[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"article:origins-of-uniform-panels-in-comic-books":3},{"success":4,"article":5,"request":66},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":16,"data":55,"slugs":64,"slug":65},"f43247ba-af93-4a8a-898e-651ef65d9bd2",[8,9],"primary","secondary","02675b81-e1e3-4fa3-8e90-940848e5c5f1",[12],{"lastName":13,"name":14,"_id":15},"Silva","Fabio Luiz Carneiro Mourilhe","70259790-853d-4ce9-9326-cbe01f5a0269",{"startPage":17,"references":18,"endPage":52,"track":53,"has_file":4,"doi":54},"984",[19,22,25,28,31,34,37,40,43,46,49],{"label":20,"id":21},"Bleck, A., \u003Cstrong>Early Comics Archive\u003C/strong>, Disponível em http://www.bugpowder.com/andy/index.html, Acessado em 22/3/2007.","99049aa3-4587-4018-add6-61008dcf7ff3",{"label":23,"id":24},"Curry, D., What's In a Frame? In: \u003Cstrong>The Gilded Edge\u003C/strong>: Art of the Frame by Eli Wilner, ed., San Francisco: Chronicle Books, 2000.","f3a2455a-1107-4da8-a73e-55431d67f355",{"id":26,"label":27},"c53a2c10-5d97-4bf6-ab16-7ac6da42697c","Dünkelsbühler, U., \u003Cstrong>Reframing the frame of reason\u003C/strong>: \"Trans-lation\" In and Beyond Kant and Derrida, New York: Humanity Books, 2002.",{"label":29,"id":30},"Eisner, W., \u003Cstrong>Comics & Sequential Art\u003C/strong>, Tamarac: Poorhouse Press, 1985.","fad6c81c-6d66-45bd-ae3c-39d36e5a7778",{"id":32,"label":33},"ccf36c34-3617-4638-b156-fc2399b0a22c","Groensteen, T., \u003Cstrong>The system of comics\u003C/strong>, Mississipi: University Press of Mississipi, 2007.",{"label":35,"id":36},"Harvey, R., Comedy at the Juncture of Word and Image: The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend, In: \u003Cstrong>The Language of Comics\u003C/strong>: Word and Image / edited by Robin Varnum and Christina T. Gibbons, Jackson : University Press of Mississippi, 2001.","b5b13042-91f4-4259-b56c-66041b92a1b1",{"id":38,"label":39},"9d75d651-5300-4b94-86d3-2a73c8a837a4","Kant, I., \u003Cstrong>The Critique of the power of judgement\u003C/strong>, Cambridge: Cambridge University Press, 2000.",{"label":41,"id":42},"McCloud, S., \u003Cstrong>Understanding Comics\u003C/strong>: The Invisible Art, New York: Kitchen Sink Press, 1993.","98a200f7-0f28-47d9-a89c-5408e794afe6",{"id":44,"label":45},"b2a2273e-79fa-4373-a7db-cd321c86900e","Marconi, M., & Lakatos, E., \u003Cstrong>Técnicas de pesquisa\u003C/strong>, São Paulo: Atlas, 1985.",{"label":47,"id":48},"Menegasso, M., \u003Cstrong>O declínio do emprego e a ascenção da empregabilidade\u003C/strong>, Tese de doutorado, Florianópolis: UFSC, 1998.","f405f4c5-6b80-4648-8adf-c8a34e46824c",{"id":50,"label":51},"25848252-a112-47db-82a0-a8e16bb9a464","Morales, E., Norris, M., Schwarz, A., Watts, E., \u003Cstrong>A Closer Look\u003C/strong>: The David Plates, New York: The Metropolitan Museum of Art, 2001.","994","tu0kxfwj","",{"primary":56,"secondary":60},{"keywords":57,"excerpt":58,"title":59},"\u003Cp>Histórias em quadrinhos, quadros, molduras\u003C/p>","\u003Cp>Neste artigo, são apresentados os resultados de uma pesquisa histórica que investiga a origem dos quadros uniformes das histórias em quadrinhos, incluindo as relações com molduras de pinturas, artes seqüenciais do passado e as primeiras manifestações das histórias em quadrinhos como linguagem estabelecida no começo do século XX.\u003C/p>","\u003Cp>Origens dos Quadros Uniformes nas Histórias em Quadrinhos\u003C/p>",{"keywords":61,"excerpt":62,"title":63},"\u003Cp>Comic-books, panels, frames\u003C/p>","\u003Cp>In this article, the results of a historical research that investigates the origin of uniform panels from comic-books are presented, including paintings frames, sequential arts from the past and the first comic-book manifestations as an established language in the beginning of the nineteenth century .\u003C/p>","\u003Cp>Origins of Uniform Panels in Comic-books\u003C/p>",[65],"origins-of-uniform-panels-in-comic-books",{"target":67,"query":68},"articles/get",{"slug":65},1780316014645]