[{"data":1,"prerenderedAt":111},["ShallowReactive",2],{"article:fashion-design-as-material-culture":3},{"success":4,"article":5,"request":108},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":16,"data":97,"slugs":106,"slug":107},"f43247ba-af93-4a8a-898e-651ef65d9bd2",[8,9],"primary","secondary","a851d127-32f8-484a-9f08-d4d605ce15b9",[12],{"lastName":13,"name":14,"_id":15},"Gies","Sheila","224c6787-037b-42fa-8480-5e29e22bcdb8",{"startPage":17,"references":18,"endPage":94,"track":95,"has_file":4,"doi":96},"2305",[19,22,25,28,31,34,37,40,43,46,49,52,55,58,61,64,67,70,73,76,79,82,85,88,91],{"label":20,"id":21},"BALDWIN, J. et al \u003Cstrong>Redefining Culture\u003C/strong>: Conceptualizing Culture Across Disciplines, New Jersey, Lawrence Erlbaum Associates, Inc., 2006","213a2882-8902-41e6-be96-75e298efcc30",{"label":23,"id":24},"BARNARD, M. \u003Cstrong>Fashion as Communication\u003C/strong>, 2nd ed., London and New York, Routledge, 2002","735b4460-2ccf-4e8c-b693-ac2200627572",{"id":26,"label":27},"5b0e4c52-b40a-4910-bf38-450ace0a6c6a","BRAMPTON, S. “The Prime of Miss Vivienne Westwood”, in \u003Cstrong>Elle\u003C/strong>, London, September/1988",{"label":29,"id":30},"ENTWISTLE,  J. \u003Cstrong>The Fashioned Body, Fashion, Dress and Modern Social Theory\u003C/strong>, Oxford, UK, Blackwell Publishers Ltd, 2000","996b117a-a30c-403f-81b5-26863c101d1a",{"label":32,"id":33},"GEERTZ, C. \u003Cstrong>The Interpretation of Cultures\u003C/strong>, New York, Basic Books, 1973","d2c0c0b5-228e-4eba-87e9-7bd808301191",{"label":35,"id":36},"GOLBIN, P. \u003Cstrong>Fashion Designers\u003C/strong>, New York, Watson-Guptill Publications, 2001","1ad13ca7-ce8f-4865-aee8-5ae132288a55",{"id":38,"label":39},"0e92b1c3-9e0c-4c63-8bc0-7105a2ad2c0a","GOODRUM,  A. \u003Cstrong>The National Fabric Fashion, Britishness, Globalization\u003C/strong>, Oxford and New York, Berg, 2005",{"label":41,"id":42},"HOELTERHOFF,  M. Diana  Freeland’s  Off-the-track  Favorites,  New  York,  \u003Cstrong>The Wall Street Journal\u003C/strong>, 13th Jan 1978","dce5950c-dff7-4aef-8f46-577cc52b3e57",{"id":44,"label":45},"6f08bc89-02d9-49f0-a304-94f32b669af0","JENKS, C. \u003Cstrong>Culture\u003C/strong>, London and New York, Routledge, 1999",{"id":47,"label":48},"866b77a5-c899-4700-9b12-b81a8bbba068","KAISER, S. \u003Cstrong>The Social Psychology of Clothing\u003C/strong>, 2nd ed., USA, Fairchild Publications, 1999",{"label":50,"id":51},"KEALPINOHOMOKU,  J.  “You  Dance  what  you  Wear  and  You  Wear  Your  Cultural Values”,  in  Cordwell,  J.  and  Schwarz,  R.  ed., \u003Cstrong>The Fabrics of Culture\u003C/strong>, Paris, Mouton Publishers, 1979","bc8af16a-ff8b-4781-96c2-ec5b56f1454e",{"id":53,"label":54},"284c747e-eea0-467a-8e94-ec1f8c37cabe","KRELL, G. \u003Cstrong>Vivienne Westwood\u003C/strong>, London, Thames and Hudson, 1997",{"label":56,"id":57},"LURIE, A. \u003Cstrong>The Language of Clothes\u003C/strong>, London, Bloomsbury Publishing Ltd, 1981","1de347ee-6f68-4d98-9a3f-8abf89db9ff7",{"label":59,"id":60},"LURY, C. \u003Cstrong>Consumer Culture\u003C/strong>, Cambridge, Polity Press, 1996","b8f3fc96-d765-4bd2-ab41-67e69eb3d962",{"label":62,"id":63},"MCCRACKEN,   G. \u003Cstrong>Culture and Consumption New Approaches to the Symbolic Character of Consumer Goods and Activities\u003C/strong>, Bloomington and Indianapolis, Indiana University Press, 1990","9fc39aa5-e64f-4b92-ac40-a843fa668cb4",{"label":65,"id":66},"MILLER, D. \u003Cstrong>Clothing as Material Culture\u003C/strong>, Oxford, New York, Berg, 2005","ff18326d-419b-46a2-8023-f4d87968cd79",{"label":68,"id":69},"MULVAGH,   J.   \u003Cstrong>Vivienne Westwood An Unfashionable Life\u003C/strong>, London, HarperCollins Publisher, 1998","404adad6-67c1-4014-8a28-535848fba19d",{"id":71,"label":72},"6534d404-cfa1-453d-a952-6aeb4023b206","PROWN, J. “Mind in Matter: An Introduction to Material Culture Theory and Method”, \u003Cstrong>The Winterthur Portfolio\u003C/strong>, Vol. 17, 1982",{"label":74,"id":75},"RICHARDSON, M. \u003Cstrong>The Experience of Culture\u003C/strong>, London, Sage Publications, 2001","38890882-ddc7-49d6-a3ff-70f49f382427",{"label":77,"id":78},"SAUSSURE, F. de \u003Cstrong>Course in General Linguistics\u003C/strong>, Illinois, Open Court, 1983","8adeb8a2-a7de-4590-8d56-ef067a842d5e",{"label":80,"id":81},"STEELE,  V.  “A  Museum  of  Fashion  Is  More  Than  a  Clothes-Bag”, \u003Cstrong>Fashion Theory\u003C/strong>: The Journal of Dress, Body & Culture, Volume 2, Issue 4, New York, Berg, 1998","8f42f9ac-bdb5-4cd4-a146-af817c1fdbc0",{"label":83,"id":84},"VERMOREL,   F. \u003Cstrong>Fashion & Perversity A Life of Vivienne Westwood\u003C/strong>, London, Bloomsbury Publishing Plc, 1996","21b6699c-5707-435a-b9b9-91b839031ac2",{"label":86,"id":87},"WILCOX, C. \u003Cstrong>Vivienne Westwood\u003C/strong>, London, V&A Publications, 2004","43fd7abe-90f3-48f5-bb19-c6b09ad9886b",{"id":89,"label":90},"8cc3205c-4241-447f-aebe-1e71ad30939e","WILLIAMS,   R. \u003Cstrong>Keywords A Vocabulary of Culture and Society\u003C/strong>, London, UK, Fontana/Croom Helm, 1976",{"label":92,"id":93},"www.spfw.com.br","f1598c58-b3d5-4ca1-a17e-278bf36daf9c","2316","zquoy91s","",{"primary":98,"secondary":102},{"keywords":99,"excerpt":100,"title":101},"\u003Cp>design de moda, cultura, cultura material\u003C/p>","\u003Cp>Este estudo pesquisa o design de moda como cultura material, focando na identificação de elementos de design como emissários de valores culturais, ideias e conhecimentos do designer como representante do contexto cultural ao qual pertence. Sob este ponto de vista, duas criações da designer inglesa Vivienne Westwood, de coleções diferentes, são examinadas. A abordagem metodológica é a Cultura Material, com coleta de dados por meio do método idealizado por Jules Prown. Verifica-se que os designs de Westwood mudam da expressão da contracultura para a adoção de técnicas de alfaiataria inglesas renomadas, abrangendo diversos contextos culturais.\u003C/p>","\u003Cp>Design de Moda como Cultura Material\u003C/p>",{"keywords":103,"excerpt":104,"title":105},"\u003Cp>fashion design, culture, material culture\u003C/p>","\u003Cp>This study researches fashion design as material culture, focusing on the identification of design elements as emissaries of cultural values, ideas and knowledge of the designer as representative of the cultural context where he/she belongs. Under this viewpoint, two creations of the English designer Vivienne Westwood, from different collections, are examined. The methodological approach is Material Culture, with data collection by means of the method devised by Jules Prown. It is found that Westwood’s designs change from the counterculture expression to the adoption of English renowned tailoring techniques, encompassing diverse cultural contexts.\u003C/p>","\u003Cp>Fashion Design as Material Culture\u003C/p>",[107],"fashion-design-as-material-culture",{"target":109,"query":110},"articles/get",{"slug":107},1780315986861]