[{"data":1,"prerenderedAt":585},["ShallowReactive",2],{"person-27557a44-5de4-43ac-a4ee-55a6b36a9c0e":3},{"success":4,"person":5,"request":581},true,{"lastName":6,"role":7,"name":8,"description":9,"_id":10,"designation":7,"id":7,"email":7,"url":7,"createDate":11,"filiation":7,"slugs":12,"articles":15},"Sehn","","Thaís Cristina Martino",{},"27557a44-5de4-43ac-a4ee-55a6b36a9c0e","2025-12-27T23:20:42-03:00",[13,14],"thais-cristina-martino-sehn","sehn-thais-cristina-martino",[16,144,336,448,543],{"pageRange":17,"parent":18,"data":19,"trackId":28,"type":29,"typeData":30,"metaData":85,"langs":87,"_id":90,"status":91,"updateDate":92,"contributors":93,"contributorsIds":140,"download":141,"slugs":142,"slug":143},null,"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",{"secondary":20,"primary":24},{"keywords":21,"excerpt":22,"title":23},"\u003Cp>graphic memory, design, Almanach de Pelotas, the nineteenth century\u003C/p>","This article discuss the development of the study “Pelotas Graphics Memory: a century of design”, addressing the delimitation of the object and more specifically the analysis of advertisements present in the Almanach de Pelotas from the year 1913 to 1920, thereby targeting to draw the development of the professional field of design in the city of Pelotas / RS in a period prior to institution of the term and the teaching of it in Brazil.","Pelotas’ Graphic Memory: An Analysis Methodology",{"keywords":25,"excerpt":26,"title":27},"\u003Cp>memória gráfica, design, Almanach de Pelotas, século XIX\u003C/p>","Este artigo trata sobre o desenvolvimento da pesquisa “Memória Gráfica de Pelotas: um século de design”, abordando a delimitação do objeto e mais especificamente a análise dos anúncios presentes no Almanach de Pelotas do ano de 1913 a 1920, almejando, desta forma, desenhar o desenvolvimento do campo profissional do design na cidade de Pelotas/RS em um período anterior à instituição do termo e do ensino do mesmo no Brasil.","Memória Gráfica de Pelotas: Uma Metodologia de Análise","czb3v6h1","article",{"startPage":31,"file":32,"references":35,"endPage":84,"track":28,"doi":7},3333,{"fullpath":33,"name":34},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fczb3v6h1-1766861337-3333-3343.pdf","czb3v6h1-1766861337-3333-3343.pdf",[36,39,42,45,48,51,54,57,60,63,66,69,72,75,78,81],{"label":37,"id":38},"\u003Cp>CARDOSO, Rafael. \u003Cstrong>O Design Gráfico Brasileiro antes do Design\u003C/strong>. Ed. CosacNaify, São Paulo, 2005.\u003C/p>","c56581b9-f141-462c-85c8-f57105b1b269",{"id":40,"label":41},"11bdaa74-65a4-4b43-893c-710fbd735c6d","\u003Cp>CARDOSO, Rafael. \u003Cstrong>Uma introdução à História do design\u003C/strong>. São Paulo: Edgard Blücher, 2008.\u003C/p>",{"label":43,"id":44},"\u003Cp>GASTAUD, Carla. SILVA, Fernanda Oliveira da. \u003Cstrong>Dicionário de História de Pelotas\u003C/strong>. Beatriz Ana Loner, Lorena Almeida Gill, Mario Osório Magalhães (organizadores). Pelotas: Ed. da Ufpel, 2010.\u003C/p>","c646739e-6f0d-4133-914d-64f31dc20d09",{"label":46,"id":47},"\u003Cp>LESCHKO, Nadia Miranda. \u003Cstrong>Inventário para a Memória da Indústria Gráfica em Pelotas - 1920\u003C/strong>. Dissertação (Mestrado em Memória Social e Patrimônio Cultural) – Universidade Federal de Pelotas, Pelotas, 2011.\u003C/p>","5abf3f08-e36a-40db-9eda-616161ddaccf",{"label":49,"id":50},"\u003Cp>LIMA, Paula Garcia. \u003Cstrong>Estudo da memória e do conceito de design através das peças gráficas e fotografias do Parque Souza Soares (Pelotas, 1900-1930)\u003C/strong>. Dissertação (Mestrado em Memória Social e Patrimônio Cultural) – Universidade Federal de Pelotas, Pelotas, 2010.\u003C/p>","10489e20-9546-4297-aa59-bc81ad910b14",{"label":52,"id":53},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>, Pelotas: Livraria do Globo, 1928\u003C/p>","a1f46c4f-6c91-43cf-8530-5aa270e1ac11",{"id":55,"label":56},"f0c1cf9a-3e32-4b6a-bd50-0a38b251a7d9","\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1913\u003C/p>",{"label":58,"id":59},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1914\u003C/p>","b7f15bf3-bbf8-4f24-961d-9c6f06c4e59e",{"id":61,"label":62},"b39abc34-6108-44b0-8bff-3db5c845c8ea","\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1915\u003C/p>",{"label":64,"id":65},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1916\u003C/p>","55082e05-d063-4ae5-8e35-93b4c05ae4ed",{"label":67,"id":68},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1917\u003C/p>","5a8b2982-89a8-4e35-bf18-b1268360bc51",{"label":70,"id":71},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1918\u003C/p>","f62e8adb-1b6e-4587-9c43-d1df20cd0cff",{"label":73,"id":74},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1919\u003C/p>","a79c50e5-2cab-4505-9741-10bf4ed50816",{"label":76,"id":77},"\u003Cp>PARADEDA, Florentino. \u003Cstrong>Almanach de Pelotas\u003C/strong>. Pelotas: Officinas Typographicas do Diário Popular, 1920\u003C/p>","d06275fc-9b88-4637-b2b2-1d952a101ad1",{"label":79,"id":80},"\u003Cp>PROWN, Jules David. The truth of material culture: history or fiction?. In: LUBAR, Steven; KINGERY, David W. (orgs.). \u003Cstrong>The history from things\u003C/strong>: essays on material culture. Washington: Smithsonian Institution, 1993. p.1-19.\u003C/p>","86337c14-ea59-434b-a3a1-cf5b33f44586",{"label":82,"id":83},"\u003Cp>VILLAS-BOAS, André. \u003Cstrong>O que é e o que nunca foi design gráfico\u003C/strong>. Ria de Janeiro:2AB, 2000.\u003C/p>","dfcd7283-59b3-43d4-823f-4513e4bfb393",3343,{"updateDate":7,"createDate":86,"deleteDate":7},1766861337,[88,89],"primary","secondary","1d6a80b1-25ff-47a3-a9ec-e29ad9a7de07","enabled","2025-12-28T20:25:15-03:00",[94,95,108,119,130],{"email":7,"designation":7,"filiation":7,"lastName":6,"name":8,"url":7,"_id":10,"role":7},{"objectID":96,"role":7,"lastmodified":97,"path":98,"url":7,"id":7,"description":99,"lastName":100,"designation":7,"createDate":101,"slugs":102,"filiation":105,"email":106,"name":107,"_id":96},"05263236-1136-4aa4-b4b8-2f8acc252c3d",1766861337313,"people/05263236-1136-4aa4-b4b8-2f8acc252c3d",{},"Lima","2025-12-27T18:48:57.313Z",[103,104],"paula-garcia-lima","lima-paula-garcia","Mestre em Memória Social e Patrimônio Cultural; Universidade Federal de Pelotas","paulaglima@gmail.com","Paula Garcia",{"lastName":109,"lastmodified":97,"path":110,"url":7,"email":111,"id":7,"_id":112,"description":113,"slugs":114,"filiation":117,"designation":7,"createDate":101,"role":7,"objectID":112,"name":118},"Leschko","people/8049efa8-3afe-45cf-8ea6-86ce749e6f31","nadia.projeto@gmail.com","8049efa8-3afe-45cf-8ea6-86ce749e6f31",{},[115,116],"nadia-miranda-leschko","leschko-nadia-miranda","Doutoranda em Design, Pontifícia Universidade Católica do Rio de Janeiro PUC-RIO; Mestre em Memória Social e Patrimônio Cultural, Universidade Federal de Pelotas UFPel","Nadia Miranda",{"description":120,"createDate":101,"filiation":121,"objectID":122,"email":123,"_id":122,"id":7,"designation":7,"lastName":124,"name":125,"lastmodified":97,"slugs":126,"path":129,"url":7,"role":7},{},"Graduando em Design Gráfico, Universidade Federal de Pelotas","a333fdde-c032-474e-b7cc-ec003bcbc3fb","lucaspergrafico@gmail.com","Pereira","Lucas Pessoa",[127,128],"lucas-pessoa-pereira","pereira-lucas-pessoa","people/a333fdde-c032-474e-b7cc-ec003bcbc3fb",{"_id":131,"path":132,"createDate":101,"lastName":133,"url":7,"name":134,"email":135,"lastmodified":97,"filiation":121,"objectID":131,"description":136,"role":7,"id":7,"slugs":137,"designation":7},"781a04a2-bae9-4e18-b33d-caa9e5d14523","people/781a04a2-bae9-4e18-b33d-caa9e5d14523","Gonçalves","Yasmin Pormann","yasminpormann@hotmail.com",{},[138,139],"yasmin-pormann-goncalves","goncalves-yasmin-pormann",[10,96,112,122,131],3,[143],"pelotas-graphic-memory-an-analysis-methodology",{"parent":145,"metaData":146,"data":148,"langs":157,"_id":158,"type":29,"typeData":159,"status":91,"updateDate":92,"contributors":294,"contributorsIds":332,"download":333,"slugs":334,"slug":335},"f1f23d35-203a-4494-b7cd-e41787bada40",{"updateDate":7,"createDate":147,"deleteDate":7},1765945888,{"secondary":149,"primary":153},{"keywords":150,"excerpt":151,"title":152},"\u003Cp>Design, institutional image, definition, DESMOD, higher education\u003C/p>","The objective of this work is to investigate the image of design that is being constructed by higher education institutions in RS. For this reason, we analyzed school programs and the discourse in online portals of three institutions in RS. The analysis was made with the Image Configuration Method (SCHULER, TONI, 2015), based on the Design Module model (DESMOD), in which the design activities navigate among the Human, Arts, Science and Technology dimensions (DOBLIN, 1984). As a result, we perceived that the dimensions of Technology and Science are the most relevant in relation to the composition of school programs, being associated to the design vision as a problem resolution activity; and in the end, although the vision of design outside the academy is more associated to aesthetics, we identified few codes that belonged to this dimension.","The Image of Design By Three Higher Education Institutions in Rio Grande do Sul (rs).",{"keywords":154,"excerpt":155,"title":156},"\u003Cp>Design, imagem institucional, definição, DESMOD, ensino superior\u003C/p>","O objetivo deste trabalho é investigar a imagem do design que está sendo construída em instituições de ensino superior do Rio Grande do Sul (RS). Para isso foram analisadas as grades curriculares e o discurso nos portais on-line de três instituições gaúchas. A análise foi feita com o Método de Configuração de Imagem (SCHULER, TONI, 2015), a partir do modelo chamado de Design Module (DESMOD), no qual as atividades do design navegam entre as dimensões Humana, Arte, Ciência e Tecnologia (DOBLIN, 1984). Como resultado, foi percebido que as dimensões de Tecnologia e Ciência são as mais relevantes em relação à composição das grades curriculares, sendo associadas à visão do design como uma atividade de resolução de problemas; e, por fim, apesar da visão do design fora da academia ser mais associada à estética, foram localizados poucos códigos que pertenciam a essa dimensão.","A Imagem do Design a Partir de Três Instituições de Ensino Superior no Rio Grande de Sul.",[88,89],"47be9648-0c4f-45f6-aff0-5395bf4ad9f0",{"startPage":160,"file":161,"references":164,"endPage":291,"track":292,"doi":293},398,{"fullpath":162,"name":163},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F15_pd_design_2024%2Fdownload-pdf-a-imagem-do-design-a-partir-de-trs-instituies-de-ensino-superior-no-rio-grande-de-sul-29929.pdf","download-pdf-a-imagem-do-design-a-partir-de-trs-instituies-de-ensino-superior-no-rio-grande-de-sul-29929.pdf",[165,168,171,174,177,180,183,186,189,192,195,198,201,204,207,210,213,216,219,222,225,228,231,234,237,240,243,246,249,252,255,258,261,264,267,270,273,276,279,282,285,288],{"id":166,"label":167},"2f5fa99e-68ef-4054-8c44-3a16d42933be","\u003Cp>DOFF, E. V.; STEINKE, I. \u003Cstrong>A companion to qualitative research\u003C/strong> New York, Sage, 2004\u003C/p>",{"id":169,"label":170},"dd74d3c9-625a-49d2-a7ed-ba02e7a4d9cc","\u003Cp>FLUSSER, V. \u003Cstrong>O mundo codificado: por uma filosofia do design e da comunicação\u003C/strong>. São Paulo: Cosac Naify, 2007.\u003C/p>",{"id":172,"label":173},"c166a836-74af-42e2-838d-500995c466b6","\u003Cp>FRIEDMAN, K. Theory construction in design research: criteria. \u003Cstrong>Design Studies\u003C/strong>, [s.l.], v. 24, n. 6, p.507-522, nov. 2003. Elsevier BV.\u003C/p>",{"id":175,"label":176},"75418315-0b55-40c5-87ae-9e59ebf8af18","\u003Cp>FUSCO, R. \u003Cstrong>Design 2029, ipotesi per il prossimo futuro\u003C/strong>. Milano: Franco Angeli, 2012.\u003C/p>",{"id":178,"label":179},"1d79271a-08eb-4c3b-9acc-eb9ffd059f78","\u003Cp>GALLE, P. Design as intentional action: a conceptual analysis. \u003Cstrong>Design Studies\u003C/strong>, [s.l.], v. 20, n. 1, p.57-81, jan. 1999. Elsevier BV\u003C/p>",{"id":181,"label":182},"4a79eee5-f7e2-440f-b17e-8440ea1ecfa1","\u003Cp>GIBBS. G. \u003Cstrong>Análise de dados qualitativos\u003C/strong>. Porto Alegre: Artmed, 2009\u003C/p>",{"id":184,"label":185},"91e61b82-f38f-4cdd-9980-7c8282606789","\u003Cp>HEINRICH, F. O. Design: crítica à noção de metodologia de projeto. Mestrado em Design. Pontifícia Universidade Católica do Rio de Janeiro, Brasil. Orientador: Alberto Cipiniuk. 2013.\u003C/p>",{"id":187,"label":188},"e24a7163-a015-4002-9e16-95e89b64dfcb","\u003Cp>HESKETT, J. \u003Cstrong>Design: A Very Short Introduction\u003C/strong>. Oxford University Press, 2002\u003C/p>",{"id":190,"label":191},"117d9bd5-056f-4fbd-892f-a3b9e1312bdb","\u003Cp>HIRSCHMAN, E.C. Symbolism and technology as sources for the generation of innovations. \u003Cstrong>Adv. Consum. Res.\u003C/strong> 9, 537–541, 1982\u003C/p>",{"id":193,"label":194},"d33ca882-2895-406c-bc2d-bb1300eddc13","\u003Cp>JENNINGS, D.; WOOD, C., Wine achieving competitive advantage through design. \u003Cstrong>International Journal of Wine Marketing\u003C/strong>, v.5, n.1, p 49-60.\u003C/p>",{"id":196,"label":197},"963d53df-8b7c-4243-b228-8d0ccf0311e6","\u003Cp>JOHANSON-SKÖLDBERG, U.; WOODILLA, J.; ÇETINKAYA, M. Design Thinking: Past Present and Possible Futures. \u003Cstrong>Creativity and Innovation Management\u003C/strong>, 2013. V.22, p.121-146.\u003C/p>",{"id":199,"label":200},"42a3a66a-4a39-47e7-bbf0-31c2b172211c","\u003Cp>JORDAN, P.W. \u003Cstrong>Designing Pleasurable products\u003C/strong>. London: Taylor & Francis, 2000\u003C/p>",{"id":202,"label":203},"07c7c33f-822c-4b34-b632-09746924f1c4","\u003Cp>KOKOTOVICH, V.; DORST, K. The art of \"stepping back\": Studying levels of abstraction in a diverse design team. \u003Cstrong>Design Studies\u003C/strong>, 2016. v. 46, p. 79–94.\u003C/p>",{"id":205,"label":206},"01b5d624-7088-40b2-a1d4-a67f16f273aa","\u003Cp>KRIPPENDORFF, K. \u003Cstrong>The semantic turn. A new foundation for design\u003C/strong>. Boca-Raton: Taylor & Francis, 2006.\u003C/p>",{"id":208,"label":209},"02a641ec-4d43-4d24-8fd2-0f8fb765a3c5","\u003Cp>LAHLOU, S.; ABRIC, J.C. What are the \"elements\" of a representation? \u003Cstrong>Papers on social representations\u003C/strong>, 2011. v. 20, p. 20.1-20.10.\u003C/p>",{"id":211,"label":212},"ebe5543d-3b06-48f6-a14b-0e002b917844","\u003Cp>LLOYD, P; SNELDERS, D. What was Philippe Starck thinking of? \u003Cstrong>Design Studies\u003C/strong>, [s.l.], v. 24, n. 3, p.237-253, maio 2003. Elsevier BV.\u003C/p>",{"id":214,"label":215},"4d9e90b8-380b-450f-a32c-506223c5fd80","\u003Cp>LÖBACH, B. \u003Cstrong>Design Industrial\u003C/strong>. 1ª Ed. São Paulo: Blücher, 2001\u003C/p>",{"id":217,"label":218},"397173c8-36c7-4b3a-9daf-577b05ee9e63","\u003Cp>LOVE, T. Philosophy of design: a meta-theoretical structure for design theory. \u003Cstrong>Design Studies\u003C/strong>, [s.l.], v. 21, n. 3, p.293-313, maio 2000. Elsevier BV\u003C/p>",{"id":220,"label":221},"0f831710-a145-4e8a-b836-4e0c1c38c751","\u003Cp>MALHOTRA, N.K \u003Cstrong>Pesquisa de marketing: uma orientação aplicada\u003C/strong>. 3. ed. Porto Alegre: Bookman, 2001\u003C/p>",{"id":223,"label":224},"7e2f8072-05ef-4533-9fcb-c8cc75275c28","\u003Cp>MARGOLIN, V.; BUCHANAN, R. \u003Cstrong>The idea of design. A design issue reader\u003C/strong> MIT Press: Cambridge, 1995\u003C/p>",{"id":226,"label":227},"c43dc421-f0f7-4ac9-80ea-ca2c2b138e49","\u003Cp>MISHRA, A. An exploratory conceptualization of consumer design perception for digital devices. \u003Cstrong>Journal of Indian Business Research\u003C/strong>, 2016. v. 8, n. 2.\u003C/p>",{"id":229,"label":230},"9a3de530-1a83-4ec3-bbcb-23c4c5e1b471","\u003Cp>MISHRA, A; DASH, S; MALHOTRA, N. K.. An integrated framework for design perception and brand equity. \u003Cstrong>Ams Review\u003C/strong>, [s.l.], v. 5, n. 1-2, p.28-44, 10 fev. 2015. Springer Nature.\u003C/p>",{"id":232,"label":233},"951378fc-4ae8-451b-b5bf-f857e707c3f7","\u003Cp>MOON, H.; PARK, J.; KIM, S. The Importance of an Innovative Product Design on Customer Behavior: Development and Validation of a Scale. \u003Cstrong>Journal of Product Innovation Management\u003C/strong>, mar. 2015. v. 32, n. 2, p. 224–232.\u003C/p>",{"id":235,"label":236},"a27b42b4-bae4-4097-86d3-f2edcdd9ca71","\u003Cp>MOSCOVICI, S. \u003Cstrong>Representações sociais: investigações em psicologia social\u003C/strong>. 11 ed. Petrópolis: Editora Vozes, 2015\u003C/p>",{"id":238,"label":239},"d8f32695-1dc1-4728-9462-81aede675290","\u003Cp>MOZOTA, Brigitte Borja de. Design and competitive edge: A model for design management excellence in European SMEs. \u003Cstrong>Design Management Journal\u003C/strong>, v. 2, pp. 88-104, 2002.\u003C/p>",{"id":241,"label":242},"43282d36-63b9-41f2-9710-7337c92877ec","\u003Cp>MURATOVSKI, G.. Paradigm Shift: Report on the New Role of Design in Business and Society. \u003Cstrong>She Ji: The Journal of Design, Economics, and Innovation\u003C/strong>, [s.l.], v. 1, n. 2, p.118-139, 2015. Elsevier BV.\u003C/p>",{"id":244,"label":245},"fe68ecd2-fd58-4800-99ef-d1ae09365094","\u003Cp>NORMAN, D. \u003Cstrong>Design Emocional\u003C/strong>. Rio de Janeiro: Rocco, 2008.\u003C/p>",{"id":247,"label":248},"f5a10bca-4161-4e40-b176-4dedce549700","\u003Cp>PANDZA, K.; THORPE, R. Management as design, but what kind of design? An appraisal of the design science analogy for management. \u003Cstrong>British Journal of Management\u003C/strong>, 2010. v. 21, n. 1, p. 171–186.\u003C/p>",{"id":250,"label":251},"e804d42e-3bef-4b32-99ed-a3a71ecea154","\u003Cp>RAVASI, D., RINDOVA, V.P. Symbolic value creation. In: Barry, D., Hansen, H. (Eds.), \u003Cstrong>The Sage Handbook of New Approaches in Management and Organization\u003C/strong>. SAGE Publications, London, pp. 270–286, 2008\u003C/p>",{"id":253,"label":254},"60722a6e-4158-4f0e-a5f6-3b01a648f7f4","\u003Cp>REDSTRÖM, Johan. Towards user design? On the shift from object to user as the subject of design. \u003Cstrong>Design Studies\u003C/strong>, [s.l.], v. 27, n. 2, p.123-139, mar. 2006. Elsevier BV.\u003C/p>",{"id":256,"label":257},"7e9d4cc6-8218-4828-8031-e04aeae8375d","\u003Cp>RICCETTI, T.M; MARTINS, N.S.M.; OGASAWARA, L. A. F.. Design, ponto de vista e perspectivas: sobre a cultura do projeto, educação e atuação profissional. \u003Cstrong>Blucher Design Proceedings\u003C/strong>, [s.l.], p.2559-2569, dez. 2016. Editora Blucher.\u003C/p>",{"id":259,"label":260},"91dc5fb0-7253-4987-9216-5432322e7b18","\u003Cp>SCHÖN, D. \u003Cstrong>The reflective practitioner: How professionals think in action\u003C/strong>. New York, NY: Basic Books, 1982\u003C/p>",{"id":262,"label":263},"49a55a8d-5e60-445d-a11f-6ae8a7f1aa54","\u003Cp>SCHULER, M., DE TONI, D. \u003Cstrong>Gestão da imagem de organizações, marcas e produtos: através do MCI: Método para Configuração de Imagem\u003C/strong>. São Paulo: Atlas, 2015.\u003C/p>",{"id":265,"label":266},"662b20b9-b4cb-482b-9b44-bf2a4081a9ba","\u003Cp>SIMON, H. A.: 1969, \u003Cstrong>The Sciences of the Artificial\u003C/strong>, MIT Press, Cambridge, MA.\u003C/p>",{"id":268,"label":269},"6d6f0490-b9ac-40ab-92bf-d4f234c9876c","\u003Cp>SONDEREGGER, A.; SAUER, J. The influence of design aesthetics in usability testing: Effects on user performance and perceived usability. \u003Cstrong>Applied Ergonomics\u003C/strong>, 2010. v. 41, n. 3, p. 403–410.\u003C/p>",{"id":271,"label":272},"2a7c8c64-52a1-4a98-82a5-71202d026f28","\u003Cp>STERN, B.; ZINKHAN, G. M.; JAJU, A. Marketing images: construct definition, measurement issue, and theory development. \u003Cstrong>Marketing Theory\u003C/strong>. London, v. 1, n. 2, p. 201- 224, Dec. 2001.\u003C/p>",{"id":274,"label":275},"35c28fa5-2b1c-45a4-9890-17f682951ee4","\u003Cp>STOLARKI, A. \u003Cstrong>Alexandre Wollner e a formação do design moderno no Brasil\u003C/strong>. São Paulo: Cosac Naify, 2005.\u003C/p>",{"id":277,"label":278},"4822ff19-c279-43c4-98a8-65c491bf972d","\u003Cp>ULRICH, K. T. Design Is Everything? \u003Cstrong>Journal Of Product Innovation Management\u003C/strong>, [s.l.], v. 28, n. 3, p.394-398, 7 mar. 2011. Wiley-Blackwell\u003C/p>",{"id":280,"label":281},"fb8cc86c-0881-44df-994c-1c00321a9228","\u003Cp>VAN DER LINDEN, J. C. S. Uma taxonomia para a Pesquisa em Design. \u003Cstrong>9º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design\u003C/strong>, 2010.\u003C/p>",{"id":283,"label":284},"cd727257-997b-4f00-88b3-2efa83554222","\u003Cp>VERGANTI, R. Design, meaning, and radical innovation: A metamodel and a research agency. \u003Cstrong>Journal of Product Innovation Management\u003C/strong>, 2008. v. 15, p. 436–456.\u003C/p>",{"id":286,"label":287},"3fe72bbe-ae5e-4bbb-9b9d-59e2c7b412af","\u003Cp>WALSH, V.; ROY, R.; BRUCE, M., Competitive by design. \u003Cstrong>Journal of Marketing Management\u003C/strong>, v.4, n.2, p.201-2016, 1988.\u003C/p>",{"id":289,"label":290},"e73af418-f340-48d8-b2b0-bfcc2f3d39a0","\u003Cp>YOON, J.K. , DESMET, P., & VAN DER HELM, A. Design for interest: Exploratory study on a distinct positive emotion in human-product interaction. \u003Cstrong>International Journal of Design\u003C/strong>,6(2), 67-80. 2012\u003C/p>",412,"txzjodqi","10.5151/ped2018-2",[295,308,309,315,321],{"role":7,"path":296,"filiation":297,"designation":7,"createDate":298,"_id":299,"objectID":299,"slugs":300,"email":303,"name":304,"lastmodified":305,"description":306,"lastName":307,"id":7,"url":7},"people/858d8b03-f81b-4083-97fc-89040b792680","UFRGS","2025-12-17T04:31:28.904Z","858d8b03-f81b-4083-97fc-89040b792680",[301,302],"bruno-guilherme-valentini","valentini-bruno-guilherme","bgvalentini@gmail.com","Bruno Guilherme",1765945888904,{},"Valentini",{"url":7,"name":8,"role":7,"email":7,"lastName":6,"_id":10,"designation":7,"filiation":7},{"_id":310,"url":7,"lastName":311,"designation":7,"name":312,"role":7,"email":313,"filiation":314},"5118ed93-d389-4abb-b354-0aa4a8260e0b","Selau","Luiza Grazziotin","luiza.selau@fsg.br","Centro Universitário da Serra Gaúcha",{"email":316,"role":7,"filiation":317,"designation":7,"lastName":318,"_id":319,"name":320,"url":7},"julio_linden@uniritter.edu.br","UniRitter e PPGEP/UFRGS","Linden","95a31721-51a9-43c5-8fea-44055351fbde","Júlio Carlos de Souza van Der",{"role":7,"lastName":322,"name":323,"lastmodified":324,"filiation":297,"_id":325,"id":7,"email":326,"createDate":298,"designation":7,"path":327,"description":328,"slugs":329,"objectID":325,"url":7},"Aymone","José Luis Farinatti",1765945888905,"df1153c9-5aea-4c2e-8f44-fb87514a4366","aymone@ufrgs.br","people/df1153c9-5aea-4c2e-8f44-fb87514a4366",{},[330,331],"jose-luis-farinatti-aymone","aymone-jose-luis-farinatti",[299,10,310,319,325],1,[335],"the-image-of-design-by-three-higher-education-institutions-in-rio-grande-do-sul-rs",{"pageRange":17,"parent":18,"data":337,"trackId":346,"type":29,"typeData":347,"metaData":426,"langs":428,"_id":429,"status":91,"updateDate":92,"contributors":430,"contributorsIds":445,"download":333,"slugs":446,"slug":447},{"secondary":338,"primary":342},{"keywords":339,"excerpt":340,"title":341},"\u003Cp>collective memory, e-book, writing, reading, design\u003C/p>","The rapid and widespread dissemination of electronic culture via information access, broadcast and interaction, clearly shows the erratic path that objects of the so-called print culture have as a destination: its fleeting digital counterpart. The current work follows this train of thought when it ponders possible relationships between information technology and collective memory. Different means of writing entail different processes of reading. Bearing that promise in mind, memory idiosyncrasies are approached here as ‘machines’ beyond its ordinary conceived purpose.","Memory Machines: Means of Writing, Reading Processes",{"keywords":343,"excerpt":344,"title":345},"\u003Cp>memória coletiva, livro digital, escrita, leitura, design\u003C/p>","A cultura eletrônica, promovida e acelerada pela difusão, acesso e interação da informação, demonstra o rumo incerto que os objetos da cultura da página impressa têm como destino: seus efêmeros análogos digitais. Nessa esteira, este trabalho reflete sobre as possíveis relações entre as tecnologias da informação e a memória coletiva, focalizando o livro eletrônico. Meios de escrita demandam processos de leitura e, neste sentido, operam as especificidades de memória que aqui serão tratadas como máquinas, para além de seu objeto técnico.","Máquinas da Memória: Meios de Escrita, Processos de Leitura","vnnhda8i",{"startPage":348,"file":349,"references":352,"endPage":425,"track":346,"doi":7},4816,{"fullpath":350,"name":351},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2Fvnnhda8i-1766866527-4816-4825.pdf","vnnhda8i-1766866527-4816-4825.pdf",[353,356,359,362,365,368,371,374,377,380,383,386,389,392,395,398,401,404,407,410,413,416,419,422],{"id":354,"label":355},"385781fc-5051-452e-98ff-0001780268ca","\u003Cp>BAUMAN, Zigmunt. \u003Cstrong>Modernidade líquida\u003C/strong>. Trad. Plínio Dentzien. Rio de Janeiro: Jorge Zahar Editor, 2001.\u003C/p>",{"label":357,"id":358},"\u003Cp>BEIGUELMAN, Giselle. Projeto em Design. In: \u003Cstrong>Congresso Brasileiro de Pesquisa e Desenvolvimento em Design\u003C/strong>, 9. , 2010, São Paulo. (Comunicação oral). 2010.\u003C/p>","e3d3ec70-ede5-4cc5-b57c-4d8ecf745d9a",{"label":360,"id":361},"\u003Cp>BLANCHOT, Maurice. \u003Cstrong>Le Livre à Venir\u003C/strong>. Édition Gallimard, 1959.\u003C/p>","2f7afc4c-cf4c-43ea-9b32-e9059c800195",{"label":363,"id":364},"\u003Cp>CANDAU, Joel. \u003Cstrong>Bases antropológicas e expressões mundanas da busca patrimonial\u003C/strong>: memória, tradição e identidade. Disponível em: \u003Chttp://www.ufpel.edu.br/ich/memoriaemrede/pdf/edicao-anterior/revista-n1.pdf> Acesso em: 20 jan. 2012.\u003C/p>","f9c63911-c439-4567-a885-892152124591",{"id":366,"label":367},"2b5c250e-a5f0-4266-b342-a25ea045cf27","\u003Cp>CHARTIER, Roger. \u003Cstrong>A aventura do livro\u003C/strong>: do leitor ao navegador. São Paulo: UNESP, 1999.\u003C/p>",{"label":369,"id":370},"\u003Cp>CHARTIER, Roger. \u003Cstrong>Os desafios da escrita\u003C/strong>. São Paulo: UNESP, 2002.\u003C/p>","20f5199f-3f1a-4b43-9b9e-9fb224207464",{"label":372,"id":373},"\u003Cp>CHOAY, Françoise. \u003Cstrong>A Alegoria do Patrimônio\u003C/strong>. São Paulo, Editora da UNESP, 2001.\u003C/p>","07162076-6bee-4ad2-9943-6c7a78f6dca2",{"id":375,"label":376},"d6109c80-f2ea-4240-89b4-21535b1ca416","\u003Cp>COELHO, Luiz Antonio Luzio; FABIARZ, Alexandre (Orgs.). \u003Cstrong>Design\u003C/strong>: Olhares sobre o livro. Teresópolis: Editora Novas Ideias, 2010.\u003C/p>",{"label":378,"id":379},"\u003Cp>COUTINHO, Eduardo Granja; GONÇALVES, Márcio Souza (Orgs.). \u003Cstrong>Letra Impressa\u003C/strong>: comunicação, cultura e sociedade. Porto Alegre: Sulina; 2009.\u003C/p>","f62c15d7-e562-439c-aea0-30240caaa209",{"label":381,"id":382},"\u003Cp>DERRIDA, Jacques. \u003Cstrong>Papier Machine\u003C/strong>. Éditions Galilée, 2001.\u003C/p>","28862b61-76c5-42b8-b9b3-b6ae89279562",{"label":384,"id":385},"\u003Cp>FLUSSER, Vilém. \u003Cstrong>O mundo codificado\u003C/strong>: por uma filosofia do design e da comunicação. Organizado por Rafael Cardoso. Tradução de Raquel Abi-Sâmara. São Paulo: Cosac Naify, 2007.\u003C/p>","a5da5969-46cd-4d8c-8b9a-0d9a2307d47d",{"label":387,"id":388},"\u003Cp>GUATTARI, Felix. \u003Cstrong>A propos de machines\u003C/strong>. Éditions Galilée, 1993.\u003C/p>","627ee6c7-3c85-4dfe-acdc-3cb6a35e1590",{"label":390,"id":391},"\u003Cp>LANDOW, G. \u003Cstrong>Hipertexto\u003C/strong>: la convergencia de la teoría crítica contemporánea y la tecnología. Barcelona: Paidós, 1995.\u003C/p>","3d6d0ffa-6d6d-4ba5-ab8d-457f7e9a17d1",{"label":393,"id":394},"\u003Cp>LE GOFF, Jacques. Memória. In. \u003Cstrong>História e Memória\u003C/strong>. Traduçao Bernardo Leitão e Irene Ferreira. 4. ed. Campinas - SP: Editora da UNICAMP, 1996.\u003C/p>","00f9f36e-9079-49f5-b2ee-3a8b46d36ba4",{"label":396,"id":397},"\u003Cp>LEVACOV, Marília; et al. \u003Cstrong>Tendências na Comunicação\u003C/strong>. Porto Alegre:L&PM, 1998.\u003C/p>","9580cf8e-8797-463c-b039-85ce448823f1",{"label":399,"id":400},"\u003Cp>MACHADO, Arlindo. \u003Cstrong>Máquina e Imaginário\u003C/strong>: O Desafio das poéticas tecnológicas. São Paulo: Editora da Universidade de São Paulo, 1993.\u003C/p>","51d4a730-b2d6-4fd7-9883-84f24fb45ce6",{"label":402,"id":403},"\u003Cp>MACHADO, Arlindo. Fim do livro? In: \u003Cstrong>Pré-cinemas e pós-cinemas\u003C/strong>. Campinas: Papirus, 1997.\u003C/p>","a9c69c5a-a7c5-461a-9020-9186b1de8dc2",{"label":405,"id":406},"\u003Cp>MANGUEL, Alberto. \u003Cstrong>Uma história da leitura\u003C/strong>. Tradução Pedro Maia Soares. São Paulo: Companhia da Letras, 1997.\u003C/p>","edf28056-d244-401b-96a1-532f2b3f95ec",{"label":408,"id":409},"\u003Cp>MONTEIRO, Silvana Drumond; CARELLI, Ana Esmeralda; PICKLER, Maria Elisa Valentin. A Ciência da Informação, Memória e Esquecimento. In: \u003Cstrong>DataGramaZero - Revista de Ciência da Informação\u003C/strong> – Vol. 09, n° 6: (dez de 2008). Disponível em: \u003C http://www.dgz.org.br/dez08/Art_02.htm>. Acesso em: 20 set. 2011).\u003C/p>","dd8320ac-79eb-4741-900b-429ecc843982",{"label":411,"id":412},"\u003Cp>ORTEGA, Cristina Dotta; LARA, Marilda Lopes Ginez de. A noção de documento: de Otlet aos dias de hoje. In: \u003Cstrong>DataGramaZero - Revista de Ciência da Informação\u003C/strong> – Vol. 11, n° 2: (abr de 2020). Disponível em: \u003C http://www.dgz.org.br/abr10/F_I_art.htm>. Acesso em: 20 set. 2011).\u003C/p>","4562d29b-e288-4e26-a9bd-8590eb5c4c36",{"label":414,"id":415},"\u003Cp>PEREIRA, Vinícius Andrade. Linhas mnêmicas, imaginárias e simbólicas esboçando a face humana. In: \u003Cstrong>Logos\u003C/strong> – n°7: Faculdade de Comunicação Social – UERJ, 1997. ISSN 0104-9933\u003C/p>","64355064-20b3-4ec3-a0a1-c1620c63e4bf",{"id":417,"label":418},"19e92e03-7d39-433b-a4be-44ea0cc7eafb","\u003Cp>SANTAELLA, Lúcia. \u003Cstrong>Linguagens Líquidas na era da mobilidade\u003C/strong>. São Paulo: Ed. Paulus, 2007.\u003C/p>",{"id":420,"label":421},"3f42e208-ef9b-4c35-b53a-8394825b4a8c","\u003Cp>SANTAELLA, Lucia. Os espaços líquidos da cibermídia. In: \u003Cstrong>Revista da Associação Nacional dos Programas de Pós-Graduação em Comunicação\u003C/strong>. 2005. Disponível em: \u003Cwww.compos.com.br/e-compos>. Acesso em: 26 mar. 2012\u003C/p>",{"label":423,"id":424},"\u003Cp>STEIN, Bob. Os futuros do livro. In: \u003Cstrong>Fórum da Cultura Digital Brasileira\u003C/strong>. São Paulo. (Comunicação oral). 2010. Disponível em \u003C http://culturadigital.br/forum2010/2010/12/06/integra-da-palestra-de-bob-stein-sobre-os-futuros-do-livro/>. Acesso em 23 abr. 2012)\u003C/p>","bac85939-f2f1-4388-a254-39a0ce3df558",4825,{"updateDate":7,"createDate":427,"deleteDate":7},1766866527,[88,89],"56c435da-612f-421d-9ae8-5dcd0088405d",[431,432],{"_id":10,"role":7,"lastName":6,"url":7,"name":8,"email":7,"filiation":7,"designation":7},{"id":7,"slugs":433,"_id":436,"createDate":437,"role":7,"objectID":436,"lastmodified":438,"designation":7,"name":439,"email":440,"path":441,"description":442,"url":7,"filiation":443,"lastName":444},[434,435],"joao-fernando-igansi-nunes","nunes-joao-fernando-igansi","1df1d471-02ca-46b2-a94a-b73cf8b0143c","2025-12-27T20:15:27.770Z",1766866527770,"João Fernando Igansi","fernandoigansi@gmail.com","people/1df1d471-02ca-46b2-a94a-b73cf8b0143c",{},"Doutor em Comunicação e Semiótica; Pontifícia Universidade Católica de São Paulo.","Nunes",[10,436],[447],"memory-machines-means-of-writing-reading-processes",{"pageRange":449,"parent":450,"data":451,"trackId":459,"type":29,"typeData":460,"slugs":521,"metaData":523,"langs":525,"_id":526,"status":91,"updateDate":92,"contributors":527,"contributorsIds":542,"download":333,"slug":522},"3129-3141","50fdb9c5-a3aa-47ea-b71c-8a1b73447b29",{"secondary":452,"primary":455},{"keywords":453,"excerpt":454,"title":7},"\u003Cp>design, editorial design, book, eBook, methodology\u003C/p>","This paper presents a methodological toolkit developed for the characterization of artefacts that are nowadays called 'digital books', according to their appropriations of editorial design and of digital design. By describing the process and the procedures adopted, this work intends to be of help for other researchers facing similar methodological challenges. The toolkit was built in six phases: the first and second respectively an open and an coaxial codification; the third a comparative study of the printed and digital versions of the same book; the fourth and fifth were analytical categorizations; the sixth phase refined the previous version of the toolkit up to its final version, which was applied in the study to characterize the artefacts considered to be 'digital books'.",{"keywords":456,"excerpt":457,"title":458},"\u003Cp>design, design editorial, livro, e-book, metodologia\u003C/p>","Este artigo apresenta instrumentos metodológicos desenvolvidos para a caracterização de artefatos que são atualmente chamados de 'livros digitais' em termos de suas apropriações do design editorial e do design digital. Ao descrever o processo de elaboração e os procedimentos adotados, este trabalho tem como objetivo auxiliar outros pesquisadores com desafios metodológicos semelhantes. A construção do instrumento metodológico foi dividida em seis etapas. As duas primeiras foram respectivamente uma codificação aberta e outra axial; a terceira um estudo comparativo entre as versões impressa e digital de um mesmo livro; a quarta e quinta categorizações analíticas; a sexta etapa um refinamento até a versão final do instrumento, o qual foi utilizado para a realização da caracterização dos artefatos considerados 'livros digitais'.","Um Retrato dos Livros Digitais: Desenvolvimento de Instrumental Metodológico para Estudo Empírico","1z35i3gi",{"startPage":461,"file":462,"references":465,"endPage":520,"track":459,"doi":7},3129,{"fullpath":463,"name":464},"https://storage.googleapis.com/memoria-ped.appspot.com/articles%2F10_congresso_brasileiro_de_pesquisa_e_desenvolvimento_em_design%2F1z35i3gi-1766878084-3129-3141.pdf","1z35i3gi-1766878084-3129-3141.pdf",[466,469,472,475,478,481,484,487,490,493,496,499,502,505,508,511,514,517],{"label":467,"id":468},"\u003Cp>ABNT, Associação Brasileira de Normas Técnicas. \u003Cstrong>NBR 6029 – Informação e documentação – Livros e folhetos – Apresentação\u003C/strong>. Rio de Janeiro, 2006.\u003C/p>","00a27cf0-bcb2-4182-9a05-f83ba8818839",{"id":470,"label":471},"1cc3332d-6425-4425-8059-11f5612b3cfc","\u003Cp>BOLTER, J. David; GRUSIN, Richard. \u003Cstrong>Remediation\u003C/strong>: Understanding New media. 2000.\u003C/p>",{"label":473,"id":474},"\u003Cp>BOLTER, Jay David. \u003Cstrong>Writing Space\u003C/strong>: Computers, Hypertext, and the Remediation of Print. Routledge, 2001.\u003C/p>","32edd017-9f68-44f6-a002-cd69fa57564c",{"id":476,"label":477},"5c639906-cfbc-438a-abf1-96ce3f9d454c","\u003Cp>BRINGHURST, Robert. \u003Cstrong>Elementos do Estilo Tipográfico\u003C/strong>. 3ª ed. São Paulo: Cosac Naify, 2005.\u003C/p>",{"label":479,"id":480},"\u003Cp>CHARTIER, Roger. \u003Cstrong>A aventura do livro\u003C/strong>: do leitor ao navegador. São Paulo: Editora UNESP/Imprensa Oficial do Estado, 1999.\u003C/p>","4cc444f6-4ff1-427f-a636-8ce07af76679",{"label":482,"id":483},"\u003Cp>CHARTIER, Roger. \u003Cstrong>A Ordem dos Livros\u003C/strong>. Lisboa: Vega, 1997.\u003C/p>","081152b9-0cd1-46ec-a08a-2dcbe85f7fae",{"label":485,"id":486},"\u003Cp>FONTOURA, Antônio Martiniano. \u003Cstrong>O livro do livro\u003C/strong>. Curitiba: Gramofone. 2007\u003C/p>","422ef87c-1262-44fe-8c65-c57aaa1a9be6",{"label":488,"id":489},"\u003Cp>FRAGOSO, Suely. De interações e interatividade. In: \u003Cstrong>Revista Fronteiras Estudos midiáticos\u003C/strong>, São Leopoldo – RS, v. 3, n. 1, p. 83-95, 2001.\u003C/p>","ed9c8808-ae6b-430b-81c5-2ad64b658f28",{"label":491,"id":492},"\u003Cp>FRAGOSO, Suely; RECUERO, Raquel; AMARAL, Adriana. \u003Cstrong>Métodos de Pesquisa para Internet\u003C/strong>. Ed. Sulina: Porto Alegre, 2012.\u003C/p>","8ec94727-0992-4091-9084-932c1d34499d",{"label":494,"id":495},"\u003Cp>HENDEL, Richard. \u003Cstrong>O design do Livro\u003C/strong>. 2ª ed. Cotia: Ateliê Editorial, 2006.\u003C/p>","3a4f92e3-277f-4df0-9594-206860db561a",{"id":497,"label":498},"522fea73-3811-4eb9-919e-d59bc7a0a778","\u003Cp>ISBN, Agência Brasileira do ISBN. \u003Cstrong>Publicações eletrônicas\u003C/strong>. 2010. Disponível em http://www.isbn.bn.br/website/publicacoes-eletronicas Acesso em 3 jan. 2014.\u003C/p>",{"label":500,"id":501},"\u003Cp>LANDOW, George P.. \u003Cstrong>Hipertext 3.0\u003C/strong>: Critical Theory and New Media in an Era of Globalization. 3rd ed. Baltimore: The Johns Hopkins University Press, 2006.\u003C/p>","538506c4-acf9-4284-b6f6-3b5b38ed16db",{"label":503,"id":504},"\u003Cp>LUDWIG, Fabiana. \u003Cstrong>Os e-books infantis em análise\u003C/strong>. Florianópolis, 2012. Dissertação (Mestrado em Educação, Comunicação e Tecnologia) – Universidade do Estado de Santa Catarina. Orientador(es): Geovana Mendonça Lunardi Mendes.\u003C/p>","1a41c73d-263a-488d-8cca-cd32e0759af1",{"id":506,"label":507},"2e4e45ee-6dcc-4394-a4ca-a7a8eb84f8d9","\u003Cp>PATTON, Michael Q. \u003Cstrong>Qualitative research & Evaluation Methods\u003C/strong>. 3ª ed. London: Sage, 2002.\u003C/p>",{"label":509,"id":510},"\u003Cp>RIBEIRO, Ana Elisa. Do jornal impresso às telas digitais: trilhas do leitor. In: \u003Cstrong>Comunicação e Sociedade\u003C/strong>, vol. 17, 2010, p. 73-86.\u003C/p>","122fdee3-fc69-4eef-bc7b-1243569e0315",{"label":512,"id":513},"\u003Cp>SEHN, Thaís Cristina Martino Sehn. Um livro, quatro formatos: as novas materialidades do conhecimento. In: \u003Cstrong>Educação Gráfica\u003C/strong>, vol. 18, 2014, nº 1, p. 6-25. Disponível em: \u003C http://goo.gl/NuoggI>. Acesso em 5 ago. 2014.\u003C/p>","f6796d9e-5380-4c79-8422-fdcde414c270",{"label":515,"id":516},"\u003Cp>SEHN, Thaís Cristina Martino. \u003Cstrong>As possíveis configurações do livro nos suportes digitais\u003C/strong>. Dissertação (Mestrado em Comunicação e Informação) – Faculdade de Biblioteconomia e Comunicação, Universidade Federal do Rio Grande do Sul. Orientador: Suely Fragoso. Disponível em: \u003Chttp://goo.gl/ox2a85>. Acesso em 5 ago. 2014.\u003C/p>","673d161e-01b5-4636-946b-977f0bf48be1",{"label":518,"id":519},"\u003Cp>UNESCO, United Nations Educational, Scientific and Cultural. \u003Cstrong>Organization records of the general conference\u003C/strong>: resolutions. Thirteenth Session. Paris, 1964. Disponível em: \u003Chttp://unesdoc.unesco.org/images/0011/001145/114581e.pdf#page=144>. 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