[{"data":1,"prerenderedAt":76},["ShallowReactive",2],{"article:a-study-between-form-and-content-in-literary-books-a-analysis-proposal":3},{"success":4,"article":5,"request":73},true,{"parent":6,"langs":7,"_id":10,"contributors":11,"typeData":20,"data":62,"slugs":71,"slug":72},"39f260d6-d61f-4dfe-b1f7-a6c315c260bd",[8,9],"primary","secondary","9e731d4a-ae2f-492e-966b-7b48c574d659",[12,16],{"lastName":13,"name":14,"_id":15},"Falcão","Luiza","0393806c-09cd-4245-ac25-bbb52fd9525f",{"lastName":17,"name":18,"_id":19},"Aragão","Isabella","874dd75c-fb57-4a4b-9b97-8a1dfe8efcc6",{"startPage":21,"references":22,"endPage":59,"track":60,"has_file":4,"doi":61},3229,[23,26,29,32,35,38,41,44,47,50,53,56],{"id":24,"label":25},"9dbe3061-d60a-46af-a506-38055074dfac","\u003Cp>BAINES, Philip. & HASLAM, Andrew. \u003Cstrong>Type & Typography\u003C/strong>. London: Laurence King Publishing Ltd, 2002.\u003C/p>",{"label":27,"id":28},"\u003Cp>CHENG, Karen. \u003Cstrong>Designing Type\u003C/strong>. London: Laurence King Publishing Ltd, 2006.\u003C/p>","0fa3bc1a-8abb-4909-960e-e85a6576bd3a",{"label":30,"id":31},"\u003Cp>COSAC NAIFY. \u003Cstrong>Coleção Particular\u003C/strong>. Disponível em: \u003Chttp://editora.cosacnaify.com.br/SubHomeSecao/16/Coleção-particular.aspx > Acesso em: 20 nov. 2011\u003C/p>","d6b9163f-a48c-4253-a759-e91841f05ec6",{"label":33,"id":34},"\u003Cp>DIXON, Catherine. Describing typeforms: a designer’s response. \u003Cstrong>Infodesign (SBDI)\u003C/strong>, n.2, v. 5, 2008.\u003C/p>","9f125193-fda6-4318-b15a-81f3453e6102",{"id":36,"label":37},"0784a91c-e0b5-4b44-896d-cc25ddbdc1b5","\u003Cp>FRUTIGER, Adrian. \u003Cstrong>Sinais e Símbolos\u003C/strong>. São Paulo: Martins Fontes, 2007.\u003C/p>",{"label":39,"id":40},"\u003Cp>GILL, Eric. \u003Cstrong>An Essay on Typography\u003C/strong>. Boston: David R. Godine, Publisher, 1988.\u003C/p>","4f38e4f7-a2ec-4034-abac-7c65a7ef514a",{"label":42,"id":43},"\u003Cp>LEEUWEN, Theo Van. \u003Cstrong>Towards a semiotics of typography\u003C/strong>. Disponível em: \u003Chttp://faculty.washington.edu/thurlow/com210b/readings/vanleeuwen(2006).pdf> Acesso em: 20 nov 2011.\u003C/p>","8641427b-a30e-4084-8c3b-a858dd5ff0ee",{"id":45,"label":46},"d47957b0-48cd-4a8b-bed3-cf336b5dd1d9","\u003Cp>LOPEZ, Fábio. \u003Cstrong>Tutorial flopez\u003C/strong>. Disponível em: \u003Chttp://issuu.com/fabiolopez/docs/tutorial_flopez> Acesso em: 20 nov. 2011a\u003C/p>",{"label":48,"id":49},"\u003Cp>LOPEZ, Fábio. \u003Cstrong>Tipografia de texto\u003C/strong>: Pesquisa, planejamento e construção. Disponível em: \u003C http://www.designemartigos.com.br/wp-content/uploads/2010/02/tipografia_texto-fabio_lopez.pdf> Acesso em: 20 nov. 2011b\u003C/p>","6eec2b2c-7f96-4707-bf70-bb4695068b9b",{"label":51,"id":52},"\u003Cp>SAMARA, Timothy. \u003Cstrong>Design Elements\u003C/strong>. Gloucester: Rockport Publishers Inc, 2007.\u003C/p>","39abcc70-3127-4a3c-9f4c-05769138954f",{"label":54,"id":55},"\u003Cp>TRACY, Walter. \u003Cstrong>Legibility and Readability\u003C/strong>. Disponível em: \u003Chttp://courses.washington.edu/des376/readability.html> Acesso em: 20 nov. 2011\u003C/p>","7c02bf4a-28e0-4e05-aff8-0e2359ae01c2",{"label":57,"id":58},"\u003Cp>WARDE, Beatrice. \u003Cstrong>The crystal goblet\u003C/strong> : sixteen essays on typography. Cleveland : World Pub. Co., 1956.\u003C/p>","76f05768-9c2d-45d4-b331-9c647291c1e8",3243,"czb3v6h1","",{"primary":63,"secondary":67},{"keywords":64,"excerpt":65,"title":66},"\u003Cp>design editorial, projeto gráfico, tipografia, análise\u003C/p>","Nota-se no design editorial de livros literários que a tipografia é o elemento visual predominante, tendo em vista que grande parte do conteúdo é composta por palavras. Pode-se admitir, portanto, que a análise formal da tipografia utilizada é de grande valia para a compreensão de suas potencialidades significativas. A escolha tipográfica pode ser melhor sucedida quando vai além dos pré-requisitos técnicos e se torna um participante ativo, capaz de transmitir conceitos relevantes ao projeto gráfico. Este artigo propõe uma proposta de análise apta a descrever o projeto gráfico e desenho do tipo em conceitos que possam ser relacionados ao conteúdo da obra.","Um Estudo Entre Forma e Conteúdo em Livros de Literatura: Uma Proposta de Análise",{"keywords":68,"excerpt":69,"title":70},"\u003Cp>editorial design, graphic project, typography, analysis\u003C/p>","It is noticed that in the editorial design of literary books, typefaces are the predominant visual element, in view of the content, formed mostly by words. It is possible to admit that the formal analysis of the chosen typeface is very important to the comprehension of it’s significative potential. The choice of the typeface can be most well succeed when it goes beyond the technical requisites and becomes an active participant, capable of transmit relevant concepts to the graphic project. This article proposes an analysis proposal capable of describing the graphic project and the typeface drawing into concepts that can be related to the books’ content.","A Study Between Form and Content in Literary Books: A Analysis Proposal",[72],"a-study-between-form-and-content-in-literary-books-a-analysis-proposal",{"target":74,"query":75},"articles/get",{"slug":72},1780315939599]