[{"data":1,"prerenderedAt":127},["ShallowReactive",2],{"article:design-producao-e-consumo-no-contemporaneo-notas-para-uma-investigacao":3},{"success":4,"article":5,"request":124},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":113,"slugs":122,"slug":123},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",[8,9],"primary","secondary","c663fe0a-c044-4252-b586-4808feca5078",[12,16],{"lastName":13,"name":14,"_id":15},"Amorim","Patricia","2c8c36c8-65ca-4ea0-881d-a06cbc3f75f7",{"lastName":17,"name":18,"_id":19},"Cavalcanti","Virginia Pereira ","c9ac4372-8046-4aa3-a0eb-552255020f15",{"startPage":21,"references":22,"endPage":110,"track":111,"has_file":4,"doi":112},5088,[23,26,29,32,35,38,41,44,47,50,53,56,59,62,65,68,71,74,77,80,83,86,89,92,95,98,101,104,107],{"label":24,"id":25},"\u003Cp>ANDRADE, Ana; CAVALCANTI , Virginia. \u003Cstrong>Imaginário pernambucano\u003C/strong>: design, cultura, inclusão social e desenvolvimento sustentável. Recife: Zoludesign, 2006.\u003C/p>","fbc22812-2a3c-4660-89b9-0a12b9618fd3",{"label":27,"id":28},"\u003Cp>BIZARRO, Patricia; INÁCIO, Luis. Ensaio sobre o medium do design: para além do objeto. \u003Cstrong>Desígnio\u003C/strong>, fev. Seção Design. Disponível em: \u003C http://www.eesc.usp.br/nomads/textos/arq_textos/Des_03_MediumDesign.htm>. Acesso em: 16 nov. 2005.\u003C/p>","40f765d9-7fe6-49c2-ba3e-4d04fb603f04",{"label":30,"id":31},"\u003Cp>BONSIEPE, Gui. \u003Cstrong>Design\u003C/strong>: do material ao digital. Florianópolis: FIESC/IEL, 1999.\u003C/p>","ecd05a2b-0fa6-4a32-98a2-99f420b4ca41",{"label":33,"id":34},"\u003Cp>BORADKAR, Prasad. Beautiful beings: aesthetics in industrial design and cultural studies. In: \u003Cstrong>IDSA NATIONAL EDUCATION CONFERENCE\u003C/strong>, 2004, Pasadena. Disponível em: \u003C http://www.idsa.org/webmodules/articles/articlefiles/Prasad_ Boradkar.pdf>. Acesso em: 17 out. 2006.\u003C/p>","323b00a2-6d4f-4061-89a2-60c9b33e2487",{"label":36,"id":37},"\u003Cp>BÜRDEK, Bernhard. \u003Cstrong>História, teoria e prática do design de produtos\u003C/strong>. São Paulo: Edgard Blücher, 2006.\u003C/p>","f2882f88-eaae-4882-a8c2-7a8f0b7ae28e",{"label":39,"id":40},"\u003Cp>CARDOSO, Rafael. \u003Cstrong>Uma introdução à história do design\u003C/strong>. São Paulo: Edgar Blücher, 2004.\u003C/p>","14114265-e8da-4dbe-8b2d-a6db87f15b57",{"label":42,"id":43},"\u003Cp>CARVALHO, Nelly. \u003Cstrong>Empréstimos lingüísticos\u003C/strong>. Recife: UFPE, 2002.\u003C/p>","1780913b-225c-4dd2-89e5-0478be25663e",{"label":45,"id":46},"\u003Cp>DE MORAIS, Dijon. \u003Cstrong>Limites do design\u003C/strong>. São Paulo: Studio Nobel, 1999.\u003C/p>","0c05b37f-5e7e-4427-8ea5-2cc0cb40d5ae",{"label":48,"id":49},"\u003Cp>DOBERS, Peter; STRANEGÅRD, Lars. Design, lifestyles and sustainability: aesthetic consumption in a world of abundance. \u003Cstrong>Business Strategy and Environment\u003C/strong>, n. 14. 2005.\u003C/p>","449e8eef-07fc-4069-9b15-7cb81de988af",{"label":51,"id":52},"\u003Cp>ESCOREL, Ana Luisa. \u003Cstrong>O efeito multiplicador do design\u003C/strong>. São Paulo: Senac, 2004\u003C/p>","cc016a6f-247f-43b2-9985-ea4d882b8ce8",{"label":54,"id":55},"\u003Cp>FAGGIANI, Kátia. \u003Cstrong>O poder do design\u003C/strong>: da ostentação à emoção. Brasília: Thesaurus, 2006.\u003C/p>","eb7728e4-1adc-40e0-87cc-356b3858177f",{"label":57,"id":58},"\u003Cp>JULIER, Guy. \u003Cstrong>The culture of design\u003C/strong>. London, Thousand Oaks, New Delhi: Sage Publications, 2000.\u003C/p>","5d3c46e2-4ea7-4d76-ae19-72139bf47c94",{"label":60,"id":61},"\u003Cp>KOTLER, Philip. \u003Cstrong>Administração de marketing\u003C/strong>. São Paulo: Pearson Prentice Hall, 2000.\u003C/p>","cf92f85c-1e0e-46a9-9f0f-52dc2454f725",{"label":63,"id":64},"\u003Cp>LIPOVETSKY, Gilles. Luxo eterno, luxo emocional. In: Lipovetsky, Gilles; Roux, Elyette. \u003Cstrong>O luxo eterno\u003C/strong>: da idade do sagrado ao tempo das marcas. São Paulo: Companhia das Letras, 2005.\u003C/p>","97ec3ab7-a9b3-4441-8b55-25c78a5db828",{"label":66,"id":67},"\u003Cp>LÖBACH, Bernd. \u003Cstrong>Design industrial\u003C/strong>: bases para a configuração dos produtos industriais. São Paulo: Edgar Blücher, 2001.\u003C/p>","72b27496-345d-4b8a-88d9-21fea47eed5b",{"label":69,"id":70},"\u003Cp>MASLOW, Abraham. \u003Cstrong>Motivation and personality\u003C/strong>. New York: HarperCollins, 1970.\u003C/p>","f52d409c-7e96-4797-bd29-f6064a80d4f7",{"label":72,"id":73},"\u003Cp>MOURA, Mário. O design na era do design: a moral das coisas. \u003Cstrong>Nada\u003C/strong>, Porto, n. 05, p. 56-67, jun. 2005.\u003C/p>","a024a151-63dd-42c3-b4ad-a5b18e44af45",{"id":75,"label":76},"85614dd2-ae6f-40bc-933d-ee5bbbacc3df","\u003Cp>NIEMEYER, Carla. \u003Cstrong>Marketing no design gráfico\u003C/strong>. Rio de Janeiro: 2AB, 2002.\u003C/p>",{"id":78,"label":79},"10d91d73-5538-419e-90e6-a2e2a0c36085","\u003Cp>NIEMEYER, Lucy. \u003Cstrong>Design no Brasil\u003C/strong>: origens e instalações. Rio de Janeiro: 2AB, 2000.\u003C/p>",{"id":81,"label":82},"409e93b1-fa2a-430c-9186-4454b4e8ed74","\u003Cp>NORMAN, Donald. \u003Cstrong>Emotional design\u003C/strong>: why we love (or hate) everyday things. New York: Basic Books, 2004.\u003C/p>",{"label":84,"id":85},"\u003Cp>O’GRADY, Jennifer; O’GRADY, Kenneth. \u003Cstrong>A designer’s research manual\u003C/strong>: succeed in design by knowing your client and what they really need. Gloucester: Rockport, 2006.\u003C/p>","7685dea3-9873-48c8-b663-c07c48a87ac1",{"label":87,"id":88},"\u003Cp>ONO, Maristela Misuko. Design, cultura e identidade no contexto da globalização. \u003Cstrong>Revista Design em Foco\u003C/strong>. v. 1, n.1, jul/dez, 2004.\u003C/p>","d0907d58-910c-4d42-befc-6dcba803fdbd",{"label":90,"id":91},"\u003Cp>PAPANEK, Victor. \u003Cstrong>Design for the real world\u003C/strong>: human ecology and social change. New York: Pantheon Book, 1971.\u003C/p>","dd84a344-2c1c-4f70-9211-8e427a3fc701",{"label":93,"id":94},"\u003Cp>POSTREL, Virginia. \u003Cstrong>The substance of style\u003C/strong>: how the rise of aesthetic value is remaking commerce, culture, and consciousness. New York: HarperCollins, 2003.\u003C/p>","ad232111-279f-4de4-a81f-a878dbb623b5",{"label":96,"id":97},"\u003Cp>POYNOR, Rick. First things first revisited. \u003Cstrong>Emigre\u003C/strong>, n. 51. Essays. Disponível em: \u003C http://www.emigre.com/Editorial.php?sect=1&id=13>. Acesso em: 4 abr. 2007.\u003C/p>","74d7ba7b-7501-4f01-854d-ca2d5c3483fa",{"label":99,"id":100},"\u003Cp>QUEREDA, Pedro Fenollar. \u003Cstrong>Estilos de vida\u003C/strong>: paradigma del mercado. Originalmente apresentada como tese de doutorado, Facultad de Ciencias Políticas y Sociologia, Universidad Complutense de Madrid, 2003.\u003C/p>","670b44f4-d3ab-4875-90c7-d162952850d1",{"label":102,"id":103},"\u003Cp>SAMARA, Beatriz; MORSCH, Marco Aurélio. \u003Cstrong>Comportamento do consumidor\u003C/strong>: conceitos e casos. São Paulo: Prentice Hall, 2005.\u003C/p>","2d89e6ae-5171-4ccc-a6f5-cf4f9eae7160",{"label":105,"id":106},"\u003Cp>SCHIFFMAN, Leon.; KANUK, Leslie. \u003Cstrong>Comportamento do consumidor\u003C/strong>. Rio de Janeiro: LTC, 2000.\u003C/p>","e38e4fca-ca12-452c-a28b-e25a3af3256c",{"label":108,"id":109},"\u003Cp>WHITELEY, Nigel. \u003Cstrong>Design for society\u003C/strong>. Londres: Reaktion Books, 1993.\u003C/p>","b702b790-2b30-48d5-a8bd-e8bf291c34d2",5099,"uwzsjq","",{"primary":114,"secondary":118},{"keywords":115,"excerpt":116,"title":117},"\u003Cp>design, produção, consumo\u003C/p>","O design e seu emprego têm sido objeto de crítica, reflexão e renovação constante. Confirmando-se, por um lado, como um locus privilegiado para a experimentação, para a evolução e para a preservação da cultura material e imaterial em toda sua diversidade, e ressoando também os conflitos e jogos de poder que marcam as sociedades em que ele se faz presente. Neste artigo, apontamos fundamentos para a compreensão desse cenário no contemporâneo, com foco nas questões de necessidades e desejos e como o marketing tem atuado junto ao design no atendimento a essas demandas.","Design, Produção e Consumo no Contemporâneo: Notas para uma Investigação",{"keywords":119,"excerpt":120,"title":121},"\u003Cp>design, production, consumption\u003C/p>","Design and its use have been the object of criticism, reflection, and constant renewal. Confirming itself as a locus for experimentation, for evolution and for the preservation of tangible and intangible culture in all its diversity. And also resonating conflicts and power struggles that characterize the societies in which it is present. In this paper, we point out foundations for the understanding of the contemporary scene, focusing on the issues of needs and desires and how marketers have worked together to provide satisfaction for the consumers.","Contemporary Design, Production and Consumption: Notes for an Investigation",[123],"design-producao-e-consumo-no-contemporaneo-notas-para-uma-investigacao",{"target":125,"query":126},"articles/get",{"slug":123},1780315972895]