[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"article:extended-design-an-amplified-notion-of-design-concept":3},{"success":4,"article":5,"request":79},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":68,"slugs":77,"slug":78},"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",[8,9],"primary","secondary","a718d2c4-807c-4521-a4e5-7bad41ccf096",[12,16],{"lastName":13,"name":14,"_id":15},"Bungarten","Vera","eb9f3fda-0399-44f5-9613-12e80cf0b11a",{"lastName":17,"name":18,"_id":19},"Nojima","Vera Lucia","e9afc149-57e0-447b-ba5d-5f0875eb5ad9",{"startPage":21,"references":22,"endPage":65,"track":66,"has_file":4,"doi":67},305,[23,26,29,32,35,38,41,44,47,50,53,56,59,62],{"label":24,"id":25},"\u003Cp>BAUMANN, Zygmunt. \u003Cstrong>Modernidade Líquida\u003C/strong>. Rio de janeiro: Jorge Zahar, 2001\u003C/p>","bc95d406-5af9-4412-8aa8-e20dc53904ee",{"label":27,"id":28},"\u003Cp>BOMFIM, Gustavo A. Fundamentos de uma teoria transdisciplinar do Design; morfologia dos objetos de uso e sistemas de comunicação. In \u003Cstrong>Estudos em Design\u003C/strong>, V.V. n.2 Rio de Janeiro: AEND, 1997.\u003C/p>","96b43705-8629-4c0e-acea-3395d8517acd",{"id":30,"label":31},"ba263e5d-5253-42e0-a332-62f448f35bbe","\u003Cp>BONSIEPE, Gui. \u003Cstrong>Ulmer Modelle, Modelle nach Ulm\u003C/strong> org. Hatje Cantz. Ulmer Museum- hfg-archiv. Ostfildern : Hatje Cantz Verlag, 2003\u003C/p>",{"label":33,"id":34},"\u003Cp>DELEUZE, Gilles ; GUATTARI, Felix. \u003Cstrong>Mil Platôs\u003C/strong>. Capitalismo e Esquizofrenia. Vol I. São paulo : Editora 34,1995.\u003C/p>","d8278b4e-6732-44b0-b80c-0b7b9d2e3973",{"id":36,"label":37},"cd0c69dc-70df-4440-a48a-3713ffb6ea04","\u003Cp>DUBOIS, Philippe. La question du figural dans TAMINAUX, P., MURCI, C. \u003Cstrong>Cinéma Art(s) Plastique(s)\u003C/strong>. Paris: L’Harmattan, 2004\u003C/p>",{"label":39,"id":40},"\u003Cp>FIEDLER , Jeannine. \u003Cstrong>Bauhaus\u003C/strong>. org. Fiedler, Jeannine e Feierabend, Peter. Tandem Verlag, 2006/2007\u003C/p>","995015e2-c2b4-4bb0-a898-e2950b5d0d99",{"label":42,"id":43},"\u003Cp>FLUSSER, Vilén. \u003Cstrong>O mundo codificado\u003C/strong>. São Paulo: Cosac-Naify, 2007.\u003C/p>","fcea26c1-2983-4809-bc97-08cb23f694cb",{"label":45,"id":46},"\u003Cp>FORTY, Adrian. \u003Cstrong>Objetos de Desejo\u003C/strong> - Design e sociedade desde 1750. São Paulo: Cosac-Naify, 2007.\u003C/p>","05454db3-e9ff-4b60-bd71-9abf63f04fb9",{"label":48,"id":49},"\u003Cp>FOSTER, Hal. \u003Cstrong>Design and Crime\u003C/strong>. London: Verso, 2003.\u003C/p>","51603968-8c16-46cf-819f-0ddd4c379627",{"label":51,"id":52},"\u003Cp>GAILLEMIN, Jean-Louis. Contre tout contre in \u003Cstrong>Design contre Design\u003C/strong>. Paris: ADAGP, 2007.\u003C/p>","482dfbed-adff-4414-a0ec-56b66ae63648",{"label":54,"id":55},"\u003Cp>MOHOLY-NAGY, Lazlo. \u003Cstrong>Vision in Motion\u003C/strong>. Chicago, Paul Theobald, 1947.\u003C/p>","c2f751c5-0117-4457-b71c-873cbf9c65cf",{"label":57,"id":58},"\u003Cp>ROHE van der, Mies. \u003Cstrong>Bauhaus\u003C/strong>. org. Fiedler, Jeannine e Feierabend, Peter. Tandem Verlag, 2006/2007\u003C/p>","35de821d-d6f6-40b5-85e3-8136f8190eef",{"label":60,"id":61},"\u003Cp>SOMAINI, Antonio. Kino als Mumifizierung und Geschichte as Montage. in \u003Cstrong>Zeitschrift für Medienwissenschaft\u003C/strong>, N.4 (1/2011). Berlin : Akademie Verlag, 2011\u003C/p>","53389a85-6083-48a4-bcc7-fe83120bb502",{"label":63,"id":64},"\u003Cp>ZIBEL COSTA, Carlos. \u003Cstrong>Além das Formas\u003C/strong>. São Paulo: Annablume, 2010.\u003C/p>","8fa59740-a5b2-45d9-9151-d4e01f627503",314,"qa4os5xk","",{"primary":69,"secondary":73},{"keywords":70,"excerpt":71,"title":72},"\u003Cp>Design estendido, conceitos de Design, fundamentos do Design\u003C/p>","O presente trabalho propõe uma reflexão sobre um conceito ampliado do território do Design, das suas atribuições e a abrangência da sua atuação. Revê e analisa as relações de interdisciplinaridade, de absorção, de mescla ou de fusão com outros campos de produção de conhecimento e áreas de atividade, seguindo sua trajetória nos contextos históricos, culturais e políticos de cada época. Desde a fundação como disciplina, o Design mostra essa característica abrangente e transversal, reconsiderada no momento atual quando estende seu campo de ação, ganha terreno, interconecta-se, identifica-se e se funde com outros campos teóricos e práticos.","Extended Design: Uma Noção Ampliada do Conceito de Design.",{"keywords":74,"excerpt":75,"title":76},"\u003Cp>Extended Design, Design concepts, Design groundings\u003C/p>","This paper offers a reflection about an extended concept of the Design territory, its attributions and tasks. It undertakes an analysis of the relation between Design and other areas, considering interdisciplinarity, melting, absorption or fusion with these champs. Since its settlement as a defined discipline, Design shows its transversal and global feature. This quality is being re-considered now, since Design is in a strong process of interconnection with many other theoretical and practical disciplines.","Extended Design: An Amplified Notion of Design Concept",[78],"extended-design-an-amplified-notion-of-design-concept",{"target":80,"query":81},"articles/get",{"slug":78},1780315986430]