[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"article:art_design_and_emergent_aesthetics":3},{"success":4,"article":5,"request":76},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":65,"slugs":74,"slug":75},"b9a41c2e-d8d9-4c69-89e3-f6e614e4f29e",[8,9],"primary","secondary","659a7029-0879-4247-82da-372a4e655f76",[12,16],{"lastName":13,"name":14,"_id":15},"Hanns","Daniela Kutschat ","cae49384-1063-43bc-8a70-40265462a7f8",{"lastName":17,"name":18,"_id":19},"Arantes","Priscila A.","c2a1d3d5-2261-4da9-8dc6-87dc2e0697c0",{"startPage":21,"references":22,"endPage":62,"track":63,"has_file":4,"doi":64},1584,[23,26,29,32,35,38,41,44,47,50,53,56,59],{"id":24,"label":25},"cda13013-0d46-4d9c-ad35-329001be065a","ARANTES, P.; Arte @ \u003Cstrong>Mídia\u003C/strong>: perspectivas da estética digital. São Paulo:Ed.Senac, 2005.",{"id":27,"label":28},"14b52fed-60eb-44fb-a342-553b125e4a3b","COUCHOT, E. A tecnologia na arte: da fotografia à realidade virtual. Porto Alegre: Editora da UFRGS, 2003.",{"id":30,"label":31},"11831b99-f16f-42ba-9868-ebc86151db7f","EHRLICH, P.R.; RAVEN, P.H. \u003Cstrong>Butterflies and plants: a study in coevolution\u003C/strong>. Periódico \u003Cstrong>Evolution\u003C/strong>, v. 18, p. 586-608, 1964.",{"id":33,"label":34},"038b0e95-ccd3-4f7f-8a41-e9fcbb307dff","HOLLAND, J. \u003Cstrong>Emergence: From Chaos to Order\u003C/strong>. New York: Addison-Wesley, 1997.",{"id":36,"label":37},"35cf589c-d21e-41ab-841e-f56111c5e8b9","GUATTARI, F. \u003Cstrong>Caosmose: um novo paradigma estético\u003C/strong>. Rio de Janeiro: Ed.34, 1992.",{"id":39,"label":40},"8a83f13b-b3bd-41fd-b0e5-12b994dc3422","GELL-MANN, M. (1994): \u003Cstrong>The Quark and the Jaguar\u003C/strong>. New York: Freeman & Co, 1992.",{"id":42,"label":43},"9f95db77-7077-4039-a146-07898531863c","HEYLIGHEN, F. \u003Cstrong>The Science of Self-organization and Adaptivity\u003C/strong>, in: \u003Cstrong>Knowledge Management, Organizational Intelligence and Learning, and Complexity\u003C/strong>, in: \u003Cstrong>The Encyclopedia of Life Support Systems\u003C/strong>, EOLSS Publishers Co. Ltd, 2003. \u003Ca href=\"http://pespmc1.vub.ac.be/Papers/EOLSS-Self-Organiz.pdf\">http://pespmc1.vub.ac.be/Papers/EOLSS-Self-Organiz.pdf\u003C/a>",{"id":45,"label":46},"657c6a55-a8dd-4846-924f-ef55a2bb3d3c","LANGTON, C. G. \u003Cstrong>Artificial Life\u003C/strong>. New York, Addison_Wesley, pp 201—220,1989.",{"id":48,"label":49},"fd526856-a7cb-4c6c-a896-6716c0cc3894","ROTZHEIM, W. \u003Cstrong>Enter the Complexity Lab\u003C/strong>. Indianapolis, Ind & Sams, 1994.",{"id":51,"label":52},"a6c95a53-6ab0-4380-b44e-c012d5cd61d8","QUÉAU, Philippe. \u003Cstrong>Metaxu: théorie de l'art intermediaire\u003C/strong>. Paris: Champ Vallon, 1985.",{"id":54,"label":55},"92319dcd-233b-4c9b-a7a6-3aaf769833c2","SILVA, E. Do simples ao complexo: itinerário da irreversibilidade, in Garcia (org). Um novo paradigma:em ciências humanas, física e biologia. Belo Hotizonte:UFMG.",{"id":57,"label":58},"1e3306bf-1c97-44b8-b989-1222bc952afb","WALDROP, M.M. \u003Cstrong>Complexity: The Emerging Science at the Edge of Chaos\u003C/strong>. New York: Simon and Schuster, 1992.",{"id":60,"label":61},"9aefeb0d-e3e6-4a55-826f-a6fcd935f10c","WEIBEL, Peter. \u003Cstrong>The World as Interface: toward the construction of context-controlled event-worlds\u003C/strong>. In DRUCKREY, Timothy. \u003Cstrong>Electronic Culture: technology and visual representation\u003C/strong>. NY: Aperture, 1996.",1594,"8yabk9z2","",{"primary":66,"secondary":70},{"keywords":67,"excerpt":68,"title":69},"interestética, design de interação, complexidade","Neste artigo, discutimos relações entre estéticas emergentes e \u003Ci>design\u003C/i> de interação a partir de conceitos advindos da interface contemporânea arte-ciência-design. Modelos subsidiários da pesquisa foram: a) estudos da complexidade, em especial a estruturação e auto-organização de sistemas; b) a identificação de condições para a emergência de processos de mutação, auto-organização e evolução de sistemas e seus agentes no contexto do \u003Ci>design\u003C/i> e da arte; c) a aplicação de tais conceitos à arte e ao \u003Ci>design\u003C/i>.","Arte, design e estéticas emergentes",{"keywords":71,"excerpt":72,"title":73},"interaesthetics, interaction design, complexity","In this article we discuss relationships between emergent aesthetics and interaction design. Starting points are contemporary interfaces on art-science-design. Subsidiary models were a) complexity studies focused on self-organisating systems; b) identification of proper conditions for emergent mutation, auto-organisation and evolution of systems and agents c) applying former models to art and design.","Art, design and emergent aesthetics",[75],"art_design_and_emergent_aesthetics",{"target":77,"query":78},"articles/get",{"slug":75},1780315949054]