[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"article:the-use-of-tools-design-in-building-fashion-events":3},{"success":4,"article":5,"request":79},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":68,"slugs":77,"slug":78},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",[8,9],"primary","secondary","799af89d-21f9-47fb-998a-00d1af278894",[12,16],{"lastName":13,"name":14,"_id":15},"Moreira","Bruna Ruschel","64a00ac3-f0e7-4b01-bc33-6611d7b19f4b",{"lastName":17,"name":18,"_id":19},"Scaletsky","Celso Carnos","ee0d7449-c49b-4f92-9bbf-29e14ab5ca24",{"startPage":21,"references":22,"endPage":65,"track":66,"has_file":4,"doi":67},1976,[23,26,29,32,35,38,41,44,47,50,53,56,59,62],{"id":24,"label":25},"0914ec20-f90c-41e7-ac12-358a1ba4b4c5","\u003Cp>AUMONT, Jacques. \u003Cstrong>A imagem\u003C/strong>. trad. Estela dos S. Abre. Campinas: Papirus, 1993.\u003C/p>",{"id":27,"label":28},"86e9ef7f-7390-4db4-b748-e9935431449f","\u003Cp>BAXTER, Mike. \u003Cstrong>Projeto de produto: guia prático para o design de novos produtos\u003C/strong>. 2. ed. São Paulo: Edgard Blücher, 2000.\u003C/p>",{"id":30,"label":31},"ea97f349-e894-4403-a4bb-c68ddf1406ee","\u003Cp>BRANZI, Andrea in MORAES, Dijon. \u003Cstrong>Análise do design brasileiro: entre mimese e mestiçagem\u003C/strong>. São Paulo: Edgard Blücher, 2006.\u003C/p>",{"id":33,"label":34},"a49edf9e-8c64-4682-b9f6-21a067b6c6ea","\u003Cp>BRUCE, Margaret, COOPER, Rachel e VAZQUEZ, Delia. Effective design management for small businesses. In: \u003Cstrong>Design Studies\u003C/strong> Vol 20 N° 3, Kidlington: Elsevier, p.297-315, 1999.\u003C/p>",{"id":36,"label":37},"5aa94b9b-71d4-4d05-b575-b1eb98fff785","\u003Cp>DE CARLI, Ana Mery Sehbe. \u003Cstrong>O sensacional da moda\u003C/strong>. Caxias do Sul: EDUCS, 2002.\u003C/p>",{"id":39,"label":40},"209f44da-1247-4a04-b41c-49dc5bf1d4fc","\u003Cp>DUGGAN, Ginger Gregg. \u003Cstrong>Fashion Theory: a revista da moda, corpo e cultura\u003C/strong>. N. 2. Ed. brasileira. Trad. Ieda Moriya. São Paulo: Anhembi Morumbi, 2001.\u003C/p>",{"id":42,"label":43},"2ce458f1-d35e-4fce-9ebe-980053b21682","\u003Cp>FERREIRA, Aurélio Buarque de Holanda. \u003Cstrong>Mini dicionário Aurélio da língua portuguesa\u003C/strong>; coordenação Marina Baird Ferreira, Margarida dos Anjos; equipe Elza Tavares Ferreira... (et al). 3 ed. Rio de Janeiro: Nova Fronteira, 1993.\u003C/p>",{"id":45,"label":46},"6d2ad1c9-5ea2-49d6-9607-70e432a52dd1","\u003Cp>GARNER, S. e MCDONAGH-PHILP, D. Problem Interpretation and Resolution via Visual Stimuli: The Use of 'Mood Boards' in Design Education. In: \u003Cstrong>The Journal of Art and Design Education\u003C/strong>, 20 (1) p. 57-64, 2001.\u003C/p>",{"id":48,"label":49},"0a28fa45-9745-40c0-9c0e-8ab553c5df7a","\u003Cp>HEYLIGHEN, Ann. \u003Cstrong>In case of architectural design - critique and praise of case - Based Design in architecture\u003C/strong>. Tese de doutorado. Leuven: Katholieke Universiteit Leuven, p. 16-25, 2000.\u003C/p>",{"id":51,"label":52},"25d5112d-93a1-4419-8033-709dc203a6be","\u003Cp>MORAES, Dijon. \u003Cstrong>Limites do design\u003C/strong>. 2. ed. São Paulo: Studio Nobel, 1999.\u003C/p>",{"id":54,"label":55},"76b2b01f-4c7e-4959-89c6-0a6e3779fbc9","\u003Cp>PHILLIPS, Peter L. \u003Cstrong>Briefing: a gestão do projeto de design\u003C/strong>. São Paulo: Blucher, 2008.\u003C/p>",{"id":57,"label":58},"e65a0a0d-39f9-4501-a1b1-e176358e8458","\u003Cp>ROOZENBURG, N.F.M. EEKELS, J. \u003Cstrong>Product Design, Fundamentals and Methods\u003C/strong>. Wiley: Chichester, 1996.\u003C/p>",{"id":60,"label":61},"4e7de583-3b18-48da-8eb8-69ee16a6522b","\u003Cp>SCALETSKY, Celso C. Criação de bibliotecas de conceitos a partir de uma Base de Projetos de Arquitetura. \u003Cstrong>SIGraDI 2006\u003C/strong>, Santiago, Universidad de Chile, 2006.\u003C/p>",{"id":63,"label":64},"0928a8be-05fa-4694-8986-91eb6297537f","\u003Cp>SCALETSKY, Celso C. Pesquisa aplicada / pesquisa acadêmica – o caso Sander. In: \u003Cstrong>Anais do Oitavo Congresso Brasileiro de Pesquisa & Desenvolvimento em Design\u003C/strong>, São Paulo: Centro Universitário SENAC, 2008, pg. 1132-1145.\u003C/p>",1988,"pj4zovtp","",{"primary":69,"secondary":73},{"keywords":70,"excerpt":71,"title":72},"\u003Cp>Instrumentos de design, Desfile multimarca, Moda\u003C/p>","O artigo tem como objetivo refletir sobre a relação entre a utilização dos instrumentos de metodologias de design durante a projetação, desenvolvimento e realização de um desfile de moda multimarca – evento em que mais de uma empresa se faz presente durante a apresentação. A fim de elucidar esta relação, se tomará com estudo de caso um desfile de moda multimarca desenvolvido na serra gaúcha durante o ano de 2008, a fim de analisá-lo e relacioná-lo com alguns elementos presentes durante a metodologia projetual do design.","O Uso de Instrumentos de Design na Construção de Eventos de Moda",{"keywords":74,"excerpt":75,"title":76},"\u003Cp>Design instruments, Multibrand fashion, Fashion\u003C/p>","This article aims to reflect on the relationship between the use of design tools during the designing, development and implementation of a multi-brand fashion show - an event where more than one company is present during the presentation. In order to elucidate this relationship strikingly, will become a case study with a multi-brand fashion developed in Minnesota in the year 2008, in order to analyze it and relate it to some elements present in the methodology projectual design.","The Use of Tools Design in Building Fashion Events",[78],"the-use-of-tools-design-in-building-fashion-events",{"target":80,"query":81},"articles/get",{"slug":78},1780316037286]