[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"article:draping-a-tridimensional-sketch":3},{"success":4,"article":5,"request":59},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":24,"data":48,"slugs":57,"slug":58},"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",[8,9],"primary","secondary","63e1e4f2-7736-4064-9cb4-236d71cda6cc",[12,16,20],{"lastName":13,"name":14,"_id":15},"Machado","Luciene","cdeadc14-2633-4741-9c8c-adb0f44afd88",{"lastName":17,"name":18,"_id":19},"Scaletsky","Celso Carnos","ee0d7449-c49b-4f92-9bbf-29e14ab5ca24",{"lastName":21,"name":22,"_id":23},"Franzato","Carlo","4398da0b-c7d7-4192-8432-c703bc0532d1",{"startPage":25,"references":26,"endPage":45,"track":46,"has_file":4,"doi":47},6397,[27,30,33,36,39,42],{"label":28,"id":29},"\u003Cp>ARNHEIM, Rudolf. Scketing and the psychology of Design. \u003Cstrong>Design Studies\u003C/strong>, nº. 2, p. 15-19, 1993.\u003C/p>","d5a4322e-6878-4f8d-819e-831cbf792dba",{"id":31,"label":32},"f710b725-4b6e-433f-9577-b6201a937a5a","\u003Cp>AUGÉ, Claude; AULGÉ, Paul. \u003Cstrong>Larousse Classique Illustré\u003C/strong>. Paris: Librairie Larousse, 1952.\u003C/p>",{"label":34,"id":35},"\u003Cp>GOLDSCHMIDT, Gabriela. On visual design thinking: the vis kids of architecture. \u003Cstrong>Design Studies\u003C/strong>, nº. 2, p. 158-174, v. 15, apr 1994.\u003C/p>","de5eb649-563c-41de-8c94-8348f620ffee",{"label":37,"id":38},"\u003Cp>JONES, Sue Jenkyn. Moulage. In: \u003Cstrong>Fashion design, manual do estilista\u003C/strong>. São Paulo: Cosac Naify, 2005. Cap. 5, p. 149-155.\u003C/p>","13e7aa76-c9a0-4b12-ab73-bb1fb32beb18",{"id":40,"label":41},"e53d8947-cba9-4289-bc6b-cb93a61ff0d5","\u003Cp>SCHÖN, Donald. Ensinando o talento artístico através da reflexão-na-ação. In: \u003Cstrong>Educando o Profissional Reflexivo\u003C/strong>: um novo design para o ensino e a aprendizagem. Porto Alegre: Artes Médicas Sul, 2000. Cap. 2, p. 29-42.\u003C/p>",{"label":43,"id":44},"\u003Cp>SILVEIRA, Icléia. Moulage – ferramenta para o design do vestuário. \u003Cstrong>Estudos em design\u003C/strong>, nº. 1, p. 23-35, v. 10, fev 2003.\u003C/p>","35cfbb2a-73e6-4976-8bda-e823b2dbcf18",6402,"twj44ghl","",{"primary":49,"secondary":53},{"keywords":50,"excerpt":51,"title":52},"\u003Cp>esboço, moulage, processo de projeto e pensamento visual\u003C/p>","A moulage pode ser considerada um esboço tridimensional? A partir desta questão, o artigo propõe contextualizar o problema, explorando o esboço como ferramenta do pensamento visual no processo de projeto, estabelecendo um paralelo com a técnica de moulage utilizada pelo design de moda na criação de uma coleção. O objetivo é verificar se a técnica de moulage pode ser considerada um esboço, identificando semelhanças e diferenças entre os mesmos durante o processo de projeto. Para fundamentar o problema, será apresentada uma revisão teórica de estudos anteriores sobre esboço, segundo Goldschmidt, Arnheim e Schön.","Moulage: Um Esboço Tridimensional?",{"keywords":54,"excerpt":55,"title":56},"\u003Cp>sketch, draping, project process and visual thinking\u003C/p>","Can draping be considered a tridimensional sketch? From this question, the paper intends to contextualize this problem, exploring the sketch as a tool of visual thinking in the project process, establishing a parallel view with draping technique which is used to create a collection project by fashion design. The aim of the present study is to check if draping can be considered a sketch, identifying similarities and differences between them during the project process. To support this idea it will be shown a theorical review of some studies about sketch according to Goldschmidt, Arnheim and Schön.","Draping: A Tridimensional Sketch?",[58],"draping-a-tridimensional-sketch",{"target":60,"query":61},"articles/get",{"slug":58},1780315979629]