g4z78z-1766923431-4202-4205.pdf","y9g4z78z-1766923431-4202-4205.pdf",[40,43,46,49,52,55,58,61,64,67,70],{"label":41,"id":42},"ARGAN, G. C. \u003Cstrong>Arte Moderna\u003C/strong>. São Paulo: Companhia das Letras, 1992.","a3c67de3-8131-4f25-a350-60b6a7155c4a",{"label":44,"id":45},"idem. \u003Cstrong>Walter Gropius e Bauhaus\u003C/strong>. Rio de Janeiro: José Olympio, 2005 (ed. orig.: Walter Gropius e la Bauhaus. Turim: Giulio Einaudi, 1951).","40e1e96f-f08e-40ca-a6fc-fa2c1258562d",{"label":47,"id":48},"(a) CAMPOS, A. de; CAMPOS, H. de; PIGNATARI, D. \u003Cstrong>Mallarmé\u003C/strong>. São Paulo: Perspectiva, 2006.","b48887c7-558f-42e2-b249-4027f3cedb14",{"label":50,"id":51},"(b) idem. \u003Cstrong>Teoria da Poesia Concreta\u003C/strong>: textos críticos e manifestos 1950-60. São Paulo: Ateliê Editorial, 2006 (ed. orig.: Edições Invenção, 1965).","1589b410-1bf4-46fa-ad55-49d0d84a7370",{"label":53,"id":54},"CAMPOS, H. de. \u003Cstrong>A Arte no Horizonte do Provável\u003C/strong>. São Paulo: Perspectiva, 1977.","577db697-8aab-4aaa-b4b6-9751b0101f6c",{"label":56,"id":57},"idem (org.). \u003Cstrong>Ideograma\u003C/strong> – Lógica, Poesia, Linguagem. São Paulo: Edusp, 2000 (1ª ed. 1977).","62e3df26-5e53-442a-b7e9-0b96a606b6de",{"label":59,"id":60},"ECO, U. \u003Cstrong>Obra aberta\u003C/strong>. São Paulo: Perspectiva, 2007 (ed. orig.: Opera Aperta, Milano, 1958).","1a85d63e-d4cf-4a16-b5e2-f573d9a05e85",{"label":62,"id":63},"EISENSTEIN, S. O Princípio Cinematográfico e o Ideograma in CAMPOS, H. de (org.). \u003Cstrong>Ideograma\u003C/strong> – Lógica, Poesia, Linguagem. São Paulo: Edusp, 2000 (publ. orig. em KAUFMAN, N. Cinema Japonês. Moscou, 1929 apud cit.).","98e08a52-cdd1-45ba-84f3-ccfad4bf2a12",{"label":65,"id":66},"idem. \u003Cstrong>A Forma do Filme\u003C/strong>. Rio de Janeiro: Jorge Zahar, 2002 (ed. orig.: Film Form, 1949).","f950d317-8956-45a6-a273-d02fd6b076f2",{"label":68,"id":69},"MOHOLY-NAGY, László. \u003Cstrong>Do material à Arquitetura\u003C/strong>. Barcelona: Gustavo Gili, 2005 (ed. orig.: Von Material Zu Architektur, Köthen, 1929).","31b4f480-e6b8-4ef5-a3f1-0e54e03dceee",{"label":71,"id":72},"RICKEY, George. \u003Cstrong>Construtivismo\u003C/strong>. São Paulo: Cosac Naify, 2003 (ed. orig.: Constructivism, 1967).","ff30341c-c9db-4552-8b7f-d9a2600c23ac","4205",{"updateDate":14,"createDate":75,"deleteDate":14},1766923431,[77,78],"primary","secondary","b01b7bd0-4618-4dce-a025-ea506d7afb47",[81,89],{"objectID":10,"url":14,"filiation":9,"id":14,"name":8,"lastmodified":82,"role":14,"email":13,"slugs":83,"createDate":86,"description":87,"path":88,"_id":10,"designation":14,"lastName":6},1766923431771,[84,85],"rafael-de-azevedo","azevedo-rafael-de","2025-12-28T12:03:51.771Z",{},"people/4bda9ada-0e78-4c9e-849b-ab5efb6472ce",{"name":90,"role":14,"designation":14,"email":91,"description":92,"_id":93,"path":94,"createDate":86,"id":14,"filiation":9,"slugs":95,"lastmodified":82,"lastName":98,"url":14,"objectID":93},"Myrna de Arruda","myrna.a@terra.com.br",{},"9643ce3f-15c2-4538-8bdc-f5554f5ecd43","people/9643ce3f-15c2-4538-8bdc-f5554f5ecd43",[96,97],"myrna-de-arruda-nascimento","nascimento-myrna-de-arruda","Nascimento",[10,93],"enabled",1,[103],"on-procedure-as-sign",{"target":105,"query":106},"people/get",{"id":10,"articles":107},"true",1780316095512]