[{"data":1,"prerenderedAt":68},["ShallowReactive",2],{"article:design-and-music-an-experience-through-the-creative-process":3},{"success":4,"article":5,"request":65},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":24,"data":54,"slugs":63,"slug":64},"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",[8,9],"primary","secondary","b628d194-b915-4e8e-8151-64ac360f40da",[12,16,20],{"lastName":13,"name":14,"_id":15},"Neves","Carla Arcoverde Aguiar","2a0a8b23-a1e0-4661-b7f1-d3bfdc5e58c4",{"lastName":17,"name":18,"_id":19},"Santos","Rodrigo Gonçalves dos","4c9d2704-e008-495e-80bd-82b6d84b00d3",{"lastName":21,"name":22,"_id":23},"Schmitt","Luciano Ernesto Arnold","d505c503-03e4-4cde-8c84-4dc8c314354a",{"startPage":25,"references":26,"endPage":51,"track":52,"has_file":4,"doi":53},6539,[27,30,33,36,39,42,45,48],{"label":28,"id":29},"\u003Cp>CYTOWIC, R. Synaesthesia, phenomenology and neurophsychology. Em: Baron-Cohen, S. e Harrison, J. (Ed). \u003Cstrong>Synaesthesia, classic and contemporary readings\u003C/strong>. Cambridge: Blackwell Publishers, 1997.\u003C/p>","e21a82d3-b3d2-465e-b789-0d09a271d19b",{"label":31,"id":32},"\u003Cp>GOMES, Filipa. \u003Cstrong>A música na obra de Kandinsky\u003C/strong>. Lisboa: Universidade de Lisboa Faculdade de Belas Artes, 2003.\u003C/p>","8ecd0003-56e0-48d3-95c9-6aec5e4b540c",{"label":34,"id":35},"\u003Cp>MERLEAU-PONTY, Maurice. . \u003Cstrong>Fenomenologia da percepção\u003C/strong>. 2. ed. São Paulo: Martins Fontes, 1999.\u003C/p>","7fa9a6f1-9397-4657-8764-b18710c0b758",{"label":37,"id":38},"\u003Cp>MORAES, J. Jota. \u003Cstrong>O que é música\u003C/strong>. São Paulo: Brasiliense S.A, 1985.\u003C/p>","94d689d7-338f-45cc-be00-31447769489a",{"label":40,"id":41},"\u003Cp>OSTROWER, Fayga. \u003Cstrong>Criatividade e processos de criação\u003C/strong>. 9 ed. Petrópolis: Vozes, 1993.\u003C/p>","2774911f-bbdf-41a1-a772-b20e8299fbb7",{"label":43,"id":44},"\u003Cp>SANTAELLA, Lucia. \u003Cstrong>Matrizes da linguagem do pensamento\u003C/strong>: sonora, visual, verbal. 1. ed. São Paulo: Iluminuras, 2005.\u003C/p>","a2f887ad-6eee-4528-9aeb-b0c9bffa3dfc",{"label":46,"id":47},"\u003Cp>SANTAELLA, Lucia. \u003Cstrong>O que é semiótica\u003C/strong>. São Paulo (SP): Brasiliense, 1983.\u003C/p>","b50dd0f7-4059-401c-acb4-a9b5cd7cb048",{"label":49,"id":50},"\u003Cp>WALL, de Vander. \u003Cstrong>Music in Hospitals\u003C/strong>. N.Y: Russell Sage Foundation, 1946.\u003C/p>","11d053c8-a924-4606-b463-55007c471c4a",6545,"49038n6m","",{"primary":55,"secondary":59},{"keywords":56,"excerpt":57,"title":58},"\u003Cp>design, música, processo criativo\u003C/p>","O presente artigo é fruto de uma pesquisa em andamento do tipo exploratória, que se dá por meio de levantamento bibliográfico e abordagem de temas relacionados ao design, música e fenomenologia, na qual o foco consiste em investigar o poder da música em atuar como mecanismo de linguagem e influenciar sinestesicamente o designer durante o processo criativo.","Design e Música: Uma Experiência Através do Processo Criativo",{"keywords":60,"excerpt":61,"title":62},"\u003Cp>design, music, creative process\u003C/p>","This article is the result of an ongoing study of the exploratory type, which is done through a literature review and approach to issues related to design, music and phenomenology, in which the focus is to investigate the power of music to act as a mechanism language and influence with synesthesia the designer during the creative process.","Design and Music: An Experience Through the Creative Process",[64],"design-and-music-an-experience-through-the-creative-process",{"target":66,"query":67},"articles/get",{"slug":64},1780315964285]