[{"data":1,"prerenderedAt":103},["ShallowReactive",2],{"article:design-versus-crafts-identities-and-contrasts":3},{"success":4,"article":5,"request":100},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":89,"slugs":98,"slug":99},"f43247ba-af93-4a8a-898e-651ef65d9bd2",[8,9],"primary","secondary","aee282eb-b313-4355-9d31-c90cf9cff76f",[12,16],{"lastName":13,"name":14,"_id":15},"Eguchi","Haroldo Coltri","299c1991-1d5e-4851-a4be-3bb61f3e8c6f",{"lastName":17,"name":18,"_id":19},"Pinheiro","Olympio José","61aef9e6-bacc-4d22-b3a7-1f7a2f581343",{"startPage":21,"references":22,"endPage":86,"track":87,"has_file":4,"doi":88},"1673",[23,26,29,32,35,38,41,44,47,50,53,56,59,62,65,68,71,74,77,80,83],{"label":24,"id":25},"BONSIEPE, Gui. \u003Cstrong>Teoría y práctica del diseño industrial\u003C/strong>. Barcelona: Gustavo Gili, 1978.","ff4d0383-9ad2-4938-95e5-33edd57c5919",{"label":27,"id":28},"BOSONI, Giampiero. \u003Cstrong>il Modo Italiano\u003C/strong>; Italian Design and Avant-garde in the 20th Century. Torino: Skira Editore S.p.A., 2006.","d6a2adeb-b8f2-4d70-a639-c78809a1a073",{"label":30,"id":31},"BRANZI, Andréa. \u003Cstrong>Learning from Milan\u003C/strong>; Design an the Second Modernity. Cambridge: MIT Press Edition, 1988.","92627050-e200-45eb-8a53-a989fa1fcb6c",{"label":33,"id":34},"BÜRDEK, Bernhard E. \u003Cstrong>História, teoria e prática do design de produtos\u003C/strong>. São Paulo: Edgard Blücher, 2006.","8ecf07f2-bb23-42b5-b189-1e11a887a92a",{"label":36,"id":37},"DE FUSCO, Renato. \u003Cstrong>Historia del diseño\u003C/strong>. Barcelona: Santa & Cole, 2005.","1202bd42-c907-47f1-a78d-62ee853fc99a",{"label":39,"id":40},"DENIS, Rafael Cardoso. \u003Cstrong>Uma introdução à história do design\u003C/strong>. São Paulo: Edgard Blücher, 2000.","6969896d-2605-47f0-91f6-dfe6087b840d",{"label":42,"id":43},"DROSTE, Magdalena. \u003Cstrong>Bauhaus Archiv\u003C/strong>. Köln: Taschen, 2006.","dcc84c32-84c5-4d39-9785-7852e8b77404",{"id":45,"label":46},"e189eac5-d05f-4c43-ae8d-406a04c88058","FLUSSER, Vilém. \u003Cstrong>Filosofia del diseño\u003C/strong>. Madrid: Editorial Síntesis, 2002.",{"label":48,"id":49},"FLUSSER, Vilém. \u003Cstrong>O mundo codificado\u003C/strong>: por uma filosofia do design e da comunicação. São Paulo: Cosac Naify, 2007.","ad63faca-3cbb-4e84-a545-042d17b7570f",{"label":51,"id":52},"GROPIUS, Walter. Manifesto Bauhaus. In: \u003Cstrong>ArketektUrbo\u003C/strong>, 2008 (http://www.arkitekturbo.arq.br/bauhaus_manifesto_por.html).","97075231-58cd-40fb-a8a7-0353299e2668",{"label":54,"id":55},"GUIDOT, Raymond. \u003Cstrong>Histoire du design de 1940 à nos jours\u003C/strong>. Paris: Éditions Hazan, 2004.","86a34f70-43c9-40a4-a505-74cab3c57c1c",{"label":57,"id":58},"LACOSTE, Jean. \u003Cstrong>A Filosofia da Arte\u003C/strong>. Rio de Janeiro: Jorge Zahar Editor, 1986.","5742958d-042c-409a-978b-e2b8f53cf6c7",{"label":60,"id":61},"LALANDE, André. \u003Cstrong>Vocabulário Técnico e Crítico da Filosofia\u003C/strong>. São Paulo: Martins Fontes, 1999.","46e55b81-be0d-4f24-bdc3-138d9f82fa4a",{"label":63,"id":64},"LÉVI-STRAUSS, Claude. \u003Cstrong>O Pensamento Selvagem\u003C/strong>. Campinas: Papirus, 2007.","5b09de48-b39a-44dc-b5cc-6aa40060eb04",{"label":66,"id":67},"MERLEAU-PONTY, Maurice. \u003Cstrong>Merleau-Ponty\u003C/strong>. São Paulo: Abril Cultural, 1980 (Coleção “Os Pensadores”).","65cd0d6a-b1af-4f36-85a2-28fea62a2884",{"id":69,"label":70},"1121c007-e13d-4ec3-925c-72f18b7f0ccb","OLIVEIRA, Rosimery de Fátima. Experiência Brasileira SENAI. In: \u003Cstrong>CINTERFOR\u003C/strong>, 2008. (http://www.cinterfor.org.uy/public/spanish/region/ampro/cinterfor/newsroom/conf/rio/pon/oliveir/index.htm).",{"label":72,"id":73},"PEVSNER, Nikolaus. \u003Cstrong>Os Pioneiros do Desenho Moderno\u003C/strong>. São Paulo: Martins Fontes, 2002.","36f43178-643b-47d5-aa87-1bfca3e91c0f",{"label":75,"id":76},"PINHEIRO, Olympio. \u003Cstrong>História em Cacos\u003C/strong>; Memorial do Azulejo Colonial no Brasil. São Paulo: FFLCH - USP, 1991. vol. 1.","9790a16c-407e-4be0-b881-1f987bdcd617",{"label":78,"id":79},"PINHEIRO, Olympio. A aura e seus avatares: do azulejo colonial à tecno-imagem. In: \u003Cstrong>Pesquisa em Artes Plásticas\u003C/strong>. Porto Alegre: Ed. Universidade/UFRGS/ANPAP, 1993.","322bcd47-1826-4f27-9e79-ed3db49779b2",{"label":81,"id":82},"PINHEIRO, Olympio. A Encruzilhada de Janus Bifrons: Arte, Ciência e Tecnologia na contemporaneidade. In: \u003Cstrong>Anais do 16º. Congresso da ANPAP\u003C/strong>. Florianópolis: ANPAP, 2007.","f32fdc44-9786-41b2-83e3-2586c5e2040f",{"label":84,"id":85},"WOLFE, Tom. \u003Cstrong>From Bauhaus to our house\u003C/strong>. New York: Farrar, Straus and Giroux, 1981.","ff850ba1-25c3-471e-90e5-d1c30cce874f","1679","y9g4z78z","",{"primary":90,"secondary":94},{"keywords":91,"excerpt":92,"title":93},"\u003Cp>design e estética, design e cultura, design, arte e tecnologia\u003C/p>","\u003Cp>Percebem‐se pelo menos três visões distintas sobre a origem do design, sendo mais difundida a que situa seu inicio com a Revolução Industrial. Há quem veja o design como herdeiro de um artesanato às vésperas dessa Revolução que já contava com projeto e divisão do trabalho incipientes. Menos difundida é a idéia de que não há diferença tão significativa entre design e artesanato e, portanto, contaria com milênios de história. Supondo o designer herdeiro desta tradição milenar, não seria hora de voltar a reconciliá-lo com o artesanato? Não caberia voltar a defender o resgate de conceitos de projeto anteriores ao modernismo?\u003C/p>","\u003Cp>Design Versus Artesanato: Identidades e Contrastes\u003C/p>",{"keywords":95,"excerpt":96,"title":97},"\u003Cp>design and aesthetics, design and culture, design, art and technology\u003C/p>","\u003Cp>There are at least three different visions about origins of design; the most diffused is the idea that design begins with the Industrial Revolution. Some see the design as heir of a special kind of crafts at Revolution’s eve, because it already have a former project and work division. Less diffused is the idea that there aren’t much significant differences between design and crafts, giving to design some millenniums of history. But, being the designer heir of this millenary tradition isn’t time to reconcile it again with crafts? Shouldn’t we return to defend the rescue of concepts of project before the modernism?\u003C/p>","\u003Cp>Design Versus Crafts: Identities and Contrasts\u003C/p>",[99],"design-versus-crafts-identities-and-contrasts",{"target":101,"query":102},"articles/get",{"slug":99},1780315973998]