[{"data":1,"prerenderedAt":126},["ShallowReactive",2],{"article:design-and-music-consumption-the-media-formats-impact-on-consumer-emotion":3},{"success":4,"article":5,"request":123},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":28,"data":112,"slugs":121,"slug":122},"1c7b273e-f07d-460b-a89f-47ffe8ea1d13",[8,9],"primary","secondary","16b16359-0430-4eb0-b609-91bf307f6c4b",[12,16,20,24],{"lastName":13,"name":14,"_id":15},"Bitelo","Chaiane","f6eaa2fb-ea31-4119-ba70-2bb1ade91492",{"lastName":17,"name":18,"_id":19},"Costa","Filipe Campelo Xavier da","afa46fdf-e429-46cd-ae85-b09569ec222c",{"lastName":21,"name":22,"_id":23},"Di Pinto","Charles","c1abde1d-4428-47ab-85fa-b7b7f3128adb",{"lastName":25,"name":26,"_id":27},"Finestrali","Marina","018c8eaa-d1c2-4455-a4e2-afddea5e6825",{"startPage":29,"references":30,"endPage":109,"track":110,"has_file":4,"doi":111},2948,[31,34,37,40,43,46,49,52,55,58,61,64,67,70,73,76,79,82,85,88,91,94,97,100,103,106],{"id":32,"label":33},"6cf895dd-1be2-48e7-b267-3b8c227c250c","\u003Cp>AYROSA, E., SAUERBRONN, J.F., BARROS, D. (2007). Bases sociais das emoções do consumidor – uma abordagem complementar sobre emoções e consumo, Encontro Nacional da ANPAD. In: \u003Cstrong>ENCONTRO NACIONAL DA ANPAD\u003C/strong>. Rio de Janeiro: ANPAD.\u003C/p>",{"id":35,"label":36},"a601983c-0143-4567-9f63-6b8b425fd08d","\u003Cp>BARBOSA, M.L. (2006). Bem-vindo a uma experiência extraordinária: proposições para uma interpretação sobre consumo de serviços, Encontro de Marketing da ANPAD. Rio de Janeiro: ANPAD.\u003C/p>",{"id":38,"label":39},"fef23300-91f9-440a-9d2a-b4e79706e2c4","\u003Cp>BLACKWELL, R.; MINIARD, P., ENGEL, J. (2005) \u003Cstrong>Comportamento do consumidor\u003C/strong>. São Paulo: Pioneira Thomson Learning.\u003C/p>",{"id":41,"label":42},"2d899b20-08fb-49b6-bbe0-0bf28879b353","\u003Cp>CHITTURI, R., RAGHUNATHAN, R., & MAHAJAN, V. (2008). Delight by Design: The Role of Hedonic Versus Utilitarian Benefits. \u003Cstrong>Journal of Marketing\u003C/strong>, 72.\u003C/p>",{"id":44,"label":45},"6e1ce1cc-f410-458c-ab49-2684e99ace1d","\u003Cp>DAVID, P., HORTON, B., GERMAN, T. (2008). Dynamics of Entertainment and Affect in a Super Bowl Audience: A Multilevel Approach. \u003Cstrong>Communication Research\u003C/strong>, London, 35 (3), 398-420.\u003C/p>",{"id":47,"label":48},"4f34d3b7-98cd-4734-8bb1-a7c2f8401560","\u003Cp>FIRAT, A. F, DHOLAKIA, N. (1998). \u003Cstrong>Consuming People: From Political Economy to Theaters of Consumption\u003C/strong>. London: Sage.\u003C/p>",{"id":50,"label":51},"1166ac4a-5766-4dff-ba15-94e2bc253bdf","\u003Cp>FRANNINOVIC, K., HUG, D., VISELL, Y. (2007) Sound embodied: explorations of sonic interaction design for everyday objects in a workshop setting. \u003Cstrong>Proceedings of the 13th International Conference on Auditory Display\u003C/strong>. Montreal: ICAD, 334-341.\u003C/p>",{"id":53,"label":54},"d0cb9e3e-0dd8-45dd-a963-70463fecd247","\u003Cp>FRANNINOVIC, K., VISELL, Y. (2008). Strategies For Sonic Interaction Design: From Context To Basic Design. \u003Cstrong>14th International Conference on Auditory Display\u003C/strong>. Paris: International Conference on Auditory Display, 1-8.\u003C/p>",{"id":56,"label":57},"159c55b9-23b1-41f1-a4e5-fc1d92055f3f","\u003Cp>HAWKINS D., MOTHERSBAUGH, D. L., BEST, R. (2007). \u003Cstrong>Comportamento do Consumidor: Construindo a Estratégia de Marketing\u003C/strong>. Rio de Janeiro: Elsevier.\u003C/p>",{"id":59,"label":60},"cce3fc27-1a20-4217-8e16-30a1465b2301","\u003Cp>HOIUX, O. et al. (2009). Sonic interactions, naturalness, usability and emotions. Premises for a computing model. \u003Cstrong>Closing the Loop of Sound Evaluation and Design (CLOSED)\u003C/strong>. Paris: Closing the Loop of Sound Evaluation and Design (CLOSED), 1-35.\u003C/p>",{"id":62,"label":63},"994b4784-6705-4713-8a6b-d4733e0a8e81","\u003Cp>HOLBROOK, M. B.; HIRSCHMAN, E.C. (1982). The Experiential Aspects of Consumption: Consumer Fantasy, Feelings and Fun, \u003Cstrong>Journal of Consumer Research\u003C/strong>, 9(2): 132-140.\u003C/p>",{"id":65,"label":66},"176c2a94-a706-4e98-8d43-d8627088eedd","\u003Cp>INTERNATIONAL Federation of the Phonographic Industry. (2009). \u003Cstrong>The recording industry in numbers 2009\u003C/strong>. London: IFPI.\u003C/p>",{"id":68,"label":69},"238b5a9c-9bba-49f9-a887-5abfd82044b9","\u003Cp>KUSEK, D.; GERD, L. (2005). \u003Cstrong>The Future of Music\u003C/strong>. Boston: Berklee Press.\u003C/p>",{"id":71,"label":72},"03505afe-37d1-40f2-beca-b3d8194699c1","\u003Cp>LEVITIN, D. J. (2006). \u003Cstrong>This is your brain on music: the science of a human obsession\u003C/strong>. New York: Penguin Group.\u003C/p>",{"id":74,"label":75},"7dad5463-3f55-48f5-ba21-e0d8efedb04d","\u003Cp>LINDSTROM, M. (2008). \u003Cstrong>Buyology: Truth and Lies About Why We Buy\u003C/strong>. Random House Business Books, 2008.\u003C/p>",{"id":77,"label":78},"7e953dbf-7ea3-4723-bc65-bdf5fd0f9f7c","\u003Cp>LIPOVETSKY, G. (2004). \u003Cstrong>Os tempos hipermodernos\u003C/strong>. São Paulo: Editora Barcarolla.\u003C/p>",{"id":80,"label":81},"6a78c181-0d07-4757-8721-93f6f3405a08","\u003Cp>MAFFESOLI, M. (2002). \u003Cstrong>O tempo das tribos\u003C/strong>. 3ª ed. Rio de Janeiro: Forense Universitária.\u003C/p>",{"id":83,"label":84},"b7a3f6f5-d305-48ea-8711-11c99417393e","\u003Cp>McCRACKEN, G. (2003). \u003Cstrong>Cultura e consumo: novas abordagens ao caráter simbólico dos bens e das atividades de consumo\u003C/strong>. Rio de Janeiro: Mauad.\u003C/p>",{"id":86,"label":87},"68c678c1-c3fd-4d0c-8477-c70dbb26e004","\u003Cp>McLUHAN, M. (1992). \u003Cstrong>Understanding Media\u003C/strong>. Cambridge: MIT Press.\u003C/p>",{"id":89,"label":90},"f3752ac7-6d6a-4694-943e-3a2ef784713b","\u003Cp>NORMAN, D. A. (2008). \u003Cstrong>Design emocional: por que adoramos (ou detestamos) os objetos do dia-a-dia\u003C/strong>. Rio de Janeiro: Rocco.\u003C/p>",{"id":92,"label":93},"87ccd710-b8c7-4ba5-865a-43840a055dc1","\u003Cp>OLIVER, R. L. (1993). Cognitive, affective, and attribute bases of the satisfaction response. \u003Cstrong>Journal of Consumer Research\u003C/strong>, 20, p. 418-430.\u003C/p>",{"id":95,"label":96},"a6e39df5-d937-4582-831f-01f1b11aba83","\u003Cp>OLIVER, R. L. (1997) \u003Cstrong>Satisfaction: a behavioral perspective on the consumer\u003C/strong>. The McGraw Hill.\u003C/p>",{"id":98,"label":99},"14496192-6d73-431a-9481-09fe7ba62f61","\u003Cp>SCHERER, K.R. (2001). Appraisals considered as a process of multilevel sequential checking, In K. Scherer, A. Schorr & T. Johnstone (Eds.), \u003Cstrong>Appraisal processes in emotion: Theory\u003C/strong>, 92-120.\u003C/p>",{"id":101,"label":102},"15678918-5081-4000-b7f7-f6d22958cc58","\u003Cp>SCHERER, K.R. (2005). What are emotions? And how can they measured, \u003Cstrong>Social Science Information\u003C/strong>, vol. 4, 695-729.\u003C/p>",{"id":104,"label":105},"36901787-76ff-4b81-b04c-9f7c71c273cd","\u003Cp>UNIVERSITY OF HERTFORDSHIRE. (2008). \u003Cstrong>Music Experience and Behaviour in Young People\u003C/strong>. Main Findings and Conclusions. [S.l.]: British Music Rights, 1-41.\u003C/p>",{"id":107,"label":108},"573c231d-add0-4190-8aaf-404636e7c177","\u003Cp>WATSON, D., CLARK, A., TELLEGEN, A. (1988). Development and validation of brief measures of positive and negative affect: The PANAS Scales. \u003Cstrong>Journal of Personality and Social Psychology\u003C/strong>, 54, 1063-1070.\u003C/p>",2959,"uwzsjq","",{"primary":113,"secondary":117},{"keywords":114,"excerpt":115,"title":116},"\u003Cp>Design, emoção, música, mídia\u003C/p>","Este artigo discute a relação entre emoção e design, concentrando-se especificamente no design de experiências. O objeto de análise é um aspecto da experiência musical, o tipo de mídia (ou situação de consumo). Para tanto, um estudo experimental com estudantes foi realizado, visando identificar diferenças na percepção de emoções após exposição a uma música através de mídias diferentes: fonograma (áudio), clipe musical (vídeo) e experiência ao vivo (show). Os resultados apontaram diferenças, sugerindo a importância de fatores de ordem social na percepção individual das emoções.","Design e Consumo Musical: Impacto dos Novos Formatos da Mídia nas Emoções do Consumidor",{"keywords":118,"excerpt":119,"title":120},"\u003Cp>Design, emotion, music, media\u003C/p>","This article discusses the relationship between emotion and design, focusing on a specific type of experience design: musical consumption. An aspect of musical experience – media type (or consumption context) – is the object of analysis. This was carried out by means of an experimental study with students, seeking to identify differences in their perception of emotions after having been exposed to a song via different media: a sound recording (audio only), a music video and the live concert experience. The results point to the existence of differences, suggesting the importance of socially relevant factors in the individual perception of emotions.","Design and Music Consumption: The Media Formats Impact on Consumer Emotion",[122],"design-and-music-consumption-the-media-formats-impact-on-consumer-emotion",{"target":124,"query":125},"articles/get",{"slug":122},1780315964289]